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Micheal Myers vs Jurassic Park
By aragorn_8
Author's note: Dont come crying to me just cuz Michael aint in most of this, its hard to fit him in with a
story full of dinosaurs!
****************************************
FADE IN:
A glowing AMBER CRYSTAL of some sort STRIKES across the
screen,
a misquito of some sort incrusted inside, the JURASSIC THEME
thunders in, and the AMBER bursts to shreds revealing a
GLOWING,
eerie JACK O LANTERN, the JURASSIC THEME crosses with the
HALLOWEEN THEME, a horrifying clatter of two classic themes
coming on at the same time, TITLE CARD:
Jurasic Park Vs. Michael Myers
SMASH TO:
INT. ISLA NUBLAR - JUNGLE FOREST LAND - DAY
A snort of some animal roars into the bushes as some sort of
ANIMAL jumps from it, landing to another bush, watching a
STEGOSAUR munching away on some plants. This ANIMAL lets out
another snort, it rears back, ready to pounce, when SUDDENLY
WE---
HEAR A LOUD HORRIFYING ROOOOAAAARRRRRR in the distance, a
T-Rex is approaching and it doesn't sound happy. Immediately
the Stegosaur lumbers away, and the ANIMAL recoils back
revealing
its a VELOCIRAPTOR, it scatters away into the endless jungle
of
ferns and vines.
PAN TO THE SKY, a huge TOWER SIGN looms in the distance, it
reads JURASSIC PARK, 1993. Its torn and worn down, in fact
almost all of the letters are ripped off. Its been Seven
Years since we first saw this park, (Dr. Grant, Dr. Sattler
not the island in THE LOST WORLD) and it looks basically the
same.
The ROOOAAARRRR continues as we
DISSOLVE TO:
INT. KYLE'S HOUSE - DAY / LIVING ROOM
The CAMERA pans over to the black leather couch where we
see 14 year old KYLE STRODE talking endlessly on the phone,
he switches channels simutaneously on tv.
KYLE
(on phone)
Its only been a month since IT
happened... (pause)... oh you
know what I mean!...(pause) Uh,
no. No that's not what happened.
Didn't I tell you? Me and my little
cousin were trick or treating?
(pause) We got chased into a Ware
House? Michael chased us all the
way back to my house? (pause)
Hello? Oh sorry, wrong number.
He hangs up, and turns off the tv. The boy stares outside
and sees that the sun is partially setting. His mom walks
in and looks at him.
MRS. STRODE
Are you sure you don't want to
do anything while you're on your
Christmas Vacation? The year 2000
is coming up and people these days
are getting pretty hectic with all
this revelation stuff.
KYLE
Thanks mom, but I'm sure I'll be
fine.
MRS. STRODE
Uncle Mel is going to the Bahamas.
Kyle shocks up.
KYLE
The Bahamas??
MRS. STRODE
Yess....
KYLE
Oh god yes! I wanna go! Please
please please please please please?!
MRS. STRODE
Yes yes you can go! Its only for
a week and-
The boy runs out of the room in glee.
MRS. STRODE
(calling after him)
He doesn't leave in another 2
days!
KYLE
(O.S.)
Who cares?!
CUT TO:
EXT. AIR PORT / HELICOPTER AREA
A whirlwind of action, as a single Helicopter rears its
engine as the two top propellers pick up speed. KYLE
steps into frame along-side his uncle Mel, laggage packed,
and all else.
But what they don't see, is a DARK FIGURE sneaking aboard
the copter, soon after KYLE and MEL enter as well.
BIRD'S EYE VIEW OF HELICOPTER, it lifts up into the air,
and flies out of view.
CUT TO:
EXT. OCEAN / EXT. HELICOPTER
A vast view of the endless reaches of the sea. Beautiful
and delicate, the COPTER sails across the sky.
INT. HELICOPTER
Kyle stares out of the window helplessly, he's fascinated
with the view. Beside him is his uncle, typing feverishly
against the keyboard of his cordless laptop.
KYLE
Wow, I can't wait to get to the
Bahamas. I've never been there
before
MEL
Well thats nice, Kyle.
KYLE
Thank you SOO much for bringing
me. Its such an honor.
MEL
Your welcome. So, how are your
friends doing?
Kyle busies himself again by staring out the window, his
face begins to weaken.
KYLE
They're all dead, Uncle Mel.
Mel shoots up from the laptop, surprised.
MEL
Huh? Oh! OH! Yeah, my nephew
went on a murder rampage on your
again, now I remember!
Kyle wipes away an incoming tear, Mel continues to type.
SUDDENLY, s jolt of TURBULENCE smacks the helicopter off
course,
it begins to REAR BACK. Kyle bonks his head on the window
while Mel drops his laptop to the floor.
KYLE
What the hell--?!
The boy moves for the sliding window which opens up to the
Pilot side, he slides it open and sees the face of MICHAEL
MYERS! Kyle retorts back with a scream, Michael moves out of
the way to reveal the DEAD PILOT, who is slumping down on
his
controls, the HELICOPTER starts to flail helplessly toward
the
ground..
MEL
OH MY GOD---
The leathel hand GRABS the Uncle by the neck and snaps it,
he
grabs his knife and swings it at Kyle. The boy dodges the
attic,
and suddenly the DOOR ON MEL'S SIDE slides open, Mel's body
falls
out and slashes into the ocean. The COPTER takes a sharp
left turn, leaving it TILTING TO THE OPEN DOOR SIDE! Kyle
grabs hold of a metal bar, he dangles there helplessly as
everything else falls out of the wide open door, MICHAEL
drops his knife, it clutters down the fabric of the seating
and it falls out of the door.
EXT. HELICOPTER
It sways violently, still tilted, the WIND picks up and it
knocks the copter back on course.
INT. HELICOPTER
The open door slams shut, and KYLE is sent spiraling toward
it just as it closes. Michael still's hasn't given up, he
smashes the glass panel and moves toward the boy. But Kyle
immediately kicks the guy in the face, sending Mickey flying
back into his seat.
EXT. OCEAN / ISLA NUBLAR
The Copter is picking up more speed, swaying back and forth
and doing sloppy loops in the air, we finally see the
OUTLINE of an island, they're approaching ISLA NUBLAR.
INT. HELICOPTER
The struggle continues. Michael breaks the glass panel
fully, and outstretches two arms which wrap around Kyle's
neck. The boy is throttled violently, but his elbow slips on
the handle of one of the doors, it crashes OPEN and KYLE
flails out!
EXT. HELICOPTER
Kyle falls for only a second, and he grabs hold onto a metal
bar attached to the bottom of the copter, he hangs on for
dear life.
The Shape stumbles into the backseat of the Copter, and he
peers out of the opened door, and sees Kyle clinging on. A
beat, and
the plane starts to tilt DOWN, speeding toward the ISLAND!
The force of the wind is so strong, it sends the SHAPE
hurling out of the Helicopter as well! KYLE'S POV: a blur of
wind, and the SHAPE falling into a mix of jungles and
forests.
REVERSE SHOT, Kyle barely makes it back into the backseats
of the Helicopter....
Then...
WHHHAAAMMM!!!!!! CRASH BOOM!!!!!
INT. ISLA NUBLAR / BEACH - LATER
The main part of the shot is the crumbly remains of the
helicopter, bits of debris float up into the air, a small
fire burns in the middle of the beach.
TRACK TO:
The largest peice of the debris.
A long moment.
We might actually think this is the END of Kyle Strode....
....when suddenly...
Someone coughs. A struggle of breath, and the debris flips
over to reveal...
KYLE!
He makes a weak attempt to stand, he quickly checks his
surroundings, and collapses out of exhaustion.
DISSOLVE SLOWLY
TO:
INT. BEACH / DUSK
The cawing of birds his heard in the distance, KYLE is still
asleep, the fire is gone. We hear MUSIC start up... slow and
sad.
JEWEL (V.O.)
If I could tell the world one thing,
it would be, "we're all ok". And not
to worry cuz worry is wasteful and use
less in times like these...
Another long moment...
JEWEL
Wont be useless, I wont be idled with
dispare, I will gather myself around
my faith, for light is what darkness
most fear...
Kyle awakes. He looks groggy and disoriented, he breathes
slowly... but is interrupted by a loud SSSCCRREECCHHCCHHH
erupting from somewhere in the bushes. The boy turns around,
trying to place the noise.
CUT TO:
EXT. FOREST - THE NEXT MORNING
A layer of mist surrounds the forest, birds caw in the
distance,
chirping and animal noises are all you can hear. PAN TO
KYLE:
struggling out of the mix of vines and trees, limping down a
natural path.
NEW ANGLE, the boy skids down a steep hill, almost losing
balance. As he gets to the bottom, he enters a wide,
peaceful
clearing.
He looks around, dumbfounded by all the beauty. A ominous
MOAN
looms, Kyle shocks up.
EXT. CLEARING
A wide, grazing hill, followed by a large POND, the sun
shining brightly down from the heavens.
KYLE
Wow...
Suddenly, a "TREE TRUNK" FROM behind KYLE spurts to life,
and seems to LUMBER ABOUT as if acting like a leg!! WIDER
SHOT: revealing that these "tree trunks" are actually the
legs of a Brachiosaur! Cue JURASSIC PARK THEME
KYLE
WHAT THE FUC-!?
The ground POUNDS as this large creature steadily walks
toward
the large pond, Kyle stumbles into a hysteric mass.
KYLE
Oh my... Oh... dear lord.. I..
er... uh.. Ah....
The dinosaur CRASHES into the pond, water comes up in
GIESERS,
we see many of its OFFSPRING joyfully splashing about.
KYLE
Where the HELL am I?
The dinosaurs remain, Kyle stares helplessly, but all this
peace and joy is shattered when the excrushiating
RRROOOAAARRR of the Tyrannosaur bursts into the land. Kyle
whips around like lightening, but the dino's react a
different way, the little ones flee instantly, the adult
takes a while longer but it eventually storms out of there
with the rest.
No longer than that, is when the ground immediately begins
to RUMBLE, boom, boom, boom, boom...
ON KYLE, he dashes for the closest shelter, a worn out shack
of some kind, its kinda rusty and it could collapse on its
own, but hell its something.
KYLE'S POV
The enormous T-REX thunders out of the forest in a fantastic
shower of bark and shredded trees. It bobs its head back and
forth, kinda like a bird, stalking the empty area,
inspecting everything.
ON KYLE,
scared out of his MIND.
BACK ON THE REX, it sniffs the cheery air momentarily, and
suddenly its head sways and stops dead at the sight of the
SHACK. Uh oh.
KYLE
Please god please god please
god please god please god...
EXT. SHACK
EXTREME CLOSE UP SHOT on the shack, the REX'S HEAD sways
into frame, a sinister evil glaring in its eyes. REX'S POV:
Kyle, in the shack, going hysteric, similar to Lex in
Jurassic Park in the T-Rex-car-scene.
INT. SHACK
The boy watches in absoloute horror as the PUPIL of the
Rex's Eye fills up the broken window. All Kyle can do is
scream! The rex reacts with a scream of its, own, and begins
to smash up the shack with its head. Kyle plummets to the
ground as the entire roof crumbles in a shower of blistered
wood and rusty metal. One wall tears down completely, leavin
the other three to collapse.
EXT. SHACK
Kyle immediately makes a break for it, tearing down the
natural path and running cunningly into the forest.
INT. FOREST
The rex isn't too far behind, Kyle is literalling running at
the Rex's feet. ON KYLE, he leaps over a bush, followed by
the Rex's foot curshing it fully. ON REX, snarling and
growling UPROARIOUSLY.
KYLE
Get away from me....!!!
T-REX'S POV: she's high in the air, looking down at Kyle
like god.
KYLE'S POV: on ground, looking straight ahead. It doesn't
take long to see that he is approaching the VISITOR'S
CENTER.
INT. VISITOR'S CENTER
Kyle CRASHES into the building and SLAMS the door insantly
behind him. From behind the door we hear the rex letting out
a roar, then we hear it retire back into the forest.
Then, silence.
Kyle slumps down onto the floor, he inhales.
MUSIC starts up again...
JEWEL
We will fight, not out of spite,
but someone must stand up for whats
right, for when there's a man who
has no voice, then we shall go sing...
CUT TO:
INT. POWER ROOM (engineering room)
This is the same room we saw when the baby raptor was
hatching out of its egg. Of course, its been 6 or 7 years,
and its kind of run down, just like every other room in the
Visitors Center. Kyle enters.
KYLE
Hello? Hello? Is someone here?
Um I think the animals that u
are keeping here grew a bit...
Silence. Just an electrical humming.
KYLE
Um... hello?
KYLE'S POV:
the room is fairly dark and completely deserted. The only
light we see is the light from the sun peering into the
room. He looks
around a bit more, and grabs a flashlight.
NEW ANGLE
He slowly and steadily walks down an alley way, slowly
passing computers and old nests, his flashlight shines on
one particular nest, the eggs in it seem to have already
hatched.
KYLE
Hello...
...is all the boy can say....
SUDDENLY
a dark FIGURE swings across Kyle's path and rushes into the
darkness, Kyle stumbles back, about to run away. But he
stops himself, it was a bit slow, not from a dinosaur,
almost like
a human....
KYLE
Who's there??!
He points his flashlight toward a shadow, he follows the
light
until he comes upon a FIGURE....
KYLE
Please god please god please god...
Kyle finally pinpoints his flashlight to the FIGURE, to his
shock the figure SCREAMS! Kyle screams, too!
KYLE
AHHH....
FIGURE
AHHHH!!!!!!
The boy stops, he comes to focus his eyes on... A LITTLE
GIRL! This is Rebecca, blondish around 8 or 9, she wears
dirty clothes and her hair looks like she just got a cut by
OJ Simpson.
REBECCA
WHO ARE YOU!?
KYLE
I'M KYLE STRODE WHO THE HELL
ARE YOU!?
Rebecca steps back, inhaling.
REBECCA
I'm Rebecca, my friends call
me Becky..
KYLE
Why are you here? In fact WHERE
are we???!
REBECCA
When did you come here.
KYLE
I... well... my helicopter crashed
here... my uncle died.
The two kids exhale, more relieved now. Kyle looks at her.
KYLE
Can you tell me where we are? Or in
fact, why you're here?
REBECCA
I'm sorry.... but... my whole family
died. We were going on a private cruise..
We got stranded here... my mom told me
to go find some bark for the fire...
A tear rolls down her cheek.
REBECCA
When I came back all I found were bloody
corpses...
She begins to cry. Kyle takes a step back, he stares at the
crying girl.
KYLE
I'm... I'm sorry... do you... know where
we are?
Becky wipes away her tears, faces Kyle.
REBECCA
I'm not sure... but we're in this weird
island with...
She stops herself, unsure.
KYLE
With what?
BECKY
...with dinosaurs.
Kyle bursts out laughing.
KYLE
Dinosaurs?! They died... what, 65
million years ago?
BECKY
I saw you running from the biggest
dinosaur, what do would you call THAT?
KYLE
An over-fed cheetah, ok?
BECKY
How long have you been here.
KYLE
The copter crashed yesterday.
BECKY
My family got killed a day before that.
KYLE
Have you seen any of these animals?
BECKY
Yes. The biggest one chased me.
KYLE
Are you... ok?
BECKY
I'm fine.
KYLE
I'm just gonna go and see if I can
find some help, you know, soldiers,
police, they'll be able to help.
BECKY
It wont make, a difference...
Kyle looks at her strangely.
KYLE
Believe me, I know, good can come
over evil.
BECKY
I said, it WONT MAKE a difference.
KYLE
Look, do you want me to tell you a
story about what happened to me on
Halloween night this year?
BECKY
Do what you must.
KYLE
First of all, my pyscho-path uncle
came and tried to kill me for the
SECOND TIME, then he killed my father,
my friends, oh, and not to mention the
year before THAT, that was more horrifying.
You see I was babysitting-
BECKY
-then Michael Myers came along, killed
all of your friends then tried to come
after you and then he knocked you out
and you dreamt that you killed him but
I guess you didn't, huh.
Kyle looks at her.
KYLE
How do you...
BECKY
I live in Morningside, Kyle. I know
what happened. Niles was my big brother.
KYLE
He was...? Oh... wait! I remember you
now! You were at this art camp thing
when it happened...
BECKY
And I have been missing him ever since.
Little girls have feelings too, Kyle.
KYLE
I know that.
BECKY
But having your entire family killed off,
that's certainly a one-way ticket to therapy
land.
KYLE
Michael Myers... he's trying to kill off
his family, too.
BECKY
My mommy knew Laurie Strode. She said that
the last time she saw her was when she was
going to go babysit with Annie.
KYLE
Really? Laurie Strode is my sister.
BECKY
Your family is weird, if Laurie was alive
today, you would have a 38 year old sister.
KYLE
Hey, I have a 42 year old brother. Besides,
my mom and dad weren't that old when they
had me.
BECKY
Yeah, they must have been, what, a 57?
Kyle and Becky laugh, a bonding moment.
KYLE
Aren't you scared those things might break
in here?
BECKY
Yes, but I try not to think about it...
Becky sighs, Kyle glances out of a window, the sun is
beginning
to set.
CUT TO:
INT. GIFT SHOP - LATER
This is no longer a gift shop, all the tables and what not
are
overturned, its a mess, but we see a sleeping mat placed in
the
center, Becky is lying on it, Kyle sitting beside her.
BECKY
My mommy said there are no such things
as monsters, but there are, aren't there?
KYLE
Yes there are. Do you believe in the boogey
man?
BECKY
No.
KYLE
No? Well you should. You need something to
believe in.
BECKY
But I believe in god.
KYLE
Well if you believe in god, then you must
believe in the devil.
BECKY
The only time when I think of the devil of
the devil is when he gets his butt kicked
by god.
Kyle smiles.
KYLE
You should get some sleep.
BECKY
Ok.
CUT TO:
INT. ENGINEERING ROOM - NIGHT
Kyle is skimming through many gun racks, searching through
the various artillery.
His hand stops as he comes upon a flame-thrower.
INT. GIFT SHOP
We see Becky peacefully sleeping, then the SHADOW OF THE
SHAPE
fading into view at the doorway. Becky snores, and the Shape
ENTERS...
CUT BACK TO:
INT. ENGINEERING ROOM
Kyle puts the flame thrower back, and picks up a big ass
machine gun. He aimlessly points it to the ceiling and tests
it.
CUT BACK TO:
INT. GIFT SHOP
The Shape walks past man of the overturned tables,
approaching the sleeping girl.
CUT BACK TO:
Kyle, looking at his gun with satisfaction. He turns and
exits.
CUT BACK TO:
Becky awakes, she looks up at MICHAEL, who has his knife
raised in the air. She SCREAMS
CUT BACK TO:
Kyle, running down the hallway.
KYLE
BECKY?! BECKY WHERE ARE YOU...
INT. GIFT SHOP
Kyle crashes into the room, and sees the knife being raised.
KYLE
Hey! Asswipe!
In an instant Michael whips around, almosy surprised.
KYLE
Becky take cover!!!
The girl does as she is told and dives behind the cash
register, after this is done, Kyle lets loose on his gun,
bullets spew out all over the room. MICHAEL gets shot a
couple of times, but kicks
away a garbage can in front of him and approaches Kyle.
KYLE
Come on come on...
He begins to shoot another round, by ironically runs out of
ammo.
KYLE
Fuck! Becky! Come on!
Becky runs along-side Kyle as they tear across the room and
into the hallway, The Shape looming behind them.
CUT TO:
INT. HALL WAY
Becky chugs behind Kyle, he is trying to slow down his
frantic self so Becky can stay in pace. Kyle looks back, the
shadow of
the shape appears.
BECKY
(panicking)
WHO WAS THAT?!
KYLE
THE BOOGEY MAN!
They continue to run.
CUT TO:
INT. MAIN ROOM - VISITORS CENTER
First silence, but its torn when the two frenzied children
dash down the main stairwell, as they approach the bottom
Becky trips and skids across the floor. Kyle runs to help
her, but he turns
around and sees Michael descending the stairs.
KYLE
BECKY!!!
Kyle picks up the girl with his one arm, and with his other
he shoots the Shape continuously.
CUT TO:
INT. ENGINEERING ROOM - CONTINUOUS
They crash into the room, and insantly slam the heavy metal
door behind them. Kyle stops to catch his breath, Becky just
watches in fear as the Boogeyman struggles against the door
on the opposite side.
BECKY
What are we going to do???
Kyle thinks.
KYLE
Try to find a way out of here!
The pounding on the door continues, the two children run for
there lives.
EXT. VISITOR'S CENTER - DAWN
The sun is beginning to rise, Kyle and Becky thunder down
the front steps. They look around for a while. A jeep
appears out
of the corner of Kyle's eye.
INT. JEEP
The driver's side door opens, Becky stumbles inside and
climbs into the backseat, Kyke takes the driver's.
BECKY
Do you know how to drive?
Kyle cranks the engine.
KYLE
We'll see!
EXT. JEEP
The car starts up, it hesitates, but we hear Kyle kicking
something, and it skitters off into the far distance.
CUT TO:
EXT. JEEP / EXT. JUNGLE / CLEARING - LATER THAT DAY
Its a little later on in the day, a bit after noon, and we
hear the rumbling of an engine in the distance. We PAN to
the left and see KYLE'S JEEP still trudging through the
marsh-land.
INT. JEEP
Becky is staring out the window, watching rows of forest
life passing her. She looks up at Kyle, who has now gotten a
bit more relaxed in driving.
BECKY
Where are we going?
KYLE (O.S.)
To the crash-site, I wanna see if
the radio still works, maybe we could
call for help and get off this island!
The girl continues to stare out the window.
BECKY
I don't think it would. By the looks
of you I'd say the copter crashed real
hard.
ON KYLE, his memory scanning.
KYLE
Damn, you're right!
ON BECKY, rolling her eyes.
BECKY
Well where are we going now? The animals
are all over the island!
KYLE (O.S.)
They won't get us.
BECKY
Oh? And how would you know THAT.
KYLE (O.S.)
I'm sure of it.
BECKY
How many dinosaurs have you seen?
KYLE
Well, I saw these really tall ones with
noses above there eyes...
BECKY
Those are the brachiosaurs.
KYLE
Um, yeah... and I saw a T-Rex.
BECKY
I studied dinosaurs in the 2nd grade,
there are more species in the island.
KYLE
Well I studied dinosaurs too! There
cant be too many on the island.
BECKY
There are velociraptors.
EXT. JEEP
The vehicle skids to a stop.
INT. JEEP
Kyle turns around from his driver's seat to face Becky. She
studies his expression.
KYLE
What did you say??
BECKY
There are RAPTORS on the island.
KYLE
How do you know that?
BECKY
Because I saw them, they were hunting
me.
KYLE
They were hunting you?
BECKY
After I found my dead parents, one of them
came back to get me, I ran over to the Center.
KYLE
Oh my god-
SUDDENLY
A loud CLANGING THUD drops onto the roof, the SCREECHING of
a raptor follows! Becky screams in terror, Kyle steps on the
gas!
EXT. JEEP / ROOF
We see a RAPTOR has jumped onto the roof, its deadly talons
scraping against the metal.
MOVING SHOT OF JEEP, Kyle inside reaching hysteria, Becky
screaming her lungs out, the raptor puncturing the roof
little by little, trying to claw inside.
NEW ANGLE, EXT. FOREST
The jeep sways and skids down a pathway, knocking down baby
trees and bushes. The RAPTOR lets out a shriek, revealing
its razor sharp teeth.
INT. JEEP
Kyle turns the steering wheel around all the way, he gasps
as the jeep barely misses crashing into a tree. An ENTIRE
CLAW of the raptor convulses from the roof and tears along
it. This happens numourous times, the RAPTOR pounds on it
more and more, it looks like it could cave in. But KYLE
steps on it again, the Jeep THIS TIME smashes into a LAKE!
INT. LAKE / UNDER WATER SHOT
The jeep slowly sinks to the bottom, we hear the raptor
screaming, Kyle and Becky struggling to the surface.
EXT. LAKE - DAY
Becky and Kyle crash to the surface, breathing, spitting out
water. All we see is a slight ripple of water from the lake,
the Raptor underneath desperately trying to survive.
Then silence, the deep water has taken its toll.
DISSOLVE TO:
INT. GRASSY HILLS - LATER
Lush green hills, packed onto each other, followed by a
beautiful background of snowy mountaintops and what-not.
BECKY (O.S, approaching)
I'm tired!
We see the two children struggling up the hill.
KYLE
So am I, but you don't see me whining.
BECKY
I am not whining!
KYLE
Are too.
BECKY
Are not.
KYLE
Are too.
BECKY
Are not!
Silence.
BECKY
If I were driving the car I wouldn't have
drove it into the lake!
Kyle just stares ahead, dumbfounded.
KYLE
Look!
BECKY
Where?
BECKY'S POV:
we see what Kyle was staring at, an egg's nest!
ON NEST,
the two excited kids rush over and kneel beside them. No
parents in sight.
BECKY
Wow, what kind are they?
Kyle shrugs.
EXTREME CLOSE UP SHOT ON:
An egg. It crackles, and slowly begins to hatch.
KYLE
Whoa!
A tiny hand breaks through, gradually the egg sheds and out
of it we see a baby Triceratops.
BECKY
Oh my god! Wow! Its so cute!
The girl goes to touch it, but Kyle slaps her hand away, his
head perched in the air, he's listening.
BECKY
What?
Silence.
KYLE
Fuck, the parents are coming!
BECKY
What?
After a few second, the ground begins to RUMBLE and SHAKE,
in the far distance we see the two figures of mama and papa
triceratops, they certainly dont look happy.
BECKY
OH MY GOD!
They run for there lives.
ANGLE ON TRICERATOPS, it blows steam, and charges for Kyle
and Becky.
ON KYLE AND BECKY, panting, tired, begining to slow down.
KYLE'S POV: he looks behind him, the ceratops has slowed
down, its listening to something.
SUDDENLY
Thunder RUMBLES followed by a STRIKE of lightening, lashing
rain pours down onto the island.
NEW ANGLE ON FOREST, a REX screams its way out!
KYLE
Oh my god...
The two parents run off, the Rex begins to walk around,
studying the area.
ON BECKY AND KYLE, they're rushing up a talll tree, its
crown flourished with lots of leaves, the Rex will never
find them there.
INT. TREE
Becky starts to catch her breath, Kyle just watches in
horror as the rain comes down and as teh Rex stops RIGHT in
front of the tree.
EXT. TREE
The Rex looking at the tree, with curiousity.
INT. TREE
Kyle clamps his hand over Becky's mouth who is about to
scream, Becky stares at Kyle in anger.
KYLE
Ssshh! Be QUIET.
He leaves his hand, BECKY screams anyway!
EXT. TREE
The T-Rex lets out another ROAR, and begins to tear away the
leaves from the crown.
INT. TREE
The kids watch in terror as the tree begins to get stripped
away, immediately Becky and Kyle begin to climb back down
from the tree.
EXT. TREE
They run past the T-Rex's enmourmous legs, and slosh down
the wet fields.
CUT TO:
EXT. VISITORS - CENTER -
It has stopped raining. Kyle and Becky are standing outside,
wondering weather Michael is still inside or not.
KYLE
He could still be inside...
BECKY
But the only way to get out of here
is to call for help from in there!!
KYLE
I dont know...
BECKY
Pleeaasssee?
Kyle thinks.
KYLE
Oh alright.
CUT TO:
INT. VISITORS CENTER - MAIN ROOM
The kids step inside. Kyle looks around, Becky wanders
about.
KYLE
Ok, Becky, you wait in the kitchen
and WAIT THERE, ok?
BECKY
Ok.
KYLE
I'll be in the room with all the computers.
CUT TO:
INT. COMPUTER ROOM
Kyle opens up the steel door and instantly closes it again,
he looks out the window, making sure he was not being
followed.
He limps over to a telephone.
CLOSE ON TELEPHONE, LABEL READING:
Dial 394-9287 in case of emergency.
Kyle picks up the reciever and dials the number, he waits.
CUT TO:
INT. KITCHEN
This is the same kitchen in which we saw when Tim and Lex
were trying to hide from the raptors. BECKY enters, closing
the door behind her.
CUT BACK TO:
INT. COMPUTER ROOM
A person has recieved the call, Kyle nervously speaks into
the phone.
KYLE
This is KYLE STRODE and I'm stuck in
this island called Isla Nublar, we're
about 80 miles from the U.S. Border,
and we need HELICOPTERS here fast!
OPERATOR
Please tell me your co-ordinates.
Silence.
KYLE
How the hell am I supposed to know
that??
CUT BACK TO:
INT. KITCHEN
Becky watches the small window in the steel door, the eye of
a RAPTOR peers inside. Becky gasps.
CLOSE ON DOOR HANDLE,
the raptor fumbles with it, until it opens slightly.
The girl dashes across the kitchen, planting herself behind
a rack of utensils.
CUT BACK TO:
INT. COMPUTER ROOM
OPERATOR
Ok, Special Forces will be there in
around 20 minutes.
KYLE
Well tell them to go faster!
He hangs up.
CUT BACK TO:
INT. KITCHEN
The raptor crashes inside the kitchen, the door swings open
as it does.
ON BECKY,
trying to keep quiet, her POV: we see teh Raptor only two
shelves away.
She turns back to her hiding spot, quietly crawling toward
the WALK-IN FREEZER.
CUT BACK TO:
INT. COMPUTER ROOM
Kyle turns toward the door, he opens it, and OUT POPS
MICHAEL,
the boy screams and slams the door again, locking it.
CLOSE ON WINDOW, it smashes open and MICHAEL'S HAND pops
out,
and grabs hold of Kyle's neck.
CUT BACK TO:
INT. KITCHEN
The raptor is right behind the rack, it sneers, sniffing the
air,
it doesn't seem to see the girl, it jumps into the air and
lands
on a shelf, scanning the area.
ON BECKY, she hurries out of her hiding place and crawls
down a
narrow passage of steel shelves on either side of her, she
approaches the end, and takes a left.
PAN ABOVE
to reveal another RAPTOR, locking eyes on the girl, leaping
up
from the enterance to the doorway-
BECKY breaks into a SCREAM and scrambles to her feet,
running
like hell on highwater toward the WALK-IN FREEZER
CUT BACK TO:
INT. COMPUTER ROOM
Kyle lashes out weakly, trying to bat away ethe leathal
hands,
Michael just squeezes harder.
KYLE
AHH...
The boy reacts like a cat and drives his teeth into the
monster's
hand, Michael breaks away, Kyle just grabs for a rifle then
hurries off.
INT. KITCHEN
Becky hurls open the large steel door, the RAPTOR jumps
beside her, she immediately rushes inside.
INT. WALK IN FREEZER
Ice crystals incrusted into the walls, Becky falls and slips
on the icy floors, knocking into a rack of STEAKS. She grabs
one,
and tosses it to the raptor in front of her.
It gobbles it up, Becky dashes for the door, falls again.
The Raptor screeches, attempts to jump, instead it slips on
a piece of ice and crashes into a rack of frozen fish. Becky
screams, runs for safety.
CUT TO:
INT. HALL WAY - 2ND FLOOR
Kyle reaches the stairs, a mad force driven within him, he
runs down them with superhuman speed, he descends and looks
around.
KYLE
BECKY!!?
After a few moments, Kyle watches in terror as BECKY runs
across his path, screaming, she hurls open a gate doorway
labelled "BOILER ROOM", following her are a bunch of
raptors, they dont see Kyle, just running after Becky.
KYLE
BECKY!!!!
He makes a break for it, pushing the doors open in front of
him, he enters-
INT. FREIGHT ELEVATOR
The elevator descends. Bars of light move rhythmically
across him as Kyle stands facing the doors, watching the
landings go by. The heat grows more intense.
Pipes glowing cherry-red pass by. Steam hisses and billows.
The lift clatters in a steady beat. Hypnotic. Kyle removes
his jacket and dons a battle harness directly over his
T-shirt.
His hair is matted, and he glistens with sweat. His eyes
burn with a determination that holds the gut-panic in check.
The elevator descends. He checks his weapon.
Attaches a BANDOLIER OF GRENADES to his harness. Primes the
flamethrower.
Checks the rifle's magazine. Racks the bolt, chambering the
first round. He checks the MARKING FLARES jammed in the
thigh pockets of his jump pants.
He drops an unprimed grenade, trembling, forcing himself to
be strong. We SEE he doesn't know doodley about grenades.
This is the most terrifying thing Kyle has ever done. He
begins to hyperventilate, soaking with sweat. His fingers
slick and slippery on the rifle. The elevator descends.
The lift motors whine, slowing. It hits bottom with a bump.
The safety cage retracts. Slowly, expectantly, the doors
open.
HIS P.O.V. THROUGH the parting doors...an empty corridor.
Dark, swirling with steam, a ruddy glow VISIBLE here and
there.
It seems to have been a descent into Dantean Hell.
The air itself vibrates with heat distortion.
Couplings groan. Machinery whines and throbs. Like the
beating of a vast heart the pounding of massive pumps echoes
through the boiler room.
INT. CORRIDOR
Kyle steps into frame, he jitters down the poorly lit
passage, his voice breaking-
KYLE
My lucky star.. lucky lucky lucky
lucky lucky...
CLOSE ON HIS FINGERS,
shaking sympathetically, poised with a death lock over the
trigger, he's about ready to fry anything in his path.
TIGHT ON KYLE, another streak of sweat glides down his
forehead, he points the flamethrower aimlessly about, his
hyperventilating
has started up again.
SSCCCRREEECCHH... the sound of a hungry raptor.
Kyle reacts with a scream, he swings around in a circle, a
stream of fire following from his thrower. He does this over
and over a gain, until he hears no more screeching.
Stopping, he drops to his knees, trying to calm himself, he
holds his intensely shaken hands under his knees.
KYLE
Lucky lukcy lucky lucky...
He stands back up when...
Without warning it moves like lightning, straight at him.
Kyle spins, sprinting, as the creature leaps for him.
Its feet slam, echoing, on the deck behind him.
He clears
a door, moving for the elevator, the raptor approaches when
Kyle Hits the switch, incidentally the raptor jumps inside,
it was intending to jump after Kyle. It WHIRRS closed. BOOM.
The
Raptor hits a moment later.
Kyle makes a run for it, charging down the dark corridor
lying ahead.
INT. NEW CORRIDOR
Kyle blinks sweat out of his eyes, moving through the
swirling steam of the never ending maze. He approaches an
intersecting tunnel. Flashing emergency lights
illuminate the insane fresco of the walls.
He spins,
firing the flamethrower. Nothing there. He whirls
back. Moves forward, trembling and adrenalized.
INT. STAIR WELL
Lying unconcious on the steel incoded stairs is BECKY, by
looks of the bloody gash followed by a bruise on her
forehead, she appears to have been knocked out. She awakes,
aware of her surroundings, she squirms down the stairs, and
sees she is staring right into the eyes of an ALMOST GROWN
UP Raptor!
She screams in terror.
INT. NEW CORRIDOR
Kyle hears the scream and breaks into a run.
EXT. STAIR WELL
Becky watches as the raptor bares its razor sharp teeth,
Kyle runs in just as it is tensing to leap, and FIRES,
blasting it with a burst from the assault rifle.
The flash illuminates the figure of an adult raptor, nearby.
It spins, moving straight for Kyle. Firing from the hip he
drills it with two controlled bursts which catapult it back.
He steps toward it, FIRING AGAIN. His expression is
murderous. AND AGAIN. It spins onto its back.
He unleashes the flamethrower and it vanishes in
a fireball. Kyle runs to Becky. He swings her up
onto her back.
KYLE
Becky, I want you to hang on
now, and hang on tight! Ok?
Groggily Becky hooks her arms and legs through the belts
of Kyle's battle harness as Kyle picks up her
weapon.
More raptors are moving toward him among
the blasts of steam. He fires the flamethrower. Some raptors
are engulfed. One of the raptors lunges forward, a
living fireball.
He blasts it in half with two
bursts from the M-41A. Kyle retreats, ducking under
a glistening cylindrical mass. A PIERCING SHRIEK
fill the chamber. He turns. And there it is.
A massive silhouette in the mist, The large T-Rex himself.
How did he get in? Who knows. It lets out a arrogant roar,
The creatures vanish in rapid-fire flashes.
Kyle
backs away, venting his terror in a sustained orgy
of fire as he blasts everything that moves in one
long eye-searing expenditure of energy. Then he
dashes into the catacombs, navigating by sheer primal
instinct.
INT. CATACOMBS
Kyle runs, blindly, with panting intensity verging
on hysteria. Impressions crash upon him...the maze
blurring by, sirens howling, the boiler room rocking with
explosions, emergency lights flashing, steam blasting,
red-hot steel hissing.
Reality itself is reduced to
a concussive series of strobelike instants of
relentless forward motion.
BECKY
What's going on?!
KYLE
I set the center on Self Destruct!
BECKY
YOU WHAT?!
INT. CORRIDOR
The large animal rears itself, moving its huge and powerful
hind legs and it LUMBERS out of there, trying to follow the
two.
INT. CORRIDOR / EXT. FREIGHT ELEVATOR
Kyle uses the flamethrower ahead of him, firing
bursts of pulse-rifle fire down side corridors at
indistinct shapes and shadows. The weapon is empty
when he reaches the freight elevators.
A mass of
debris, falling down the shaft from a higher level,
has demolished the life cage he descended in. He
slams the control for the other cage and hears the
sound of the LIFT MOTOR'S WHINE as it begins its
slow descent from several levels up.
AN ENRAGED
SCREECH ECHOES in the corridor. Kyle sees a
silhouette moving in the smoke...a glistening black
shape which FILLS THE CORRIDOR TO THE CEILING...THE
REX. His last cartridge is reading zeroes.
The
flamethrower sputters uselessly when he tries that.
The grenades are gone. Kyle drops the weapon and
looks up the shaft to the descending lift...then at
the approaching FIGURE.
The elevator won't be in time.
He runs to a ladder set in the wall as a horrendous
screech beats in his ears. He scrambles up the
rungs.
INT. SECOND LEVEL
Kyle struggles up through a narrow hatch, Becky
clinging to him. He dives aside as a RAPTOR
shoots up through the opening, its
razor claws slamming into the grille-floor inches
from him. Kyle bats it away, it screeches and falls
into the endless abyss.
Looking down through the grille he
sees the great horrifying jaws directly below him,
wet and leering. He scrambles up, running, as
the grille-floor lifts and buckles behind him
with the titanic force of the creature below.
It hurls itself with insane ferocity against the
metal, pacing him from below as he runs.
INT. STAIRWELL
Kyle reaches an open-grid emergency stairwell and
sprints upward. It rocks and shudders with the
boiler room's death throes.
VOICE
You now have six minutes
to reach minimum safe
distance.
INT. CORRIDOR - ELEVATORS
The lift reaches bottom, the doors rolling open.
The Rex turns and freezes, as if contemplating
the open lift cage.
INT. STAIRWELL
Kyle stumbles, smashing his knees against the
metals stairs. As he rises he hears the LIFT
MOTORS start up.
Looking down through the lattice work of the boiler room he
sees the life cage start
ominously upward. He knows there is only one
explanation for that.
He runs on, the stairwell becoming a crazy whirl
around him.
EXT. LANDING PLATFORM
Kyle, with Becky still clinging to him, slams
through the door opening onto the platform. Kyle
spots the exit door.
EXPLOSIONS
detonate in the complex far below and huge fireballs
swell upward through the machinery.
The platform bucks
wildly. Nearby a cooling tower collapses with a
THUNDEROUS ROAR and the SHRIEK OF RENDING STEEL.
More
EXPLOSIONS, one after another, rocketing up from below.
Kyle stares transfixed as the lift stops. The
safety cage parts.
He wastes no time, hurrying through the partially destroyed
atmosphere, pushing past the heavy steel exit door.
EXT. BOILER ROOM - INT. MAIN ROOM / VISITORS CENTER
Once they get out, Kyle drops to his knees, exhausted as
hell, he's NEVER been that scared before. NEVER.
BECKY
Come on! We have to hurry!
VOICE
You now have thirty seconds to
reach...
KYLE
Shit!
Kyle takes Becky by the hand, they flee toward the exit
door of the Center.
EXT. VISITORS CENTER
The peaceful enviroment of the outside is horribly shattered
as the Visitors Center begins to crumble, explosion after
explosion after explosion, windows shatter as huge fireballs
burst pass them, Kyle and Becky retreat to a JEEP, Kyle
starts
it and it rars off into the distance.
INT. JEEP
Kyle driving the jeep madly, Becky in the backseat, a
FIGURE..
arising in the trunk...
Becky peers out the window, watching the center turn into a
firey gaze.
EXT. JEEP
We hear the EAR PIERCING SCREAM of BECKY, the jeep skids to
a
stop.
INT. JEEP
Kyle crashes into the backseat, beating the hands of Michael
away from her.
KYLE
Get away from her you BITCH!
He picks up a huge box from underneath the seat, and smashes
it
against Michael's face. It makes no difference.
KYLE
Uh oh.
Michael advances toward the two, knife raised. Kyle grabs
Becky, covering her eyes.
KYLE
(to Becky; low)
Close your eyes, baby.
SUDDENLY
The ENTIRE TOP of the jeep RIPS OFF, THE REX's jaw OPENS and
picks up MICHAEL, raising him up, thrashing him around then
gulping him down.
A serial killer defeated.
The rex lets out a SATISFYIED GROWL, the jeep immediately
starts
up again, tumbling down the path followed by an impression
of dust.
INT. LANDING PATH / EXT. FOREST
Drained of all his energy, Kyle steps out of the vehicle, he
pops open the backseat door, he gathers up Becky, they both
limp over to the whirrling helicopter, ready and set.
INT. HELICOPTER - BACKSEAT / MOVING SHOT
Exhausted, worn, but not defeated, Kyle Strode, resting on
the soft cushions of the helicopter seats, in the row in
front of him BECKY lays down, staring out the window,
watching magestic scenery roll by. Jungles. Forests. The
lovely ocean.
Kyle lets out a weak smile. Becky looks up at him.
KYLE
It's okay, Becky. We made it. It's
over.
Becky gives a reasurring grin, and continues her stare out
of the window. Kyle joins her.
EXT. HELICOPTER - OCEAN
We watch the sun begin to set, shimmering its rays down on
the ripples of water, a hush of silence, some birds squaking
in the distance, the HELICOPTER passes across us, we PAN
back to the beautiful sunset, and--
CUT TO:
INT. HELICOPTER LANDING / SAN DIEGO - DAY
Its the next morning, a flurry of reporters and news cameras
await in the outtings, they watch as the massive copter
steadly slows to land, the doors fling open and Kyle along
with Becky step out.
ON KYLE, he watches as a million microphones are shoved in
his face. Becky clings onto Kyle, scared of all the
attention.
REPORTER
Hi, Gale Weathers, TOP STORY, you spent nearly a week on
that island, what was it like?
REPORTER #2
Hi, Mary Hart, ENTERTAINMENT TONIGHT, how-
KYLE
Please, no questions.
He takes Becky and pushes his way out of the crowd, he sees
a squad car awaiting him.
BECKY
But where am I gonna go??
Kyle pauses, looks at her.
KYLE
You're coming home with me.
They smile, Beck steps into the vehicle as well, it drives
off into the distance, annoyed reporters retreat back to
there stations, we PAN TO THE SKY, we STAY THERE, admiring
the beauty, a tense MUSICAL CLIMAX BUILDS, until the T-REX
ROARS for one final time, it steps into frame, its jaws wide
open and CHOMPS onto the screen, we
BLACK OUT
FADE OUT
the end
3/24/2002 11:19:41 PM
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