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    #72
    Before JP3, Johnston directed October Sky, Jumanji, The Pagemaster, The Rocketeer, and Honey I Shrunk the Kids.
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    TRIUMVIRATE SE Chapter Three
    By The Host

    INT. STATION - COMMANDER’S OFFICE - DARK

    The room is draped in utter darkness. A door slides open, a
    stream of light spills in. Jack Davies and his guards enter.

    NEW ANGLE revealing the STATION COMMANDER MUHOMMAD
    silhouetted against a broad window. Behind him the battle
    rages on. The light filtering through the blood red clouds
    casts an eerie glow over that side of the room.

    Davies is escorted to a seat facing the Commander at his
    desk; there the guards leave him. After a moment Commander
    Muhommad speaks, quietly.

    MUHOMMAD
    We’re on emergency power, so I
    can’t see your face.

    Another moment passes. Then:

    MUHOMMAD (CONT'D)
    Why are you attacking us?

    A pause. Davies stammers.

    DAVIES
    Because . . . We’re at war.

    MUHOMMAD
    Can you tell me why?

    DAVIES
    (Beat)
    I don’t know.

    Another moment of silence.

    MUHOMMAD
    Why are you attacking us?

    DAVIES
    I said, sir—

    Muhommad stands, cutting Davies off.

    MUHOMMAD
    We are a civilian station Mr –
    what’s your name?

    DAVIES
    Jack Davies, sir. You’re—

    MUHOMMAD
    This is a hospital you are
    attacking Mr Davies, did you know
    that?

    Davies turns as Muhommad circles him.

    DAVIES
    No, it’s not. You make weapons
    here.

    MUHOMMAD
    We don’t make weapons, Mr Davies;
    we heal their targets. I’ll show
    you.

    DAVIES
    You’re well-defended for a
    hospital, aren’t you?

    MUHOMMAD
    We were attacked, weren’t we?

    INT. HOSPITAL WARD - MOMENTS LATER - BRIGHT

    A long, narrow room. Everything is slick and clean and
    bright white. Dozens of sleek chambers like glass coffins
    line either wall; in each rests a man or woman, horribly
    disfigured; on each is a cornucopia of monitors and
    displays. NURSES AND DOCTORS hurriedly attend to one
    sleeping patient after another. Davies and Muhommad walk
    slowly through the middle of the room; Davies tries not to
    look at the bodies, the faces. Guards behind them keep their
    distance. Faint BOOMS echo through the space.
    MUHOMMAD
    Actually, this is a medical
    research center. Our people have
    been under fear of the plague for
    three decades now. Millions have
    died. But hope lived, and we had
    been conducting some very secret,
    very important research here.
    Until four weeks ago.

    Prompted by silence Davies tentatively speaks.

    DAVIES
    Four weeks ago?

    MUHOMMAD
    Four weeks ago we discovered a
    cure. A cure, Mr Davies, to end
    the suffering of the people of Al
    T’Har. The first transport
    shipment to our home planet was
    destroyed – space pirates, they
    told us. Then there was war and
    now there is siege and still the
    people of Al T’Har suffer, and our
    cure remains locked here in
    impotence. It could be lost, if we
    lose this battle.

    DAVIES
    You will.

    Muhommad halts and turns to Davies.

    MUHOMMAD
    I know. That’s why we need you.

    INT. STARSHIP – LOUNGE - DIM

    Robert Johnson gazes at the space station, on the other side
    of the gap in the clouds, which is now under heavy attack.
    Most resistance has been whittled down; the space station,
    charred and smoking, is teetering on collapse. While he
    watches the destruction, a TALKATIVE ATTENDANT drapes a
    blanket over his shoulders. There are a few other UNIFORMED
    MEN in the dark room, most of them lying down or sitting and
    talking quietly. None are watching the battle so keenly as
    Johnson.

    ATTENDANT
    And I tell you it’s lucky we found
    you when we did, and so close to
    the station in your escape pod,
    you know, you could have been
    captured any time. Maybe that’s
    what happened to your wingman,
    maybe they captured him, and he
    could be in there now and who
    knows what? Better in here than
    there I guess, you were pretty
    lucky all right. Anyway, sorry but
    I’ve gotta go and see to some
    other men we’ve brought in. Do you
    want a drink because if so there’s
    a fountain just outside the door,
    and you can go there or to the
    john but otherwise I’ll ask you to
    confine yourself to here, okay?

    Johnson takes a moment to respond; finally he shakes his
    head ‘yes.’

    ATTENDANT
    Okay. . .

    The attendant walks over to a few other men leaning against
    the wall near a doorway. Johnson, his face reflected in the
    glass, stares into space as the station is finally ripped
    apart in a jarring explosion.

    FADE OUT. . .

    FADE IN:

    INT. STARSHIP - RECOVERY ROOM - DIM

    A utilitarian room, with half a dozen beds, mostly empty.
    Robert Johnson stands over one bed as Jack Davies slowly
    awakens upon it. There is an ugly gash on Jack’s forehead.
    His eyes flutter open and Johnson speaks.

    JOHNSON
    Welcome back.

    Davies’s eyes suddenly dart around, a look of anxiety
    briefly contorting his face, and his right hand flies up to
    his left breast pocket. He relaxes, then tries to sit up,
    grunts, and eases himself back down.

    DAVIES
    What happened?

    JOHNSON
    (Sitting beside Davies)
    I don’t know. They found you in
    your escape pod just before the
    station exploded. You were pretty
    messed up. Something must have
    gone wrong in your ejection
    sequence I guess.

    DAVIES
    So we won?

    JOHNSON
    (Smiling)
    Of course. Al T’Har is one weapons
    facility less than it was an hour
    ago.

    DAVIES
    An hour?

    JOHNSON
    Yeah. We’re on our way back now.

    DAVIES
    Oh.
    (He raises himself up a few
    inches)
    We’ve gotta talk when we get back.

    JOHNSON
    Of course. I’ll fill you in on
    what happened. But you’re right,
    we'll talk when we get back. You
    should rest now. They’re saying we
    should be back at One-One-Four in
    an hour, which means an hour-and-a-
    half, but y’know. Oh, here’s
    something, though: rumor ‘round
    here says we’re getting
    reinforcements.

    DAVIES
    Reinforcements?

    JOHNSON
    Admiral Dawson is coming tomorrow
    and bringing his entire fleet.
    Command wants this war over and
    done with as soon as possible. No
    mess. So they say.

    DAVIES
    We’ll wipe them out.

    Johnson grins devilishly.

    JOHNSON
    Yeah, we will. You bet your ass.

    Davies smiles weakly. Johnson stands, still smiling.

    JOHNSON (CONT'D)
    Sleep. I’m going to the mess. I’ll
    see you in an hour or so.

    Davies nods. Johnson leaves him and Davies stares at the
    ceiling in deep thought.


    AUTOR'S COMMENTARY:
    The first scenes in this chapter, on the station, are sort
    of similar to (much longer) scenes in my original screenplay
    for Gemini’s Redemption. In more recent versions of the
    story I had changed the method in which Davies discovered
    the USS’s evil plans: a mysterious source delivered a number
    of incriminating documents detailing the USS’s plans to
    attack Al T’Har. In that version of the story, Johnson was
    the mole. He was secretly an alien (how silly!) and covertly
    manipulating Jack to launch a rebellion that would weaken
    the human race. Eventually I realized that simplicity is
    best; I dropped the Johnson-alien thing, and went back to my
    original notion that Davies would be captured by the Al
    T’Harans to act as their mouthpiece.

    The scene itself, beyond being shorter and taking place on a
    small space station, is fundamentally different in this
    version. It is darker and sparser. I love the dialogue in
    it: Muhommad is a man of few words, and rather poetic. I was
    aiming for the sort of thing Robert Bolt would write; think
    Lawrence of Arabia. Clearly I felt short of such majesty.
    Still, I thought it added a nice mysterious tone. I also
    really liked the short scene with the attendant. That’s a
    small character, but so vivid, so distracting – I’m unable
    to strike upon moments like these often, but I think it’s
    great when I do. The final bit, on the other hand, is just
    plot-advancing patter. I tightened it up a bit since I wrote
    it the first time round, back in August, but I still fear
    it’s a bit draggy. At this point I just want to get Davies
    and Johnson back to base.

    NEXT CHAPTER

    PREVIOUS CHAPTER

    SCENE ACCESS

    MAIN MENU


    4/11/2003 9:57:28 PM
    (Updated: 4/12/2003 5:36:58 PM)
    (Updated: 4/12/2003 5:53:30 PM)

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