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Crimson Moon Part 2 By aragorn_8
INT. THE INTERROGATION ROOM-HODGES LANDS ON HIS BACK ON THE TABLE, THEN ROLLS OFF.
He hits the floor, unconscious.
INT. THE MAIN ROOM-ONE OF THE WOLVES SLAMS SMITH AGAINST THE WALL AS SMITH SCREAMS.
The wolf turns around quickly, Smith's arm still in it's mouth. It lets go of his arm and Smith is sent flying across the room.
He slams hard into the doors, then falls to the floor, bleeding all over.
The other wolf is chasing Lisa amongst the desks.
She swings into the knee hole of one of the desks, and the wolf starts swiping it's claws at her.
Brians steps up behind it and shoots it in the back.
The wolf turns on him, growling.
BRIANS Oops.
The wolf leaps forward.
INT. THE CELL ROOM-BRIANS COMES FLYING IN, THE WOLF ON TOP OF HIM.
They land on the floor infront of Dante and Gabe's cell, sliding right up against it.
Brians puts his gun to the wolf's head.
BRIANS Fuck you.
Brians shoots.
The wolf's brains explode out of it's head and it falls to the side.
Brians stands, covered in wolf brains.
BRIANS Son of a bitch...
Brians kicks the wolf's body, then runs out of the room, yelling-
BRIANS It takes a shot in the head! A shot in the head kills them!
GABE This is cruel and unusual punishment!
DANTE Quiet, Gabe.
INT. THE MAIN ROOM-MILLER STANDS UP, USING THE DESK HE FELL BESIDE TO HELP HIM UP.
Julie is standing on a nearby desk, a wolf snapping at her legs.
Miller jumps onto the wolf's back.
The wolf whirls around, backhanding Julie in the side.
JULIE Shit!
She is sent flying off the desk and into the cell room.
INT. THE CELL ROOM-JULIE HITS NOAH AND ANDREW'S CELL SIDEWAYS, HARD.
She falls to the floor, unconscious.
NOAH It's about time.
Noah kneels down and takes the cell keys off of Julie's belt.
NOAH Thank you, Julie.
Noah stands up and begins to unlock his cell door.
Sierra is watching eagerly.
SIERRA We're next.
GABE Why the hell should we be last? We're first in line!
Noah unlocks his cell door, then tosses the keys to Sierra.
GABE Bastard.
Sierra hurriedly unlocks her cell door, steps out, and tosses the keys to Dante.
SIERRA Keys to freedom.
INT. THE MAIN ROOM-MILLER IS STILL CLINGING TO THE WOLF'S BACK AS IT TRIES TO SHAKE HIM OFF.
Brians is standing to the side, trying to get a clear shot at the wolf's head.
It finally reaches back, grabs Miller by the back of his shirt, then pulls him up over it's head and slams him down on a desk.
Brians tackles the wolf from the side, dropping his gun in the process.
Brians and the wolf slam into a desk, which slides back into another desk.
The desks lodge together, throwing Brians and the wolf over the top and to the floor.
Brians is on the bottom, the wolf on top of him, and they're in a small space between the desk and the wall.
Brians lifts the wolf up off of him, trying to keep it's snapping mouth away.
BRIANS Shit!
The wolf drops down closer, drool dripping into his face.
Then, with a loud bang, the wolf's head explodes open.
It's limp body falls onto Brians with a thud, blood squirting all over his face.
BRIANS Fuck...
Brians groans, shoving the body off of him and standing up.
Miller is standing a few feet away, gun aimed at where the wolf's head was when he shot it.
He lowers the gun.
BRIANS Thanks, rookie.
MILLER Don't mention it.
Smith is sitting against the doors in a pool of blood, holding his bitten arm.
Baker is cowering under a desk the farthest back in the room.
Miller sits down on a desk, sighing.
Brians turns to the cell room as Dante, Gabe, Noah, Andrew, Jeremy, Sierra, and Candy walk out.
BRIANS Hey, who said you all could get out of your cells?
SIERRA We did.
BRIANS Things are under control here, get back in your cells.
JEREMY They don't look very controlled, man.
INT. THE CELL ROOM-JULIE SITS UP, GROANING.
JULIE Damn...
When she's sitting up, she sees-
JULIE'S P.O.V-IN THE LAST CELL, HOPPER'S BODY IS GONE OFF THE COT, BUT HIS RIPPED UNIFORM IS STILL THERE.
JULIE Oh, no. (turns away to yell) Guys, Hopper’s body’s gone!
Everyone comes rushing over and looks in the cell, seeing only the shredded clothing.
BRIANS Where could he have gone to without us knowing?
All of a sudden, the ceiling above them creaks and then stops.
MILLER (whispering) He’s in the ceiling, too.
DANTE (whispering) He must of left the cell when we weren’t looking and...
The only hole in the ceiling is the one the Jimmy- wolf made.
MILLER (whisper) Went up the same way.
Smith loudly moans from his spot infront of the door, sitting in a pool of blood. Everyone turns and looks at him.
INT. THE MAIN ROOM-BAKER IS CRAWLING OUT FROM UNDER THE DESK.
Julie enters and runs over to Smith.
JULIE Jesus Christ, he needs medical attention.
She bends down and takes out a rag from her pocket, holding it firmly over his wound as he winces in pain.
JULIE Hold that in that spot as tight as you can.
Julie puts Smith’s hand on the rag and stands up.
As she does, she looks over and sees Hodges unconscious in the interrogation room.
INT. THE INTERROGATION ROOM-WE'RE IN A CLOSE UP OF HODGES' BLOODY, CUT-UP FACE.
His eyes flutter open and he looks around.
HODGES (groggily) Julie?
We pull back to show Julie kneeling beside him.
JULIE Are you ok?
HODGES I'm just dandy.
Hodges groans as Julie helps him to his feet.
INT. THE MAIN ROOM-JULIE AND HODGES ENTER, HODGES LIMPING A BIT.
Brians looks over at them.
BRIANS You alright, Hodges?
HODGES Well, I did have a huge chunk of glass in my left ass cheek, but that's been taken care of.
BRIANS Good.
INT. THE CELL ROOM-JULIE COMES BACK IN, AND HODGES STANDS IN THE DOORWAY.
JULIE Is it still above us?
HODGES Jimmy?
JULIE And Hopper.
Miller takes out his gun and fires a couple shots into the ceiling. Nothing.
MILLER They both must have moved on.
NOAH That’s it, I’m out of here.
The other prisoners quickly agree.
MILLER You can’t. If we leave, these things are free to roam and kill other people. We have to kill them here and now before they leave this station.
GABE That’s your problem, not ours!
Gabe, Dante, Sierra, Candy, Noah, and Andrew turn and storm out of the room.
INT. THE MAIN ROOM-THE GROUP ENTERS AND LOOK AT SMITH BLOCKING THE DOOR.
ANDREW I suggest we go out the back.
DANTE Yeah...
They head for a hallway.
INT. THE CELL ROOM-THE COPS ARE WATCHING THEM GO.
HODGES Someone should go get them before they get outside.
BRIANS Yeah. Miller...
Brians throws Miller an extra gun.
BRIANS Go bring them back.
Miller nods as he puts the second gun in his holster and runs off after the convicts.
INT. HALLWAY-THE CONVICTS ARE RUNNING DOWN A HALL, WHEN SUDDENLY THE LIGHTS GO OUT. THE GIRLS SCREAM AS THEY COME TO A STOP.
NOAH Shit. Come on, we better keep moving.
They continue to run, and they turn a corner. At the end of the hall are the double doors leading outside.
Suddenly, a roof tile breaks in half as a large furry object falls down, just a few yards infront of them.
They see it’s one of the wolves and they all stop in their tracks and scream as it snarls at them.
DANTE Yeah, Fuck you!
He pulls his arm back and throws a punch as hard as he could into the werewolf’s face, causing it to turn to the side, then when it looks back at Dante, it snarls.
Before anyone can figure out what happened, the werewolf jumps and lands on Dante, sending him to the floor.
It starts chewing his arm.
DANTE Help me, you fuckers!
The others turn and are about to run past the werewolf, but it’s head whips up and snarls at them. They turn back the other way and run.
The werewolf goes back to it’s victim.
INT. HALL-MILLER IS WALKING FAST DOWN A HALL, WHEN SUDDENLY, GABE, JEREMY, NOAH, ANDREW, CANDY, AND SIERRA RUN AROUND FROM A CORNER.
CANDY Run, it’s right behind us!
Miller whips out his two guns.
MILLER Quick, back to the main room. The others are there.
Miller stays in his spot, pointing his guns out in case anything comes around the corner. He waits for the others to get behind him.
When they're all out of his way, he starts slowly walking down the hall.
INT. MAIN HALL-MILLER WALKED AROUND THE CORNER, AND HE SEES THE DOORS AT THE END, DANTE’S MANGLED BODY, AND A LOT OF BLOOD. BUT NO WEREWOLF.
MILLER (into walkie-talkie) We have a man down. Can you send someone down to help me move him? He might still be alive, but injured very badly.
BRIANS (from walkie-talkie) Yeah, me and Julie will be down in a minute.
MILLER Alright. I’m right infront of the exit doors.
He looks both ways, seeing only darkness, and nothing moving in the darkness. He looks up and sees the spot where a tile used to be. He points his guns up at the ceiling as he waits for his backup.
INT. MAIN ROOM-JULIE AND BRIANS ARE GOING INTO THE HALLWAY JUST AS GABE, CANDY, SIERRA, JEREMY, ANDREW, AND NOAH RUSH IN. HODGES IS LOOKING DOWN AT SMITH, WHO IS NOW LAYING ON A TABLE, STILL COVERING HIS WOUND. BAKER IS SITTING AT ONE OF THE DESKS, LOOKING DAZED.
SIERRA I don't understand what you all think you're doing here. Why can't we just leave?
HODGES Like Miller told you, right now this situation is contained in this building. If anyone else comes here, or if we just leave, there is the possibility of other people getting infected. We could end up with a whole town of these things. As it is, there's only two of them.
JEREMY Two of those things can do a lot of damage, man.
ANDREW Yeah! By keeping us here, you're endangering our lives.
HODGES You're all welcome to get back in your cells. Those should be pretty safe.
NOAH Damn it...
INT. THE HALLWAY-MILLER IS STILL STANDING NEAR DANTE AND THE BACK DOORS. HE STILL HAS HIS GUNS POINTED AT THE CEILING.
Dante looks bad, but he's conscious. Barely. Bloody drool is dripping from the corner of his mouth.
DANTE Fucker... bit me...
MILLER Just hold on, Brians and Julie should be here any second.
We watch them in silence for a few seconds, Miller watching the hole in the ceiling.
The silence is broken when a ceiling tile falls to the floor at the point where the hall turns.
Miller looks down the hall.
There's a few more seconds of silence, then another tile falls to the floor a couple feet from the last one.
MILLER Oh, shit.
Another tile falls a few feet down from the last, then another a few more feet. This continues to happen all the way down the hallway, Miller following along the ceiling with his guns.
When the tiles fall just 5 feet or so infront of him, Miller begins to fire into the ceiling.
He fires along the 5 feet of ceiling, then up into the hole as a furry blur passes over it.
He turns around, looking at the three feet or so of ceiling between the hole and the back doors.
MILLER Got you now...
Miller points the guns at the stretch of ceiling, pulls the triggers, and...
Click. They're empty.
MILLER Fuck.
We hear movement in the ceiling, and the wolf apparently leaves the hallway's ceiling, going into the ceilings of the rooms along the hall.
Brians and Julie come running around the hall's corner, guns drawn.
BRIANS What's going on?
MILLER A wolf was around, but it left. Let's get out of here before it comes back.
Miller kneels down beside Dante.
INT. THE MAIN ROOM-THE SCENE IS THE SAME.
Andrew motions toward Smith.
ANDREW And what about that guy? He needs to be taken to the hospital!
SIERRA Yeah, are you just gonna let him lay there and die?
SMITH Don't listen to them, Hodges.
ANDREW What, you don't want to go to a hospital?
SMITH No. I can't. What if I turn into one of those things in the ambulance, or... I'm going to turn or die. The best thing for me would be to just shoot me in the head. Right now.
HODGES You know I can't do that.
JEREMY I say you do it, man. I told you, lock the sheriff and the paramedics up, and you didn't fucking do it fast enough. And now you see what happened. Give me a gun, I'll shoot the poor guy.
HODGES Nobody is shooting anybody!
SMITH Give me a gun, I'll shoot myself. It needs to be done.
JEREMY Listen to him! A dying man's wish.
HODGES That's it, shut up!
Hodges turns his gun on the prisoners, but they all look unaffected.
HODGES I want you all to line up against the wall, stand there and be quiet.
ANDREW Yeah, that gun really scares us. If you can't shoot your soon-to-be- a-werewolf friend, you sure as hell won't shoot us.
Hodges cocks his gun.
HODGES Want to try me?
INT. A HALLWAY-BRIANS AND MILLER ARE CARRYING THE GROANING DANTE, BRIANS AT THE HEAD AND MILLER AT THE FEET, AS JULIE WALKS INFRONT OF THEM, GUN READY.
MILLER God, he's heavy.
BRIANS What do you expect? His biceps are as big as my head.
JULIE Either of you have any idea why this is happening?
BRIANS Well, didn't Jimmy talk all the time about how he was bit by a wolf out at the gas station?
JULIE Yeah...
BRIANS And when the survivor was questioned, she said that Eddie Bunker had been bit by a wolf the night before. So I guess it all goes back to that night. There was probably more going on out at that gas station than she told us.
JULIE Understandably, she would have been called crazy and locked up.
MILLER I think Jimmy had been hallucinating about wolves, too. He saw one one night when we were on patrol... And he'd been feeling sick.
INT. THE MAIN ROOM-HODGES HAS MANAGED TO GET THE PRISONERS LINED UP AGAINST THE WALL.
Baker is now leaning on the desk, his head down on his arms, staring at the desktop.
GABE I'm in here for being drunk and disorderly, I didn't know I could die over it!
HODGES Gabe... The next one of you that complains is gonna get fucking winged, I swear to God.
GABE I don't...
Gabe stops talking when a furry, clawed hand clamps down on his knee.
He looks down and starts screaming as he sees the top half of Davis has transformed into a werewolf, crawled across the cell room floor with guts trailing behind it, and is now climbing up his leg.
The rest of the prisoners join in on the screaming.
Baker looks up at them.
The Davis-wolf bites into Gabe's side.
Hodges fires his gun at the wolf, but it manages to pull itself behind Gabe.
The bullet hits the wall, and the wolf climbs up onto Gabe's back, bringing it's head up level with his screaming head.
It then sinks it's teeth into his neck.
INT. THE HALLWAY-THE COPS AND DANTE ARE TRAVELLING IN THE SAME WAY.
They pass a door with a small sign reading LOUNGE on it, and from inside the room comes a loud crash.
The cops stop and look at the door.
As soon as they stop, a tile falls from the ceiling, along with a wolf.
Both of these things land on Dante, knocking him from Brians and Miller's grasps and to the floor.
The weight of the wolf crushes Dante's mid-section almost flat to the floor and he screams, blood gushing out of his mouth.
The wolf steps off of Dante and turns on Miller, slashing his face with it's claws.
Miller falls to his knees, screaming and holding his face.
The lounge door swings open and the other wolf steps into the doorway, growling.
INT. THE MAIN ROOM-GABE IS TRYING TO GET THE HALF- WOLF OFF HIS BACK AS IT GNAWS INTO HIS SHOULDER.
Jeremy, Candy, Sierra, and Noah are cowering and screaming in the corner, Andrew is trying to grab the wolf, Hodges is trying to get a shot, and Baker is watching from his desk.
Andrew manages to grab a strand of the wolf's guts that are swinging around, and begins to pull on them.
The wolf is pulled off of Gabe and he collapses.
The wolf hits the floor and spins around to face Andrew.
ANDREW Shoot it!
Hodges fires, misses by a couple inches.
The wolf begins to crawl very quickly toward Andrew.
Andrew backs up quickly and Hodges continues to fire. One miss. Two. Three.
Andrew backs up into the wall, and a second later the wolf reaches him and grabs onto his legs.
ANDREW Shoot it!!
Hodges fires, and this time the wolf's head is blown open and it falls, dead.
Hodges' gun is now empty, and he opens the chamber, pouring the empty casings out onto the floor.
Baker stands up from his desk and starts hurrying across the room.
Hodges begins to reload.
Baker passes the desk Smith was on, which now just has a puddle of blood on it.
Baker heads for the hallway, and Hodges sees him.
HODGES Baker, where are you going?
Baker doesn't answer, just continues on his way.
Noah notices Smith's empty desk.
NOAH Where's the other cop?
Baker is almost to the hallway, passing the interrogation room's busted window.
As he passes, the Smith-wolf suddenly jumps through the empty windowframe, slamming into Baker.
Hodges finishes reloading.
HODGES Baker!!
Baker and the wolf fall to the floor, the wolf biting into his chest.
Baker screams.
INT. THE HALLWAY-BRIANS, JULIE, AND MILLER ARE RUNNING DOWN THE HALL, THE TWO WOLVES RIGHT BEHIND THEM. THE BLOOD FROM THE SCRATCHES ON HIS FACE IS GETTING IN MILLER'S EYES, SO HE HAS TO BE HELPED ALONG.
One of the wolves leaps forward, slamming into Julie's back, knocking her to the ground.
Her gun goes sliding down the hall.
Brians and Miller stop running to help her.
BRIANS Get off of her, motherfucker!
Brians grabs the wolf and pulls it back right before it would have bitten Julie.
The wolf elbows Brians in the stomach without looking back at him, sending him flying backwards down the hall and right into the waiting arms of the other wolf.
Miller kicks the wolf on Julie in the side of the head, knocking it against the wall. This allows Julie to get back to her feet.
Brians pulls his gun, just as the wolf holding him bites into his shoulder.
He screams, and the wolf spins him around, grabbing him by the throat and slamming him to the floor.
MILLER Brians!
Miller is interrupted when the other wolf backhands him, slamming him hard enough back against the wall to crack the plaster.
Julie is running down the hall, toward her gun.
Miller falls to the floor and the wolf pounces on him.
Brians raises his gun to shoot the wolf on him, but it knocks his arm aside and bites down on it, so the gun is now pointing toward Miller, the other wolf, and Julie.
BRIANS Shit!
The wolf on Miller is about to rip into his chest.
Brians pulls the trigger of his gun.
BULLET'S P.O.V-WE FLY DOWN THE BARREL OF THE GUN, THEN DOWN THE HALL.
The wolf on Miller brings it's head down, and when it's teeth are just an inch from Miller's chest, the bullet smacks into the side of it's head.
It falls over, dead.
Julie reaches her gun, dropping to her knees and picking it up.
She turns around, aiming it down the hall just in time to see-
JULIE'S P.O.V-THE OTHER WOLF IS DRAGGING BRIANS, BY HIS ARM IN IT'S MOUTH, INTO THE LOUNGE.
JULIE Son of a bitch!
Miller climbs to his feet, the dead wolf having turned back into the dead Sheriff Hopper.
Julie and Miller run for the lounge, Miller very unsteadily.
They reach the lounge doorway and look in.
MILLER'S P.O.V-THERE'S A LARGE HOLE IN THE CEILING, AND WE'RE JUST IN TIME TO SEE BRIANS BE PULLED UP INTO IT.
MILLER Fucking bastards!
Brians' gun falls from the hole in the ceiling, to the lounge floor.
It's followed by a large splash of blood.
Julie rushes into the lounge and aims her gun up at the hole.
JULIE'S P.O.V-ALL THAT CAN BE SEEN IN THE HOLE IS DARKNESS.
JULIE Damn.
Julie bends down and picks up Brians' gun, then hurries back into the hallway.
She hands the gun to Miller.
Miller and Julie stand in the hall in silence, collecting themselves.
Miller wipes blood off his face with his shirt collar.
MILLER I really hope you can't be infected by scratches as well as bites.
JULIE In the movies I've seen, scratches do infect.
MILLER Yeah, but the movies also say you need silver bullets to kill them. Shots to the head seem to work fine. It's obvious that...
Miller is interrupted when a growling sound comes from offscreen, and both cops look down the hallway.
The wolf that was once Dante is standing just a few yards away.
JULIE It never ends.
They raise their guns and fire, and just as they do the Dante-wolf turns and jumps into the room beside it, the men's restroom, knocking the door off it's hinges.
MILLER Shit!
Screams come from the other end of the hall and Miller and Julie turn around, looking down the hall, just as Hodges, Jeremy, Sierra, Candy, Noah, and Andrew come around the corner, pursued by three wolves.
JULIE Jesus Christ...
HODGES Run!
The others are also yelling "run!", "go!", etc.
Miller and Julie take their advice and turn around, starting to run.
MILLER There's one in the men's room!
JULIE Where are we going?!
Miller and Julie pass the men's room, pointing their guns at the doorway, but the wolf isn't in sight.
HODGES Garage! Shotguns!
Hodges passes the men's room and points his gun at the doorway, but the wolf still isn't in sight.
The prisoners begin passing the men's room doorway, staying as far away from it as possible. Jeremy and Candy pass. Sierra. Andrew. Noah is the last to pass.
Just as Noah gets past the doorway, the wolf swings out from the room, sinking it's claws into his back.
Noah screams, falling to the floor.
Andrew looks back, seeing as the wolf begins ripping into his friend.
ANDREW Noah!!
But he keeps running.
The three wolves that were chasing the people from the main room pass the Dante-wolf as it bites a large chunk out of Noah's back.
Once the other wolves are past, the Dante-wolf abandons Noah's body and joins the chase.
The cops and prisoners run down the hall as fast as they can, the wolves only a few feet behind them.
Miller reaches a door in the hall and slams himself against it, grabbing the doorknob and flinging the door open.
MILLER Go, go, go!
Julie runs past Miller, through the doorway and down a small flight of stairs. At the bottom of the stairs is a landing. Julie can either go through a door marked GARAGE, or turn and go down another flight of stairs. She chooses the GARAGE door.
Julie is quickly followed by Hodges, Jeremy, Candy, Sierra, and Andrew as Miller holds the door open for them.
As soon as Andrew is through the doorway, Miller steps through behind him, firing his gun blindly down the hallway.
The wolves reach the door just as Miller slams it shut behind him.
INT. THE STAIRWAY-MILLER RUNS DOWN THE STAIRS AND INTO THE GARAGE AS THE WOLVES BEGIN TO POUND ON AND SCRATCH AT THE SHUT DOOR.
INT. THE GARAGE-MILLER ENTERS AND SLAMS THE DOOR SHUT BEHIND HIM.
The others watch him, standing a few feet away. Behind them the three patrol cars are still parked. We look up and see that there are no tiles on the ceiling in the garage, we can see straight up to the rafters and the roof.
MILLER We need to block this door with something or they'll be in here before we're ready.
The others look around, and Hodges is the first to spot something-
HODGES Tool chest. Andrew, help me push it over there.
ANDREW Alright.
Hodges and Andrew go over to a six foot tall tool chest that stands in the corner, and begin to wheel it toward the door, as Miller continues to stand there and make sure nothing's happening on the other side of it.
Hodges and Andrew manages to get the chest infront of the door, leaving only a few inches of the door left visible, at the top.
MILLER You know, if we wanted to make a hell of a barricade, we could pull one of the cruisers up against the chest.
HODGES Good idea.
DISSOLVE TO:
The group standing a few feet away from the tool chest-blocked door, which now has a patrol car pulled up to it so the car's front bumper is right up against the chest.
JULIE That should keep them out for a while.
CANDY Maybe we could just stay in here until sunrise...
Hodges looks at his watch.
HODGES It's only a little after three right now.
ANDREW So we have over three hours left until sunrise. Great.
JEREMY We could make it now, though, man. There's no way they can get in here now.
SIERRA They'll find a way, I'm sure.
CANDY Sierra, don't talk like that.
JEREMY Don't be such a pessimist.
SIERRA This isn't exactly an optimistic situation.
HODGES Alright, people, cut it out. Whether we can wait it out in here, or if they break in here, we'll be better prepared once we get the shotguns out of the cars.
MILLER Three cars, three shotguns, three cops. Atleast something's working out right.
Miller opens the passenger door of the patrol car that's part of the barricade, and pulls a set of keys off his belt.
INT. THE PATROL CAR-MILLER GOES TO WORK ON GETTING THE SHOTGUN.
He uses a key on the set to unlock the lock that attaches the shotgun to the dashboard, then puts his keys back on his belt.
EXT. THE CAR, INT. THE GARAGE-MILLER LEANS BACK OUT OF THE CAR, SHOTGUN NOW IN HAND.
Hodges and Julie have moved on to the other two patrol cars, getting their shotguns.
ANDREW Now that you guys have those, can we have weapons, too?
MILLER No.
ANDREW Why not? This isn't a cops and law breakers thing anymore, we're all in the same boat.
JEREMY With no fuckin' paddles.
MILLER We've got something better than paddles now.
Miller makes a motion with his shotgun.
The sound of cracking wood comes from offscreen, followed by several loud thuds.
CANDY What was that?
SIERRA I'd say that the wolves are now in the stairway.
INT. THE STAIRWAY-THE WOLVES ARE IN THE STAIRWAY, HAVING BROKEN DOWN THE DOOR TO THE HALL.
Brians and Noah have apparently turned, because seven werewolves are making their way into the stairway.
INT. THE GARAGE-JULIE AND HODGES HAVE JOINED THE GROUP AGAIN, NOW HOLDING SHOTGUNS.
ANDREW Please, give us some kind of defense against those things.
Miller looks to Hodges, and Hodges shrugs.
HODGES Fine. Julie...
Julie and Hodges take out their handguns and give them to Andrew and Jeremy, who smile.
JEREMY Fuckin' A.
HODGES Now when those things break in here, we’ll make them wish they never did.
CANDY What about us girls? We need guns.
MILLER Sorry. My handgun is empty. These are all the weapons we have.
SIERRA (whispering) Bullshit it is.
Sierra storms over to the cop car infront of the tool chest, and climbs over it, onto the hood.
As she does, the wolves begin pounding on the other side of the door.
Sierra goes to the chest, moving slower than she was before, worried by the pounding.
She opens one of the top drawers in the tool chest and looks in.
SIERRA'S P.O.V-THIS DRAWER IS FULL OF DIFFERENT SIZES OF WRENCHES.
She takes out the two largest wrenches and she tosses one to Candy.
Candy doesn't even attempt to catch the heavy wrench, she just steps to the side and lets it clatter to the floor.
Right before Sierra can get down off the car, a large piece of wood splinters off the top of the door and hits her, sending her falling off the car and to the floor.
A werewolf’s clawed hand has burst through the door and is moving around.
MILLER Son of a bitch.
He aims his shotgun and fires, blowing up the wolf’s hand, blood spraying the door and tool chest. A loud screech is heard and the pounding stopped.
Everyone waits a moment, but all that is heard from the other side of the door is silence.
JEREMY Maybe they went away.
MILLER No. They’re too smart and too pissed off to just go away. They’re up to something.
Sierra gets back to her feet and walks over to the rest, wrench in hand.
Candy bends over and picks her wrench up.
CANDY This weapon doesn't bring much comfort...
SIERRA It's the best we can do, I guess.
ANDREW Bring it down on their head hard enough, they might be as good as a bullet.
JEREMY If not, you could bust out their fuckin' teeth.
A chorus of howls come from the other side of the door, causing everybody to jump.
HODGES I don't like the sound of that.
There's a loud sound of impact from the door, and it slams against the back of the tool chest, knocking the top drawer out and onto the car's hood.
Another sound of impact follows immediately, and the door busts off it's hinges.
JEREMY Oh, fuck.
JULIE Here it goes.
HODGES Candy, Sierra, get back by the cars. Andrew, Jeremy get behind us and guard them.
Candy and Sierra move back, between the two cars, and Andrew and Jeremy take positions infront of the cars. Hodges, Miller, and Julie stand a few feet infront of Andrew and Jeremy, shotguns aimed at the door. Everyone gets into these positions very quickly.
There's another sound of impact and the busted door slams into the back of the tool chest again, causing it to slam into the car. The car skids back about an inch.
JEREMY No way, man! They can't be that strong!
HODGES There's a lot of them out there...
Another sound of impact, everything slams into each- other again, and the car skids back another couple inches.
Hodges fires his shotgun, blowing a hole in the top part of the door. No sounds come from the other side, he must not have hit anything...
A wolf's growling face appears in the hole.
Hodges pumps the empty shell out of his shotgun and fires again.
The shotgun blast hits the wolf right in the face, blowing the top half of it's head off.
Sierra, Candy, Andrew, and Jeremy cheer and yell.
Hodges pumps his shotgun again.
A couple seconds of silence follow...
Then, another sound of impact. Everything slams together, and the car goes back a few more inches.
There is now enough space between the broken door and the wall for the wolves to start coming in... And they do.
The six wolves begin bursting through the small opening they've made, moving extremely fast.
The cops begin firing their shotguns, pumping the empty shells out as fast as possible. A lot of the shots miss, a lot hit the wolves but are only body hits.
Andrew and Jeremy step up between the cops and join in on the firing.
Two wolves move over the car that was infront of the door, the others run along the back wall, staying in the shadows.
One wolf stands on the roof the car, then jumps up, climbing onto one of the rafters.
HODGES Watch out!
Hodges fires at the rafter wolf, only hitting the rafter.
The wolf begins to quickly jump from rafter to rafter, headed for the people.
One of the other wolves stands on the car's trunk and gets ready to jump at the people.
Julie fires and the blast goes along the side of it's head, ripping out a huge chunk of flesh.
The wolf howls, falling backwards off the trunk, into the space between the car and the wall. There's not much space, so the wolf gets lodged there, thrashing wildly and howling.
The rafter wolf jumps on the rafter right above the cops and Hodges, Miller, and Andrew aim their weapons upwards.
They fire and the wolf launches itself down at them.
Andrew's shot hits the wolf right in the left eye, and it's dead body slams into Hodges, knocking him to the ground.
While Sierra and Candy face forward, watching all this, wolves begin gathering behind them.
Hodges shoves the dead wolf off of him, climbing to his feet.
HODGES That really hurt...
Miller and Julie are both reloading their shotguns.
Jeremy looks back at Sierra and Candy, and sees that three wolves are right behind them.
JEREMY Behind you!
Everyone turns their attention toward Sierra and Candy, who look behind them.
Jeremy and Andrew raise their guns to fire, Sierra and Candy run forward, Julie finishes reloading her shotgun, Miller starts loading his faster, and Hodges raises his.
Just as Hodges gets his into firing position, the wolf that Julie shot jumps on him from behind, knocking him face first to the floor.
His shotgun goes off, and the blast hits Jeremy in the side, blowing his dead body sideways over the hood of a car.
Sierra and Candy reach the front of the cars and Andrew and Julie begin firing at the wolves that were behind them, as Miller turns his now reloaded gun on the wolf that is on Hodges.
HODGES Shoot it!
Before Miller can, the wolf backhands his shotgun, knocking it out of his grasp and sending it flying across the garage.
The shotgun lands right infront of the door.
The wolves that were behind Sierra and Candy jump toward Julie and Andrew as Andrew runs out of bullets.
ANDREW Shit!
Julie fires her shotgun and the blast hits one of the wolves in the chest, knocking it backwards to the ground.
The other two wolves then land right infront of them.
Andrew turns and begins to run. The wolf that landed infront of him runs after him.
The wolf that landed infront of Julie snarls at her, and she jams her shotgun barrel right into it's mouth.
JULIE Open wide, asshole!
Before she can pull the trigger, however, the wolf grabs the gun and her hand, squeezing as hard as it can.
Julie screams as all the bones in her hand are broken, followed by the shotgun being snapped in half.
The shotgun pieces clatter to the floor, and the wolf lunges forward, grabbing Julie by the shoulders.
The wolf Julie managed to shoot earlier, scurries under a car and out of sight.
Miller is on the back of the wolf on Hodges, holding it in a headlock and pulling back as hard as he can, keeping it's snapping mouth just inches from the back of the yelling Hodges' head.
Sierra and Candy rush the wolf that is holding Julie, beating it in the head with their wrenches right before it bites into her screaming face.
Andrew reaches the broken door, the wolf right behind him.
He goes through the opening between the door and the wall, bending down and picking up Miller's shotgun.
As he does this, the wolf grabs him by the waist of his pants and pulls him back into the garage.
The force of the pull causes the shotgun to fly out of Andrew's hand and into the stairway, down the other flight of stairs.
It spins him around and slams the claws of it's left hand into his stomach. It continues digging into his stomach until it's whole hand disappears into him.
Blood pours to the floor as Andrew dies.
The wolf chewing on Julie's face gets tired of Sierra and Candy pummeling it and turns on them, growling.
Sierra slams her wrench into it's mouth, turning it's head to the side and sending blood and teeth flying as it howls.
Sierra and Candy take this chance to jump up onto the hood and then the roof of the car beside them.
Julie falls to the floor beside a car, her face a bloody mess.
The wolf that went under the car shoots out one of it’s arms from under the car, grabs her by the leg, and pulls her under the car and out of sight with it.
The wolf on Hodges that has Miller on it's back, rears backwards, knocking Miller off of it and to the floor.
This allows Hodges to roll over onto his back and aim the shotgun up at the wolf's head.
The wolf looks back down at Hodges and he fires, blowing it's head apart.
The wolf's dead body falls backwards, on top of Miller.
Hodges turns around as the wolf that Sierra and Candy beat on, hops up onto the hood of the car they're on.
HODGES Hey, ugly!
Hodges aims his shotgun at the wolf's head as it turns to him.
Before he can fire, a wolf's hand clamps down on his shoulder and spins him around to face it.
The wolf that spun him punches him in the face as soon as he's facing it, and he's sent flying back- wards across the garage, in the direction of the door.
The wolf on the car turns it's attention back to Sierra and Candy.
Miller climbs out from under the body of the wolf Hodges killed, which has turned into the headless body of a man.
Hodges slams down onto the trunk of the car infront of the door.
We travel along the side of the car until we reach the hood. The wolf that killed Andrew has his body laying back on the hood and is chewing on his left arm as it pulls his guts out of his stomach.
Hodges's shotgun hits the wolf in the back of the head and it looks up, dropping Andrew's arm.
The wolf that's going after Sierra and Candy jumps toward them, and they jump at the same second, in different directions off of the roof of the car.
This throws the wolf off and it tries to turn in mid-air, landing on the trunk of the car in an awkward stance and slipping, falling down on the trunk.
Miller is on the side Candy jumped to, and grabs her as she steadies herself after landing, pulling her away from the car.
MILLER Come on... Come on, Sierra!
On her side, Sierra is looking at the floor.
SIERRA'S P.O.V-TWO CLAWED WEREWOLF HANDS APPEAR FROM UNDER THE CAR, INCHING FORWARD.
These two hands are joined by two more, a couple feet down.
MILLER (O.S.) Sierra!
Sierra looks up and starts hurrying toward Miller and Candy.
SIERRA There are two under the car!
Sierra doesn't have to worry about them, though, because-
CANDY Watch out!
MILLER Run!
Instead of running, Sierra looks back and sees a wolf, the one that was after her on the car, running right toward her.
She screams, and now decides to turn and run.
The wolf jumps forward, and slams into Sierra's back right before she reaches Miller and Candy.
Sierra and the wolf fall forward against Miller and Candy, and all four of them fall to the floor.
At the car infront of the door, Hodges groans as he rolls off the trunk.
He hits the floor hard, landing on his hands and knees.
The wolf that killed Andrew steps infront of him, guts dangling from his claws.
Hodges looks up at the wolf, and as he does another wolf stands up behind him.
HODGES Damn.
Hodges quickly gets to his feet and turns his back on the Andrew-killer wolf, facing the other.
The Andrew-killer rushes Hodges' back, as the other wolf swings it's right fist at him.
Hodges dodges the fist right before it would have made contact, and it instead slams into the Andrew- killer's face.
The Andrew-killer wolf is sending howling backwards, slamming into the tool chest and the busted door.
INT. THE STAIRWAY-THE ANDREW-KILLER WOLF, THE BUSTED DOOR, AND THE TOOL CHEST TUMBLE DOWN THE OTHER STAIRS.
Drawers fly out of the tool chest and tools are sent flying everywhere.
The wolf lands at the bottom of the stairs with the door and tool chest criss-crossed on top of it.
INT. THE GARAGE-SIERRA, CANDY, AND MILLER ARE ALL SCRAMBLING TO THEIR FEET AT THE SAME TIME.
The wolf that jumped them is standing a few feet away, waiting as two other wolves join it from behind.
At the car infront of the door, the wolf swings at Hodges and misses again.
Hodges takes this chance to jump-kick the wolf in the side of the head.
As soon as Hodges lands, the wolf grabs him by the shirt and tosses him sideways against the car, sending his right arm through the back passenger window.
It then shoves him backwards, and he falls on his back at the front of the car, at the dangling feet of Andrew's dead body... And right beside his shot- gun.
Hodges smiles.
HODGES Dumb bastard.
The wolf lunges toward Hodges, and he grabs his shot- gun, aiming it at it's head.
HODGES Thanks.
He fires, and the top of the wolf's head is blown off.
It's dead body falls to the floor as Sierra, Candy, and Miller run up.
MILLER Hodges, we gotta get the fuck out of here!
Hodges gets to his feet, reloading his shotgun.
HODGES Why?
The three wolves are running up behind Sierra, Candy, and Miller.
HODGES Step aside.
Sierra, Candy, and Miller do so. Sierra on one side of Hodges and Candy and Miller on the other.
Hodges raises his shotgun into firing position, the wolves just 15 feet away.
Hodges begins to fire.
At 13 feet, one wolf's head is blown apart.
Hodges pumps the empty shell out, fires again.
At 10 feet another wolf's head is blown apart.
Hodges pumps the empty shell out, fires again.
The last wolf's head is blown apart when it's just 6 feet away.
Hodges pumps the empty shell out as the last wolf's dead body falls at his feet.
HODGES They got sloppy. Running right at me like that...
CANDY Is... is that all of them?
HODGES No. There's one more.
Hodges turns and walks to the doorway, looking out into the stairway.
INT. THE STAIRWAY-THE WOLF IS GONE FROM UNDER THE BUSTED DOOR AND THE TOOL CHEST.
INT. THE GARAGE-HODGES LOOKS DISAPPOINTED.
HODGES But I don't know where it is.
Miller looks back at the rest of the garage.
Laying on the floor are seven bodies of dead were- wolves turned back into their human forms, six men and one woman, along with Jeremy's body.
MILLER Motherfucking werewolves...
Sierra is looking at Andrew's body.
SIERRA You better shoot Andrew, before he changes.
Hodges reaches into his pocket to get more shotgun shells, and once again gets a disappointed look on his face.
HODGES I'm out of shells. Where's your gun?
MILLER I don't know where it went.
HODGES Great. One wolf and one bitten person left, and we once again don't have shit to protect ourselves with.
Sierra steps into the garage's doorway, bending down and picking up a large screwdriver that fell out of the tool chest.
SIERRA Well, let's hope this works.
Sierra stands over Andrew's body, looking down at him.
Andrew's dead face is staring wide-eyed up at the ceiling.
SIERRA I'm sorry, Andrew.
Sierra jams the screwdriver into Andrew's right eye and shoves it into his head as far as she can.
Hodges, Miller, and Candy look away in disgust.
Once she can't get the screwdriver to go any farther, Sierra lets go of it, leaving it in Andrew's head.
She looks at Hodges, Miller, and Candy to see them looking away.
SIERRA I'm sorry, it had to be done.
The last remaining werewolf suddenly steps into the doorway behind Sierra and grabs her, biting into her shoulder.
Sierra screams and Hodges, Miller, and Candy look back at her.
HODGES Fuck!
Hodges rushes forward, and the wolf stops biting Sierra to look up at him.
Hodges swings to punch the wolf in the face, but it opens it's mouth and catches his fist in it's teeth.
Hodges screams.
MILLER No!
Sierra stumbles away from the wolf and Hodges, falling to her knees.
Candy rushes to her friend, dropping to her knees beside Sierra, as Miller rushes to Hodges and the wolf.
Hodges is beating the wolf on the side of the head with his remaining fist, as the wolf bites down hard on his other.
The fist is finally severed at the wrist, and Hodges stumbles back, holding his blood-spurting stump.
Miller kicks the wolf in the stomach and it grabs his leg, turning and swinging him through the air.
Miller screams as he's swung through the doorway.
The wolf lets go and Miller is sent flying into the railing of the stairs from the hall to the landing.
The railing shatters and Miller falls to the side, down onto the other flight of stairs.
The wolf turns on Sierra and Candy, spitting out Hodges' hand.
Hodges falls back against the side of the car infront of the doorway, still holding his bloody stump.
As soon as he hits the car, a werewolf sits up on the hood beside him. It's obviously Andrew, because it has the screwdriver sticking out of it's right eye.
Candy is helping Sierra to her feet as the wolf lunges at them.
Sierra shoves her friend out of the way and the wolf grabs her, sinking it's teeth into her other shoulder.
CANDY Sierra!
SIERRA Run!
Candy takes her friend's advice and heads for the doorway, running past the hood of the car as the Andrew-wolf bites into Hodges.
Candy runs through the doorway, and right into Miller, who is now holding his shotgun.
Candy screams at first, not realizing who it is, but she quickly realizes, and notices the shotgun.
CANDY You got your gun! Shoot them!
MILLER There's only one shot, then I've got to reload.
CANDY Shoot Sierra! Don't let her turn into one of them.
Miller looks into the garage, where the Andrew-wolf is still chewing on the now-dead Hodges, and the other wolf is tearing into the shoulder of the still- screaming Sierra, holding her tight against it.
Miller raises the shotgun into firing position as the wolf unknowingly turns Sierra toward him.
We zoom into first Sierra's eyes, then Miller's as they make eye contact.
Back to Sierra's eyes as she closes them.
Miller pulls the trigger of the shotgun.
Sierra's head is blown apart, and the force of the shot knocks her body and the wolf backwards to the floor.
Miller turns away from the doorway, grabbing Candy.
MILLER Now, go!
INT. THE STAIRWAY-MILLER AND CANDY RUN UP THE STAIRS TO THE HALLWAY.
INT. THE HALLWAY-AS MILLER AND CANDY COME THROUGH THE STAIRWAY DOORWAY AND INTO THE HALL, MILLER TRIPS ON THE BROKEN DOOR AND FALLS TO THE FLOOR.
We look through the doorway and see as the two wolves step into the garage doorway, looking after Miller and Candy.
Candy pulls Miller to his feet.
CANDY Come on!
Miller gets to his feet and he and Candy start to run down the hall, in the direction of the lobby, just as the two wolves run toward them.
We go backwards down the hall, watching Miller and Candy as they run toward us and the wolves burst into the hallway behind them, once again giving chase.
As he runs, Miller pumps the empty shell out of his shotgun.
Miller and Candy round the first turn in the hall.
Once the turn is made, Miller reaches into his pocket and pulls out a shotgun shell.
He fumbles and drops it.
MILLER This is gonna be a bitch.
CANDY Just run!
They continue down the hall, jumping over Sheriff Hopper's body.
As they clear the body, the two wolves turn the corner and enter this hall.
Just a couple seconds later, they're followed by a third wolf. Hodges.
Miller and Candy round the second corner.
INT. THE LOBBY-MILLER AND CANDY ENTER, RUNNING OUT OF THE HALL.
They reach the front doors and stop.
Miller reaches into his pocket and quickly begins to reload his shotgun.
MILLER Candy, get outside. It's time for you to get out of here.
CANDY What about you?
MILLER I have to take care of this. It's the same for me now as it's been since the beginning. But you've got to get out of here. I'm sorry, we probably should have let you go earlier... Or protected you better. But we didn't know.
Miller finishes loading his shotgun.
CANDY Where am I supposed to go?
MILLER Away from here. I'm sure you have an idea.
Miller aims the shotgun at the hall.
CANDY But...
MILLER Go!
CANDY They'll kill you!
MILLER Go!
CANDY I'm not leaving without you!
Miller turns to the doors and opens one of them.
MILLER Now!
Candy hesitates for a second, wanting Miller to come along, but finally-
CANDY Fuck!
Candy steps outside and Miller shuts the door behind her.
He turns his attention back to the hallway. None of the wolves have appeared yet.
MILLER Come on...
One of the wolves finally appears, rounding the corner in the hall.
Miller fires and the wolf's head is blown apart.
EXT. THE STATION-NIGHT-CANDY HEARS THE SHOT AND STOPS AT THE BOTTOM OF THE STAIRS FROM THE SIDEWALK TO THE FRONT DOORS, LOOKING UP AT THEM.
Parked behind her on the side of the street is a police cruiser (Davis and Brians') and Dan and Bobby's ambulance. The vehicles are facing eachother.
INT. THE STATION-THE LOBBY-SCENE'S THE SAME.
In the hall the wolf's body falls to the floor. Still no sign of the other two.
MILLER What the hell are they doing now?
Miller continues to aim the shotgun at the hall.
Suddenly a loud crashing noise comes from the cell room, and Miller turns to look at it.
Ceiling tiles slide infront of the cell room doorway.
Miller aims his shotgun in that direction.
A loud crashing sound then comes from the interrogation room, and through the busted window frame we see ceiling tiles and a werewolf fall from the ceiling into the room.
Miller is about to turn his attention to that room, when the screwdriver-eyed Andrew-wolf appears in the cell room doorway.
Miller fires his shotgun and the Andrew-wolf's head is blown apart.
The screwdriver spins out of it's head, flying back into the cell behind it.
Miller turns to aim his shotgun at the interrogation room, but the last wolf is already rushing toward him.
Miller prepares himself for the blow.
EXT. THE STATION-NIGHT-CANDY IS STILL WATCHING THE FRONT DOORS.
The front doors suddenly burst apart as Miller comes flying through them.
He hits the stairs hard and rolls down them, stopping at Candy's feet.
He looks up at her, blood running from his nose.
MILLER Candy, I told you to leave!
Miller gets to his feet, looking around for his shotgun, which is nowhere in sight.
MILLER Get in the cruiser and go! Radio for help!
Miller and Candy look up at the front doorway.
The last wolf is standing there, Miller's shotgun at his feet.
Candy turns and runs to the cruiser.
The wolf watches her, then looks back at Miller.
MILLER Make your move, asshole.
The wolf kicks the shotgun and it flies out into the street, landing under the ambulance.
Candy gets in the cruiser and shuts the door.
The wolf jumps down the stairs and lands right beside Miller, immediately grabbing him.
MILLER Shit!
Miller yells as the wolf throws him against the side of the ambulance.
The impact rocks the ambulance back and forth on it's wheels.
Miller falls to the sidewalk, groaning.
The wolf jumps up onto the hood of the cruiser.
INT. THE CRUISER-THE KEYS AREN'T IN THE IGNITION.
Candy is looking at the empty ignition.
CANDY Shit!
She looks up at the wolf through the windshield.
The wolf steps up onto the roof of the cruiser.
EXT. THE CRUISER-NIGHT-MILLER GETS TO HIS FEET.
He looks at the cruiser as the wolf starts to rip the roof open with it's claws.
MILLER Motherfucker!
INT. THE CRUISER-CANDY SLIDES DOWN IN THE SEAT, LOOKING UP AT THE HOLE BEING TORN IN THE ROOF.
The wolf is looking down through the hole, swiping at her with it's claws.
Candy screams, now laying on the seat, the claws swiping just inches from her throat.
She looks down and spots the C.B.
She grabs it, raises it to her mouth, and-
CANDY Help us! Please! They're attacking the police station! Help us! They're gonna kill us!
Candy drops the C.B. and looks down again.
CANDY'S P.O.V-LIKE THE CRUISERS IN THE GARAGE, THIS ONE HAS A SHOTGUN ATTACHED TO THE DASHBOARD.
VOICE FROM C.B. Who the hell is this?
Candy reaches down and pulls the trigger of the shotgun.
The shotgun fires.
EXT. THE CRUISER-NIGHT-THE SHOTGUN BLAST EXPLODES UP THROUGH THE ROOF OF THE CRUISER AND HITS THE WOLF IN THE STOMACH, BLOWING THROUGH IT'S BACK.
The wolf howls, standing.
Miller jumps up onto the hood of the cruiser.
He runs up across the hood, tackling the wolf.
Miller and the wolf fall off the car, onto the street, the wolf landing on the bottom.
The wolf grabs Miller by the throat with one hand.
MILLER (choked) Son of a...
The wolf interrupts Miller by punching him in the face.
Miller flies backwards, six feet in the air.
He comes down on his back, in the street, between the front of the ambulance and the front of the cruiser.
He spits out a mouthful of blood and teeth.
The wolf stands, and Miller stands at the same time.
The wolf jumps toward him, and lands right infront of him.
MILLER Fucker!
Miller punches at the wolf but it catches his arm, bending it the wrong way at the elbow.
Miller screams.
INT. THE CRUISER-CANDY IS WATCHING.
CANDY Miller!
EXT. THE CRUISER-NIGHT-THE WOLF LETS GO OF MILLER'S ARM, THEN AGAIN PUNCHES HIM IN THE FACE.
Miller flies backwards, through the windshield of the ambulance.
INT. THE AMBULANCE-MILLER FLIES THROUGH THE AMBULANCE, THROUGH THE FRONT, AND THROUGH THE LITTLE DOORWAY, INTO THE BACK.
He lands on his back on the floor of the back, and slides headfirst into the back doors.
He lays there, groaning, and slowly looks to his left.
Standing up against the wall of the back is a tank of oxygen.
Miller smiles as well as he can, considering all the pain he's in.
EXT. THE AMBULANCE-NIGHT-THE WOLF WALKS TOWARD THE AMBULANCE.
INT. THE CRUISER-CANDY IS KICKING THE LOCK KEEPING THE SHOTGUN ATTACHED TO THE DASHBOARD.
CANDY Damn thing!
She kicks the lock repeatedly, trying to break it.
We turn and watch through the windshield as the wolf jumps up into the windshield frame of the ambulance.
INT. THE AMBULANCE-MILLER IS ON HIS KNEES IN THE BACK, TURNING THE VALVE ON THE OXYGEN TANK WITH HIS UNBROKEN LEFT ARM.
Oxygen hisses out as the valve is opened.
Miller stands and turns to face the wolf as it starts to climb in.
The wolf stands in the cab, facing Miller.
MILLER Come on.
Miller turns to the back doors and opens them.
INT. THE CRUISER-CANDY IS STILL KICKING THE LOCK, AND IT'S NOW STARTING TO BREAK OFF FROM THE DASH.
EXT. THE AMBULANCE-NIGHT-MILLER JUMPS DOWN FROM THE BACK AND DROPS TO HIS KNEES, REACHING UNDER THE AMBULANCE.
We look under the ambulance and see that his fingers are just grazing the butt of his shotgun.
The wolf walks across the ambulance, toward him.
MILLER Shit!
Miller reaches as far as he can, and manages to pull the shotgun closer.
He smiles.
MILLER Yes!
He pulls the shotgun out from under the ambulance, then stands up.
The wolf is standing right in the back doorway.
Oxygen continues to hiss out of the tank.
The wolf growls, drool dripping from it's mouth.
Miller points the shotgun at the oxygen tank.
MILLER Boom.
Miller pulls the trigger as the wolf jumps toward him.
The shotgun blast hits the oxygen tank, causing it to explode.
Just as the wolf slams into Miller, they're both caught in the beginning of the explosion.
The ambulance explodes.
EXT. THE CRUISER-NIGHT-CANDY IS JUST GETTING OUT OF THE CRUISER, HOLDING THE SHOTGUN, WHEN THE EXPLOSION HAPPENS.
Candy is knocked backward and all the windows of the cruiser shatter.
Candy hits the ground, looking at the ambulance.
The ringing of Candy's ears fills the audio, drowning out all other sound.
Since she's on the ground, she doesn't see the trail of fire that leads from the ambulance, up the police station stairs, and back into the station.
We watch the ambulance burn as we-
FADE OUT.
FADE BACK IN ON:
CU OF THE RED AND BLUE LIGHTS ON TOP OF A POLICE CRUISER FLASHING.
We pull back from the lights to see that we're-
EXT. THE POLICE STATION-NIGHT-CRUISERS, AMBULANCES, FIRETRUCKS, AND NEWS VANS ARE PARKED ALL OVER THE STREET INFRONT OF THE STATION.
Cops, paramedics, firefighters, and reporters are walking all over the place.
There's a blue tint to the sky, it's almost dawn.
The firefighters have just extinguished the ambulance Miller blew up.
Being loaded into the back of one of the new ambulances, on a stretcher, is Miller. He's bruised, battered, bloody, his clothes are torn and charred, but he's conscious and talking to the paramedics, though we can't make out what he's saying.
Candy is standing nearby, a blanket wrapped around her, watching.
Once Miller is loaded in, one of the paramedics stays out of the ambulance to shut the back doors.
Candy steps up to him as he does this.
CANDY How is he?
PARAMEDIC He's pretty beat up, but I think he should pull through. Guy looks like he went through Hell.
CANDY We all did.
INT. THE LOBBY-POLICE OFFICERS ARE LOOKING AROUND THE ROOM, THE FLOOR COVERED WITH BLOOD AND BODIES.
INT. THE GARAGE-COPS ARE ALSO LOOKING AT THE DAMAGE IN HERE.
INT. THE HALLWAY-MORE COPS ARE LOOKING AROUND, GOING THROUGH EVERY ROOM.
We join two cops as they enter the men's room, stepping over the door that the Dante-wolf knocked down.
INT. THE MEN'S ROOM-THE COPS ENTER.
The cops go through the room, opening every stall door.
COP #1 This is crazy. Too fuckin' much like that thing at the gas station last month.
Cop #2 reaches the last stall.
COP #2 Do you know if...
He's interrupted when he opens the stall door, revealing the last wolf inside. It's badly burnt, most of it's fur gone.
COP #2 Holy shit!
Cop #2 raises his gun as the wolf jumps on top of him, ripping his chest open.
COP #1 What the fuck?!
The wolf and Cop #2 fall to the floor, the cop spasming as the wolf chews into his chest.
Cop #1 shoots the wolf in the back seven times, emptying his pistol.
The wolf roars, turning to Cop #1.
Cop #1 screams as the wolf grabs him by the head, pulls him off his feet, and slams him facefirst into the mirror above the sink.
The wolf then pushes Cop #1's face into the wall, crushing his head flat. His head pops like a grape and blood and brains go everywhere.
Other cops are now crowding in the doorway, looking at the scene.
The wolf drops the cop's body and turns on the others as they open fire.
Bullets rip across the wolf's chest and stomach, driving it back against the wall.
Once the wolf has been shot atleast 20 times, it collapses to the floor.
EXT. THE POLICE STATION-IT'S NOW VERY CLOSE TO DAWN-POLICE OFFICERS ARE RUSHING INTO THE STATION AFTER HEARING THE SHOTS.
Candy tries to rush in with them, but a cop holds her back.
CANDY What's going on?!
COP Just stay out here!
A female reporter turns to her cameraman, talking to the camera.
REPORTER Shots have been fired inside...
INT. THE STATION-THE MEN'S ROOM-SOME COPS ARE NOW KNEELING BESIDE COP #2'S BODY, WHILE OTHERS WATCH THE WOLF'S BODY WARILY.
EXT. THE STATION-CANDY IS TALKING TO THE COP THAT STOPPED HER.
CANDY Please, you've got to tell them! If they've found one of those creatures, they have to shoot it in the head!
COP I think you need to get to a hospital.
The sun is rising.
INT. THE MEN'S ROOM-SCENE'S THE SAME.
As the cops watch, in shock, as the wolf's face starts forming back into it's human face. It slowly becomes clear that the wolf is... Jimmy.
EXT. THE STATION-DAWN-MONICA'S CAR PULLS UP AND PARKS ON THE SIDEWALK, MONICA GETTING OUT AS SOON AS IT COMES TO A STOP.
She rushes to the nearest cop, which is the one Candy was talking to.
MONICA What happened?!
COP We don't have all the details yet, but...
The cop is interrupted by-
JIMMY (O.S.) Shoot me!
Monica, Candy, and the cop look at the front doorway of the station as Jimmy is brought out, back to normal and wrapped in a cop's short, struggling, his hands cuffed infront of him.
JIMMY Shoot me! You have to!
MONICA Jimmy?!
JIMMY Monica, Monica, get out of here! It wasn't a dream... It was all real! It was all real this time!
Monica tries to head for her husband, but the cop holds her back.
COP Just stay back, ma'am.
JIMMY Monica, I love you. Go home!
Jimmy then elbows the cop on his right in the stomach, and pulls his gun from his holster.
He then turns the gun on the cops. They all draw their guns, but don't fire.
MONICA Jimmy!
RANDOM COP Drop it!
JIMMY Somebody shoot me!
RANDOM COP Drop the gun, buddy!
CANDY Somebody shoot him! In the head!
MONICA No!
Jimmy turns his gun on Candy and the cop.
JIMMY Shoot me! Please!
Beside Candy, on the trunk of the cruiser she got it out of, is the shotgun she kicked off the dash.
She quickly grabs the shotgun off the trunk and turns it on Jimmy.
COP Hey!
JIMMY Shoot!
Candy does, and Jimmy's head is blown apart.
MONICA No!
Monica lunges toward Candy, but the cop holds her back again.
MONICA You fucking bitch!
Candy puts the shotgun back down on the trunk, and cops move toward her, holstering their guns.
Monica is still fighting the cop, crying and screaming, trying to get to Candy.
Some paramedics come out of the station quickly, carrying the wounded Cop #2 on a stretcher.
PARAMEDIC Clear the way! We've got to get him to the hospital!
Candy sees this just as a group of cops reach her.
She grabs the shotgun again and jumps up onto the hood of the cruiser.
CANDY Stop!
Candy jumps up onto the roof of the cruiser, pumping the empty shell out of the shotgun and aiming it at the paramedics.
CANDY You can't take him!
The cops have once again drawn their guns and are aiming them at Candy, shouting at her to drop the shotgun.
CANDY Put him on the ground!
The paramedics slowly lower the stretcher to the ground.
PARAMEDIC If we don't get him to a hospital soon he'll die.
The paramedics stand up from the stretcher.
CANDY He's already dead.
Candy fires, the shotgun blast hitting it's mark- Cop #2's head.
A split second later the police open fire on Candy, as "I Want Candy" by Bow Wow Wow kicks in, just in time for the last chorus.
As we listen to the chorus of "I Want Candy" we watch as Candy is riddled with bullets, in slow motion.
When the fourth and last "I want candy" is said, Candy is driven off the roof of the cruiser and falls off- screen, leaving us looking at the dark blue dawn sky for a second before we-
CUT TO BLACK.
The last "candy" echoes in the darkness.
Once the echo ends, "Bad Moon Rising" by Creedence Clearwater Revival begins, and the end credits roll. When the song and credits end, we hear a chorus of wolves howling.
THE END
6/1/2002 11:32:28 AM
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