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    #401
    Bill Macy (Paul Kirby) and John Diehl (Cooper) both previously starred together in the 1994 film, "The Client". (From: Tyrannosaurus Rex)
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    TRIUMVIRATE SE Chapter Twenty-Three
    By The Host

    INT./EXT. DAVIES’S GUNSHIP - MOVING

    Jack’s gunship weaves between the buildings of Magnapolis,
    evading notice as the battle continues. Johnson looks at a
    monitor in his gunpit as Davies navigates between the towers
    of concrete and steel.

    JOHNSON
    Steve and Willem are out.

    Jack nods and pulls the gunship quickly around the corner of
    a massive building – to see before them a veritable fleet of
    Corporate vessels directly ahead. Davies’s breath catches in
    his throat; he’s terrified.

    JOHNSON
    Keep going.

    DAVIES
    Keep going?

    JOHNSON
    We’re all United ships. They don’t
    know whose side we’re on. Just
    pass through.

    Davies nods, runs his fingers across his nostrils, and tips
    the ship up to go over the assemblage of vessels, which seem
    to be hovering in ambush near the Corporate Tower. Suddenly
    the nearest fighters turn and make for Davies and Johnson.

    JOHNSON
    Keep going. . .

    The ships open fire, one blast hitting the gunship full-on,
    shaking it violently.

    DAVIES
    Shit!

    JOHNSON
    Turn! Turn! Turn!

    Davies pulls hard on the controls and the gunship pulls up
    and loops around and goes back the way it came, now pursued
    by three Corporate fighters. The gunship darts back around
    the corner whence it came.

    DAVIES
    I thought you said they wouldn’t
    know us!

    JOHNSON
    I was wrong!

    The three Corporate fighters are around the tower now and
    following Davies’s gunship. Jack points the gunship down
    toward the floor of the city and streaks past the buildings
    with the Corporate vessels in hot pursuit.

    JOHNSON
    What’re you doing?!

    DAVIES
    I’m taking it down to the ground.
    They’d be insane to follow us.

    JOHNSON
    They’re following us.

    DAVIES
    Wait!

    Lower and lower they go, Jack trying to weave, to provide a
    difficult target, but there’s not enough room in the steel
    canyon. Suddenly he comes to a wide cross-lane; the gunship
    turns ninety degrees, almost scathing the buildings on the
    far side of the open space, but then it’s made it and it’s
    in a wider boulevard, with room to dodge enemy fire between
    the buildings, and still the Corporate vessels pursue, and
    still they all four of them go ever down.

    INT./EXT. MACY’S FIGHTER - MOVING – MOMENTS LATER

    Macy’s fighter flies over the wreckage of the Presidential
    Tower and comes to the greensward. Directly ahead is the
    Corporate Tower and the landing zone. He prepares for the
    auto-destruct and ejection sequence when a display suddenly
    catches his eye – he can see the representation of a gunship
    tagged ‘DAV/JON’ moving between buildings away from the
    designated Landing Zone pursued by three other vessels. Macy
    quickly comes to a decision and raises his elevation and
    speed, flying toward and past the Corporate Tower to save
    his wingmates.

    He flies past Steve and Willem as they float slowly down to
    the ground. A building nearby, between them and the
    Corporate Tower, explodes at its base; as it begins to fall,
    another explosion literally knocks the top levels off the
    behemoth tower. This top portion slowly tumbles away from
    the rest, a hulking manmade tree toppling in this living
    forest. Fire reflects in Willem’s wide eyes.

    INT./EXT. DAVIES’S GUNSHIP - MOVING - CONTINUOUS

    Davies pilots the gunship through scattered traffic at this
    lower level of the city, away from the battle in the skies
    above. Then behind them one of the three pursuers slams into
    a civilian vessel and is fatally damaged, hurtling into a
    building and exploding in a ball of flame and billowing
    smoke. Meanwhile, Davies, approaching the very ground,
    strains to pull up. And then he levels, and he’s barely
    twenty feet above the ground, following a wide expressway
    populated by speeding vehicles which at certain point lift
    off into the sky or touch down. Davies’s gunship approaches
    a glassed corridor spanning the freeway a couple of stories
    above, connecting two buildings. It barely passes under, and
    immediately gains altitude on the other side. The Corporate
    vessels navigate with ease, one above and one below.

    INSIDE, Johnson is near frantic.

    JOHNSON
    They’re still following!

    DAVIES
    (Incredulous)
    I was wrong!

    Suddenly a large vessel pulls out from behind a building
    ahead, directly in their trajectory. Davies frantically
    pulls up and suddenly finds himself in another stream of
    traffic; vehicles spin away as he passes through.

    JOHNSON
    Jesus, get us out of here!

    DAVIES
    I’m trying!

    The gunship corkscrews into a narrower space between two
    massive buildings; Davies levels it and pulls up as a bomb
    explodes a building ahead. The building burns and the
    conflagration spreads. Davies passes the gunship into a
    cloud of smoke and all is dark; they barely miss running
    into a building that juts out below them; and then they’re
    free and in clear night air again, finally pulling above
    some of the lower buildings and drawing nearer the battle in
    the skies. After a second behind them one vessel emerges
    from the smoke, and another, and then a third, this one with
    markings of the USS. Johnson looks back.

    JOHNSON
    Another one!

    But suddenly this third fighter opens fire on the other two.
    One of them blows up as Davies looks back, elated.

    DAVIES
    It’s Macy!

    At that, there is a ripping explosion and Davies’s gunship
    spins wildly out of control. Smoke quickly fills the cockpit
    and is just as quickly sucked out of it. Davies looks back
    to see Robert; there’s a gash in Johnson’s forehead, but he
    seems otherwise okay.

    DAVIES
    You okay?

    JOHNSON
    We’ve got a minute and a half to
    get out of this thing!

    DAVIES
    Eject?

    JOHNSON
    (Reading monitor)
    No. System’s dead.

    Davies nods and starts to open his cockpit window as Johson
    opens that to his gunpit, ignoring the shrieking alarms.
    They quickly unstrap themselves from their seats and pull
    themselves onto the left wing of the gunship, gripping
    handholds as the wind screams by and the gunship is flies
    headlong towards a distant skyscraper.

    INSIDE MACY’S COCKPIT Hawk sees Jack and Johnson emerge from
    the cockpit; he gets the message and his hands fly across
    his equipment as he zooms past the remaining Corporate
    fighter and he lets loose two harpoons which glom onto each
    wing of Davies’s fighter, which is writhing as it flies and
    bleeding flame and smoke.

    ON THE WING OF THE GUNSHIP, Johnson screams to Davies over
    the wind.

    JOHNSON
    JACK, I’LL GO FIRST! WATCH ME!

    Jack just nods his head. Johnson takes a deep breath and
    then very quickly lets go of his handhold and lunges for the
    tow rope connecting harpoon to Macy’s fighter behind. He
    grabs fast to it with his left hand and swiftly with his
    right hooks it to his belt; then, with a wave to Jack, he
    lets go and is pulled back by the force of the wind to
    Macy’s fighter behind. He lands with his back to the side of
    Macy’s wing; throwing his legs up he climbs onto the wing
    and away from the tow rope, still attached to him by an
    elastic on his belt. He grabs a nearby handhold and grabs
    another of three hooks on his belt. He secures himself to
    this handhold and releases the hook holding him to the tow
    rope.

    AT THAT MOMENT the Corporate fighter shoots one of the
    gunship’s engines; with a tiny explosion the gunship flips
    180 degrees, so that up is down and the harpoon connecting
    the Macy’s fighter to the gunship’s left win loses its hold
    and falls down and trails behind Macy’s fighter; it is
    quickly released from Macy’s ship and falls toward the
    ground. So, too, is Davies about to fall; he now hangs from
    his handhold, feet dangling above the tips of towers and the
    ground thousands of feet below. Ahead, the tower standing in
    the gunship’s way draws ever nearer. Davies closes his eyes,
    gulps.

    DAVIES
    Not again.

    Macy maneuvers his fighter so that it flies in tandem with
    Davies’s gunship, below and slightly behind. The Corporate
    fighter still follows, shooting at Macy’s fighter now. Macy
    glances up at Jack from his cockpit; Jack looks down.

    ON THE LEFT WING OF MACY’S FIGHTER, Johnson lets go of the
    handhold with his right hand and taps his ear.

    JOHNSON
    Jack.

    HANGING FROM HIS HANDHOLD, Jack hears Johnson’s voice inside
    his head.

    JOHNSON (O.S.) (CONT’D)
    Jack, you’ve gotta jump. Let go.

    DAVIES
    I can’t!

    INT GEMINI – STRATEGIC PLANNING ROOM - CONTINUOUS

    Admiral Dawson is ignoring his planning for the moment; he
    can see Davies’s view of the action on a holographic
    display. Visibly on edge, Dawson watches and listens to the
    interplay in his ear.

    JOHNSON (V.O.)
    Jack, it’s all right. We’ve got
    you.

    DAWSON
    Jack—

    EXT. MAGNAPOLIS

    Jack perks up when he hears Dawson.

    DAWSON (V.O.)
    You have to do it, Jack. Let go.

    DAVIES
    Okay.

    ON THE GUNSHIP, Johnson takes another deep breath and looks
    up at his friend dangling above the fighter.

    IN THE FIGHTER Macy watches with concern, trying desperately
    to keep the gunship level even as he is shot from behind by
    the Corporate fighter.

    FINALLY JACK DAVIES LETS GO; he falls and lands on the right
    wing of Macy’s fighter and tumbles over toward the rear edge
    and flails desperately for a handhold and seems about to
    fall off when suddenly he finds something and holds on,
    holds on to the very edge of Macy’s wing, his legs trailing
    behind him, and he dares not to remove a hand to try to
    secure himself.

    IN THE COCKPIT, Macy releases the second tow rope and steers
    away from the gunship just as it finally explodes; Macy
    angles his gunship down.

    THE CORPORATE VESSEL IS TOO CLOSE when Macy turns and the
    gunship explodes; the pilot frantically pulls up, away from
    the explosion, and then turns and begins to plunge down to
    follow Macy, but turns too slowly, and when he comes through
    the flame from Davies’s gunship his fighter slams into the
    tower which stands only a few meters beyond.

    IN HIS FIGHTER Macy sighs, collects himself, and slows his
    vessel while still flying inexorably downward.


    AUTOR'S COMMENTARY:
    Not much to say. Definitely my favorite scene to write. This
    is one that sort of got away from me: my idea was to have
    Davies and Johnson chased by enemy fighters, eject, and then
    have Macy land nearby. But I really got into the thing when
    I was writing and it just kept growing longer and more
    elaborate. I’m happy with the end result. I think it could
    make for a decent action sequence.

    NEXT CHAPTER

    PREVIOUS CHAPTER

    SCENE ACCESS

    MAIN MENU

    4/11/2003 10:29:17 PM
    (Updated: 4/12/2003 5:55:39 PM)

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