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    #67
    Jurassic Park won three Oscars: Best Visual Effects, Best Sound, and Best Sound Effects Editing.
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    TRIUMVIRATE SE Chapter Twenty-Two
    By The Host

    EXT. SPACE –- CONTINUOUS

    The Glory comes to a slow stop over the planet. Fighters
    spill out of its belly and then a shining orb streaks out of
    its maw – it hurtles through space toward the distant but
    fast-approaching Corporate fleet and, seconds after it
    passes out of reckoning, there is a distant tiny explosion.

    INT. CEO’S OFFICE – NIGHT

    The CEO stands in his dark office looking at the city
    outside; projected inches in front of him, reflecting upon
    him, is a strategic battle map. An ‘X’ flashes across one
    vessel; both presently disappear. The attendant then enters
    his office breathless and begins to cross the floor to him.

    ATTENDANT
    Sir, we’ve gotta go.

    THE CEO
    No.

    One word, quiet, firm, commanding. The attendant stops in
    his tracks.

    THE CEO
    You go.
    (Turning back to the
    strategic diagram)
    I’ll stay.

    The attendant regards this man, suddenly grown nobler,
    before turning without argument and leaving. The CEO closes
    his eyes as the door is once again shut.

    EXT. SPACE

    The forward elements of each force meet and lock in furious
    battle, decimating each other. Space is torn by an
    undulating sea of flame.

    OUTSIDE THE GEMINI, an enemy vessel pulls up slowly beside
    Dawson’s flagship and opens fire point blank.

    INT. GEMINI - HANGAR

    The hangar doors slowly open. What they reveal beyond is
    another starship perilously close – blocking view of all
    that lies beyond it – searing the Gemini with fire. Even as
    fighters and gunships inside the hangar begin to make their
    way up and out, laser fire streaks into the room and hits
    some, seriously damaging them; it sears the walls and
    ceiling.

    INT./EXT. DAVIES’S GUNSHIP – MOVING

    Davies pilots his vessel off the floor and toward the entry.
    Lasers streak past from all directions already.

    JOHNSON
    How the hell do we even get out of
    here?

    DAVIES
    Luck.

    JOHNSON
    Last time your luck nearly got us
    killed.

    The fighter beside them explodes, but somehow Davies and
    Johnson make it outside the Gemini unscathed.

    EXT. SPACE - CONTINUOUS

    They turn and pick up speed. Now they are moving through a
    corridor of death – the Gemini to their left; an enemy ship
    to their right; both locked in violent battle all around
    Davies’s fighter. The smaller ship maneuvers between the
    laser blasts and down, away from the two ships and toward
    the planet below. And then they’re free of the barrage, and
    picking up speed quickly.

    INT. DAVIES’S GUNSHIP - CONTINUOUS

    Johnson heaves a sigh of relief. Davies’s hands still grip
    the controls, shaking slightly.

    EXT. SPACE - CONTINUOUS

    The gunship flies away from the Gemini just as Dawson’s
    flagship utterly destroys its attacker. The enemy ship
    explodes in a brilliant blast of fire and light.

    INT. GEMINI – BRIDGE - CONTINUOUS

    A great cheer goes up as the vessel explodes; Joggins smiles
    like a child.

    INT. GEMINI – STRATEGIC PLANNING ROOM - CONTINUOUS

    Dawson watches the battle unfold on his large circular
    display, his features determined.

    EXT. MAGNAPOLIS – CONTINUOUS

    Already the battle has begun in the city. Fighters on both
    sides are engaged in battle over and between the buildings,
    replacing the usual steady traffic through the United
    Capital. Bombs are dropped; buildings explode. Amidst all of
    this a single gunship flies without making a single shot.

    INT. STEVE’S GUNSHIP – MOVING

    Willem checks a display in the cockpit as he pilots the
    vessel over the buildings. Very near ahead stands the
    Corporate Tower, dwarfing all those buildings around it. As
    the gunship flies past and over the wide expanse of park
    between the Corporate Tower and the remains of the
    Presidential Tower, Willem leans back to Steve.

    WILLEM
    We’re first down. You ready?

    STEVE
    Hell, yeah.

    He shifts in his seat and grabs hold of the arms as Willem
    smiles and reaches down to press buttons on the equipment
    around him.

    WILLEM
    You do this before?

    STEVE
    No.

    WILLEM
    It’s fun.

    There is a beeping and a flashing and then a FEMALE VOICE
    says:

    VOICE (V.O.)
    Auto-destruct in sixty seconds.

    Willem pulls another lever and suddenly—

    EXT. MAGNAPOLIS - CONTINUOUS

    He is shooting through the air on his seat, high through the
    air, and his gunship disappears below him, and the lights of
    the city disappear below him, and the wind pounds against
    him, and then he reaches the top of his arc and his seat,
    which has rocketed underneath him, falls away, and Willem
    falls with it though in a different direction, and he looks
    down as he falls down to see his gunship fall far below and
    the ground much much further below but closer by the
    millisecond.

    NOT FAR AWAY Steve’s experience is little different, except
    he seems to feel very little of the exhilaration Willem
    does:

    STEVE
    HOOOOOOLLLLLLLLYYYYYYY
    SHIIIIIIIIIIIITTTTTT!!!!!!!!!!!

    AS WILLEM FALLS, his parachute suddenly opens, and he is
    jerked, and then he begins to float leisurely down as battle
    rages all around. The gunship explodes below him as Steve’s
    parachute unfurls above him. Willem reaches into his pocket
    and pulls out a communicator that looks similar to the one
    Dawson gave Davies earlier.

    WILLEM
    Steve? Steve?

    STEVE places his own communicator into his ear.

    STEVE
    Jesus Christ.

    WILLEM smiles.

    STEVE (O.S.) (CONT’D)
    You call that fun?


    AUTOR'S COMMENTARY:
    The image of the fighter leaving the hangar to find itself
    in a canyon of fire is one of the earliest images I
    associated with this story. It actually derived from an
    analogous scene in the film Cutthroat Island, where two
    pirate ships pull up beside each other and just start
    blowing the hell out of each other. The second half of this
    chapter is all that’s left of an idea I’d developed for the
    final act of Triumvirate back in the summer, just before I
    began to write: that plan had a massive paratroop invasion
    of Magnapolis, and was inspired by the real-life Operation
    Market Garden in World War II, which I was reading about at
    the time in A Bridge Too Far. I still like the idea. While
    I’m only outlining the story at this point, you might look
    forward to just such a sequence in Second Triumvirate.

    NEXT CHAPTER

    PREVIOUS CHAPTER

    SCENE ACCESS

    MAIN MENU

    4/11/2003 10:27:44 PM
    (Updated: 4/12/2003 5:55:03 PM)

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