Jurassic Park
By Michael Crichton
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    #220
    Crichton wrote about a 'Dr. Felicity Hammond' and an 'Irving Levine' in his novel 'Congo'. Are these characters related to the ones in JP and TLW, or does Crichton just like the names? You decide! (From: 'Troodon')
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    Dawn of Extinction: Jurassic Park (Part3)
    By Carnotaur3

    21 INT. COSTA RICAN HOUSE – DAY 21

    RICARDO and a couple of his friends are nodding at the
    new comers, DIEGO and LEVINE.

    LEVINE
    Ask him what hospital they’re in?

    LEVINE walks back to his jeep from the opened door
    while DIEGO speaks in Spanish to the three men. It’s
    becoming clear that LEVINE is referring to ROBERTO
    CARTER and his wife, JULIA.


    FADE TO:


    22 INT. COSTA RICAN HOSPITAL – DAY 22
    ROBERTO is doing better. His chest has healed some but
    the pain is still unbearable at the moment. It looks
    deep, maybe three inches into his flesh had been
    severed.

    JULIA CARTER is pouring water into his mouth with a
    small plastic cup. He sips it down slowly, telling us
    that he is weak.

    DIEGO and LEVINE walk in to meet the couple. JULIA is
    in tears.

    LEVINE
    I’m really sorry to bother you two,
    our presence is probably not needed.

    ROBERTO
    Neither is the pain I’m in. I’ll
    make the best of the situation and
    let you stay. What is it you two
    gentlemen want?

    LEVINE
    I’m Dr. Richard Levine and this is my
    assistant and friend, Diego.

    JULIA
    Hi.

    LEVINE
    We’re here for the story about what
    happened to your child and yourself.

    ROBERTO
    The third today…

    LEVINE
    I assure you it will help us more than
    the others.

    ROBERTO
    It came out of nowhere. Like a cat
    going for a mouse. It silently came
    into the house and stole my baby. I
    ran for it, trying to get her back,
    but it was too late. The creature had
    her and attacked me. Now, all we have
    to do around here is pray that our
    baby wasn’t killed. But we both know
    that couldn’t be the case.

    LEVINE
    So, did you get a look at this animal?

    ROBERTO
    It had scales and a head like a
    lizard. Greyish. Fire in the eyes.

    LEVINE
    Very interesting description. How tall
    was it?

    ROBERTO
    About my height.

    DIEGO
    This sort of thing happened in my
    village too. We called them raptors.

    LEVINE’S mouth dropped.

    LEVINE
    Velocirapor?

    DIEGO
    No, raptor. Raptor means one who
    kidnaps.

    ROBERTO
    If you find this raptor, kill it. Do
    it for me, if that’s the reason why
    you are here.

    LEVINE and DIEGO nod.

    LEVINE
    Thanks for your help.


    CUT TO:


    23 INT. MALCOLM’S OFFICE – NIGHT 23

    IAN MALCOLM looks up to see ED REGIS shaking his head.

    MALCOLM
    Uh, something happen?

    REGIS
    Yes, something did. They’re booked
    this whole week. They say that can
    get us next Thursday. Richard, will
    see us next week, only way.

    MALCOLM
    No…No…he’ll see jail bars next week.

    REGIS
    What the hell do we do?

    MALCOLM
    I guess we’ll have to wait.


    CUT TO:



    24 INT. HOUSE IN COSTA RICA – FOGGY NIGHT 24

    LEVINE and DIEGO relaxed in the comfortable home of
    SANCHEZ, a relative of DIEGO. He was sitting in a
    leather chair, he had dark brown hair and a goatee. He
    takes a sip of lemonade.

    DIEGO
    But you haven’t heard anything?

    SANCHEZ
    If anything gets in here for my baby,
    I’ll have a shot gun waiting for it.

    DIEGO
    How is Maria?

    SANCHEZ
    She’s doing fine, I thought for sure
    she would have died from that flu.

    LEVINE
    That’s really lucky. It’s hard on a
    baby when it gets an illness that
    young.


    CUT TO:



    25 INT. BACK ROOM – DARK 25

    The door of the back room starts to rattle, followed by
    a turning knob. It slowly opens and we here the snorting
    of an animal.


    CUT TO:



    26 INT. DEN – NIGHT 26

    LEVINE looks up. He hears the snorting.

    LEVINE
    What’s that?

    SANCHEZ just shakes it off.

    SANCHEZ
    It’s probably the cattle. They do it
    all night.


    CUT TO:



    27 INT. HALLWAY – DARK 27

    Through the halls we still hear the snorting. We watch
    as two feet, both with a middle sickle claw, tap to the
    floor, one moving in front of the other. Then, the
    creature sniffs the air, and enters the threshold of
    the baby room.


    CUT TO:



    28 INT. DEN – NIGHT 28

    DIEGO looks around, then out the window.

    DIEGO
    Your cows aren’t out there.

    From the baby room, we here the infants cries. The loud
    screech of the carnivore, and a shatter of glass.

    The three men jump up and run to the baby room.


    CUT TO:



    29 INT. BABY ROOM – DARK 29

    LEVINE is the first to enter, and he watches in horror
    at the creature standing in front of him. Again, we
    never get a chance to look at it clearly, we can only
    guess.

    We can see the baby, being held by it’s jaws, but not on the flesh, just the shirt. She’s still crying.

    SANCHEZ comes in with the shotgun and shoots. But it misses the creature and it drops the baby. LEVINE dives and catches her.


    CUT TO:



    30 EXT. FRONT YARD – FOGGY NIGHT 30

    The three men run outside looking at the broken window.
    Then, they watch as the creature’s silhouette fades out
    into the fog.

    LEVINE is breathing heavily.


    FADE TO:


    31 INT. MALCOLM’S OFFICE – DARK 31

    On the message machine, LEVINE is heard talking really
    fast.

    LEVINE (V.O.)
    Ian, you will not believe this, But I
    was right. There are dinosaurs in
    Costa Rica. I’m sorry I went way too
    early without telling but…well…just
    come on down. I need you here, if you
    don’t that’s fine too.

    A two second beep sounds off from the machine and
    MALCOLM walks in the door.

    He goes over to his desk and gets a piece of paper. The
    he walks over the message machine which is actually
    located near the door.

    He presses a button and waits for a message. He gets one.

    LEVINE (V.O.)
    Ian, you will not…

    The door opens quickly and knocks the shit out of the
    message machine. It falls apart in pieces on the floor.

    MALOLM
    What the hell?

    THORNE was at the door looking at the broken machine.

    THORNE
    Opps…

    MALCOLM

    (SARCASTICALLY)

    That was Richard. Thanks for coming to
    my office.

    THORNE
    I’m sorry, Ian.

    MALCOLM
    Oh it doesn’t matter. He probably had
    nothing to say other than he disobeyed my
    orders.


    FADE TO:



    SUBTITLE
    ONE WEEK LATER



    31 INT. THORNE’S WORKSHOP – DAY 31

    ARBY looked through the windows of the newly done
    AZTEKS and motorcycle. They were ready and promising.
    Workers were putting equipment into the back, yelling
    at one another, and then driving off with them to load
    them up for COSTA RICA.

    LAURIE took a gander at the inside of one of the vehicles.

    LAURIE
    Sure looks cosy…but not for sleeping
    in.

    From far up we see THORNE.

    THORNE
    Don’t worry honey, we have a tent.
    Everyone does.

    He sets the folded up tent in the back of the AZTEK.

    ARBY
    I don’t see why I can’t go?

    THORNE turns around, cocks his eyebrow.

    THORNE
    What?

    ARBY
    Nothing’s gonna happen.

    THORNE
    There’s a chance we might be put in
    prison.

    ARBY
    It would be just the same if it
    happened to me too.

    THORNE
    Absolutely out of the question. It is
    dangerous, you said so yourself.

    ARBY
    I’m a man.

    THORNE
    Yeah, in a long time from now.

    ARBY
    Please, Jack.

    THORNE
    No!

    ARBY swings at his chest and punches him a dozen times,
    but it doesn’t seem to affect THORNE at all.

    ARBY
    We never spend time with each other.
    You always have something to do so you
    wouldn’t have to be around me. I heard
    what you said when I left with Laurie
    the last week. I know you hate to be
    around me…why don’t you appreciate
    that I just want to be around you
    sometimes. We’re family…

    ARBY runs off down the shop and into a hallway. THORNE shakes his head.

    MALCOLM screams from the apartment.

    MALCOLM
    (YELLING)

    What time are we leaving?

    THORNE looks at his watch.

    THORNE
    Thirty minutes!


    CUT TO:



    32 EXT. COSTA RICA JUNGLE – DAY 32

    A HELICOPTER zips through the air like a bee, passing
    each tree below it. The sound of its twisting blades
    is beating in our ears as it keeps flying.


    CUT TO:



    33 INT. HELICOPTER – DAY 33

    LAURIE, THORNE, TROY, MALCOLM, and ED REGIS are in their
    seats looking out of the windows. Suddenly MALCOLM stares
    at ED REGIS cautiously from head to toe.

    MALCOLM
    So…what the hell are you here for?

    REGIS
    I interpret Spanish.

    MALCOLM
    Good, cause if we get caught, we’ll
    need an escape goat.

    REGIS
    You’re not gonna give me up for the
    group are you?

    MALCOLM laughs hysterically.

    THORNE
    He’s a gothic ass isn’t he, Regis?

    REGIS
    Well…yeah actually.

    MALCOLM
    Watch it, Throne, I’ll sick Levine’s
    imaginary dinosaur on you.

    REGIS shakes his head.

    REGIS
    Many years I’ve been looking into
    dinosaurs…I don’t get what’s so great
    about them. Some were monsters and
    some were gentle giants…not much to
    be fascinated with, we’ve got animals
    like that now.

    MALCOLM
    One man’s obsession is his own
    personal playground. Once you get on
    that swing you never want to get off.
    Also relates to Chaos Theory.

    THORNE
    How?

    MALCOLM
    If a situation goes bad…it stays bad.
    Right to the very point of the edge
    of chaos. Then, it’s all over.

    THORNE
    I don’t agree…there can always be
    something good that goes on during a
    bad situation.

    MALCOLM
    But it doesn’t solve it does it?

    THORNE
    Guess not.

    The PILOT’S VOICE enters their ears.

    PILOT
    Bad turbulence, were going to have to
    drop you off over there. You’ll have
    to walk a mile north and you’ll find
    your vehicles safe and secure next to
    an abandoned house. I’ll pick you up
    here in the same place in three days.


    CUT TO:



    34 EXT. COSTA RICA – DAY 34

    The HELICOPTOR starts to descend a little, everybody we
    can see from outside the window holds on to something.

    The jungle is deep and lush, like a mass of very shiny
    green leaves covering everything in sight. But there was
    only a little patch of mud where the vehicles were
    parked and a house right next to it.


    The door of the chopper slides over and there are
    cables that just seem to fall out just as quick as it
    had opened. Each person has a pack on and they have the
    cable wrapped around their hips. With a clip in hand,
    they each slide down the rope and into the unknown.


    CUT TO:


    35 EXT. COSTA RICA – MOMENTS LATER 35

    REGIS was in one AZTEK while MALCOLM took the other.
    THORNE had the motorcycle.

    The drove the vehicles on the paths that lead to a big clearing.


    CUT TO:


    36 EXT. CAMP – MOMENTS LATER 36

    TROY took out some food from the back of the AZTEK and quickly shut the back door.

    MALCOLM
    The Cord Central is not too far from
    here. Once there we’ll find some
    villagers to talk to…maybe they have
    a clue where this La Largitga
    Agresivo is.

    THORNE
    I know a faster way to get there, and
    I’ll show you on the map in a minute.

    MALCOLM
    Good, I want to get there and find him
    as soon as possible…Then I want to get
    the hell out of here.

    REGIS
    How about those walkie-talkies, did
    you put batteries in them?

    THORNE
    100 mile radius, I say we got a run
    for our money on that.

    TROY took out his camera.

    TROY
    I’ll be ready to record anything.

    MALCOLM
    Which will be nothing. You came on
    this trip cause Levine had already
    asked you.

    TROY
    You never know what we might find.

    MALCOLM
    You’re a complete waste of time and
    effort…sad to say.

    TROY
    Whatever…Thorne, I thought you said
    I’d feel comfortable on this trip?

    THORNE turned around.

    THORNE
    Ok…Troy, hop in and sit down in that
    car.

    TROY walked to the AZTEK and opened the door. He sits in
    it quietly.

    THORNE (cont’d)
    Comfortable?

    TROY
    Yeah…

    THORNE
    Well, there you go.

    TROY sticks out his middle finger and lays back
    down in the seat. Something wasn’t right though.
    There was a sound behind the seat that caught his
    attention. He turned around and looked back seeing
    only boxes of food and supplies and a blanket. But
    there was something under that blanket. He moved
    out of the car door and outside. Then, he went back
    to the back of the car and opened it. Soon as that
    was done, he simply pulled the covers off and
    revealed a surprised ARBY.


    CUT TO:



    37 EXT. CAMP – MOMENTS LATER 37

    THORNE pounded his fist of the hood of the car.

    THORNE
    What did I say? You were not to go on
    this trip. Did I not specifically say
    that?

    ARBY
    Yeah kinda.

    THORNE
    Yeah kinda?

    ARBY
    You’re not my dad, Jack.

    THORNE
    That’s right, I’m your responsible
    older brother.

    LAURIE stood watching the argument.

    LAURIE
    Jack, calm down.

    THORNE
    No…

    LAURIE
    Yes, come on Arby, we’ll play some cards.

    ARBY
    Ok…

    They both exit to the tent. THORNE sighs.

    MALCOLM
    It’s ok, Thorne. There’s nothing we
    can do about it. I say we blame Levine.

    THORNE chuckles.

    THORNE
    I think you’re right.


    CUT TO:



    38 INT. TENT – DAY 38

    LAURIE plays a QUEEN of hearts while ARBY sets
    tense. He finally decides to play the next card.
    It’s a ACE. He won that game.

    ARBY
    Yes…

    LAURIE
    Great game of war, play another?

    ARBY
    Alright.

    She shuffles the cards in her hand.

    LAURIE
    Arb, I’ve been meaning to talk with
    you about Jack.

    ARBY
    Yeah…

    LAURIE
    Well, he really does love you.

    ARBY
    I know that. He just doesn’t do
    anything with me anymore.

    LAURIE just listens.

    ARBY (cont’d)
    I remember when we were kids, he used
    to do a lot of fun stuff with me. And
    he was in college then. Now it’s just…

    LAURIE
    The workshop?

    ARBY
    Yeah.

    LAURIE
    That’s a part of being an adult. He has
    a lot to do to keep the business from
    plummeting. My dad was the same way. He
    told me, “Honey, I’ll try me best.”
    Every weekend he played with me. So what
    you say…give him another chance.

    ARBY looks sceptical but he give in quickily.

    ARBY
    (SMILING)

    Ok!

    9/3/2002 6:30:56 PM

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