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    #195
    One of the sound effects that went into the scene where the Rex attacks the gallimimuses in JP was the sound editors' dog playing with a chew toy. (From: Stephen F.)
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    TRIUMVIRATE SE Chapter Four
    By The Host

    EXT. STARBASE ONE ONE FOUR - LATER

    The remnants of the fleet, led by the Glory, arrive at
    Starbase One One Four. It is a massive station, a veritable
    city twinkling like a diamond in the vast vacuum of space.
    The vessels slow down as they reach the station, which is
    already buzzing with transports and freighters and patrols
    going hither and thither.

    INT. STARBASE ONE ONE FOUR - QUARTERS - BRIGHT

    The door noiselessly opens and Robert Johnson and Jack
    Davies stare in from the busy corridor, each holding a small
    duffel bag; Davies’s forehead is bandaged. The surroundings
    are spartan: bunk beds and tucked linen, a desk by each bunk
    with a lamp and computer monitor, and a small sitting area
    at the far end, near a larger desk and monitor. Only two of
    the sixteen bunks look lived in.

    Johnson takes a halting step forward.

    JOHNSON
    Creepy...

    DAVIES
    They’ve been dead, what, a few
    hours now? And it’s like they
    never existed.

    The two walk into the room and the door closes behind them.
    They each go to their own bunk and begin unloading their
    duffel bags. Davies is folding a uniform as he speaks.

    DAVIES (CONT'D)
    So what now?

    JOHNSON
    I dunno. We haven’t got a flight
    group anymore. I guess we live
    here ‘til we’re reassigned.

    DAVIES
    And how long do you think that’ll
    take?

    JOHNSON
    I’m sure a couple of days, no
    more.

    DAVIES
    Hmm.

    Davies stops folding, continues to stare down at his bunk,
    considering, as Robert finishes with his duffel bag and
    takes it over to his locker at the far end of the room.
    Davies starts to fold again as Johnson closes his locker and
    takes a seat nearby. He flicks on the large monitor next to
    him; a holographic image of a revolving cartoonish sealed
    envelope appears in front of it. Splayed across it are the
    words, ‘You’ve got mail!’ An ANNOYING VOICE speaks.

    ANNOUNCER (V.O.)
    You’ve got mail!

    JOHNSON
    (Smiling)
    We’ve got mail, Jack.

    Davies comes to a quick decision, puts his uniform down, and
    speaks, still looking at his bunk.

    DAVIES
    Robert, can we talk?

    Robert Johnson shuts off the monitor and leans forward
    masking the concern in his voice.

    JOHNSON
    Yeah, sure. We’re talking now.

    DAVIES
    You know that weapons facility we
    attacked?

    JOHNSON
    Weapons facility? Oh, yeah, that
    weapons facility. I remember now.

    DAVIES
    It wasn’t a weapons facility at
    all.
    (Looking up)
    It was a medical research lab.

    Johnson looks surprised. He meets an instant’s hesitation
    before he speaks.

    JOHNSON
    What?

    Jack takes a seat at the table across from Johnson.

    DAVIES
    You know that plague that’s been
    spreading around, killing all
    those people on Al T’Har?

    JOHNSON
    They don’t bathe properly.

    DAVIES
    Well, this facility just
    discovered a cure.

    Another pause. Then Johnson laughs.

    JOHNSON
    Jack, come on, the United Star
    Systems wouldn’t— Why would they
    want to attack a research lab?

    DAVIES
    I don’t know.

    JOHNSON
    And, anyway, how do you know?

    DAVIES
    They captured me after we ejected.
    Their station commander showed me
    the people dying. He showed me the
    labs. He gave me this.

    Davies withdraws from his left breast pocket a small vial
    containing a purple serum.

    JOHNSON
    What’s that?
    (Beat)
    The cure?

    DAVIES
    Yeah.

    A momentary silence. Johnson shakes his head, leans back.

    JOHNSON
    I don’t believe it. It’s probably
    a placebo, maybe sugar and water—

    DAVIES
    I’ve seen it work. They showed me.
    Takes five, maybe six minutes.
    It’s miraculous, Robert. And I’m
    sure that this is the last of it.

    Davies replaces the vial into his pocket.

    JOHNSON
    Well, what are you going to do
    with it?

    DAVIES
    I don’t know. Wait and see what
    happens.

    JOHNSON
    Shouldn’t you tell someone?

    DAVIES
    Yeah. I just told you.

    JOHNSON
    I mean somebody in charge. Admiral
    Copley should know. Under the
    terms of the Covenant, the USS is
    required to aid even Al T’Har—

    DAVIES
    After what I saw today I don’t put
    much faith in the Human Covenant
    of the United Star Systems and its
    Allies.

    JOHNSON
    Then what will you put your faith
    into?

    Davies scratches his nose and runs his finger across his
    lips before answering.

    DAVIES
    I don’t know.


    AUTOR'S COMMENTARY:
    I don’t know what to think of this scene. I like some of the
    dialogue, and I feel it’s probably the single most important
    scene for character development. Nonetheless, it feels like
    nothing actually happens in the scene beyond the revelation
    that Davies has the cure. Much of it is just Jack telling
    Robert what the audience and readers already know. That
    said, I hardly have the heart to cut much of it out or
    really rework it, as I discovered in editing. One of the
    biggest changes between this story and Gemini’s Redemption
    is that in Triumvirate Davies and Johnson fundamentally
    disagree. In earlier versions of the story the two are
    either torn apart by chance or by necessity. In an attempt
    (hopefully successful) to make this story more character-
    driven, I force the characters soon to choose whether they
    will fight together or part ways. In order to cast the
    difficulty of this choice into clear relief I first have to
    do two important things: establish that these two are close
    friends, and furthermore establish that they see the world
    in very different ways. At this point it seems that Johnson
    is far too trusting of the USS than his friend. On the
    contrary, however, I feel that Johnson is just more
    realistic and more mature than Davies. Jack has a naïve good
    versus evil view of the world. Johnson realizes, I think,
    that sometimes good people do very evil things. Johnson is
    also more in control of his feelings, as I’m sure you’ve
    seen. This is not to say that he’s cold and emotionless. No,
    indeed, he’s pretty assertive and lets his feelings be
    known. Davies, on the other hand, is rather passive-
    aggressive. This will become increasingly clear.

    One last thing I’ll note: the cure was introduced in this
    version as a MacGuffin. I could never really justify in
    earlier versions of the story why so damn much attention is
    focused on Davies and his knowledge – so this time I armed
    him with something more than knowledge. It needn’t be a
    cure, necessarily; what’s important is that it’s something
    people want and will do almost anything to get. Quest and
    conflict flow from that.

    NEXT CHAPTER

    PREVIOUS CHAPTER

    SCENE ACCESS

    MAIN MENU




    4/11/2003 9:59:57 PM
    (Updated: 4/12/2003 5:37:32 PM)
    (Updated: 4/12/2003 5:38:16 PM)
    (Updated: 4/12/2003 5:52:58 PM)
    (Updated: 4/12/2003 5:53:09 PM)

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