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    #36
    The 'unlucky bastard' eaten by the Rex in the San Diego sequence is none other than TLW's screenwriter, David Koepp.
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    Dawn of Exitnction: Jurassic Park (Part2)
    By Carnotaur3

    8 INT. THORNE’S APARTMENT – DAY 8

    THORNE’s apartment is clean, papers neatly stacked on
    desks, cloths precisely packed in his suit case,
    not like it fit his description of himself.

    ARBY
    I find it hard to believe your room
    is clean.

    ARBY threw his sleeping bag onto the sofa.

    THORNE
    Since when did you go by appearances?

    He said nothing, just quickly went to the refrigerator.

    ARBY
    It’s tight that you get your own
    apartment right at your business.

    ARBY looks out the window after taking out some milk.
    He sees hundreds of men at work.

    THORNE
    It was Cousin Eddie’s. This is his
    second building, he gave the other
    away to Ed James, his friend from
    college.

    ARBY
    I never knew Eddie. Was he cool?

    THORNE
    He was a motor-mouth, but otherwise,
    he was pretty cool.

    ARBY drank from the carton of milk.

    ARBY
    What’s up with this Richard Levine?

    THORNE
    Oh, hell, he’s a friend of mine.
    He’s setting up some expedition.
    That’s why we are working so hard on
    these vehicles. Rich kid though, does
    what ever he wants. He gives spoiled
    a bad name. I wish I could say the
    same thing about his
    apartment to say the least.

    ARBY
    What expedition?

    THORNE
    Don’t know, don’t care. Money’s big
    so… For months we’ve been modifying
    his field vehicles, and finally we
    are on the right track. He wants
    them light, I build them light. He
    wants them strong, I build them
    strong – light and strong both, why
    not, it’s just impossible what he’s
    asking for. But with enough titanium
    and honeycarbon composite, we’re
    doing it anyway.

    ARBY
    I might be a kid, Jack, but I know
    that doing something without knowing
    why is very unwise. Wonder if it’s
    dangerous? Mom would have a fit.

    THORNE
    If it is, Arb, then it doesn’t matter.
    I’m a grown man.

    From the apartment door comes the sound of three
    knocks. THORNE takes a step towards it but before he
    could get any closer, ARBY had already flung the door
    wide open to see who it is.
    Standing before him was a beautiful, slim female with
    long curly brown hair, looking to be in her late 20’s.
    This is LAURIE HIDWAY, THORNE’S girlfriend.

    ARBY
    Wow, you get all the hot ones!

    LAURIE looks at Arby and laughs.

    LAURIE
    This must be your little brother. Hi
    Arby.

    ARBY
    Hi.

    THORNE pulls ARBY back and rubs his hair.

    THORNE
    See, I told you he was a wise ass.

    He looks Back at LAURIE as he steps back to let her in.

    LAURIE
    Hi babe.

    LAURIE and THORNE kiss on the lips and then part.

    THORNE
    So what are you doing here?

    Throne motions to the couch, allowing Laurie to sit.
    She does.

    LAURIE
    Just on my way downtown and thought I’d stop by
    To see if you guys wanted to come.

    THRONE
    I can’t, I’ve got some work to do.
    All these vehicle’s require lots of
    work. I have to manage everything
    around this damned place.

    ARBY grits his teeth.

    ARBY
    Come on, Jack, let me go with her.
    I have nothing better to do here. You
    have your job and now…

    (He gets a better look at her)

    I have mine!

    ARBY winks.

    THORNE
    No, you’d be all over my woman!

    ARBY rolls his eyes.

    LAURIE
    Just let him come, Jack. I can handle a 15 year-old!

    (Winks at ARBY)

    ARBY laughs out loud, THORNE just gives out a little
    Smile, then stands in front of him.

    THORNE
    Don’t you be pulling any moves on her.

    LAURIE
    Oh, come on now, you know me. I’ll be pulling moves on him.

    ARBY
    (SARCASTICLY)
    Yes!

    THORNE
    I know. That’s what I’m afraid of.

    LAURIE kisses THORNE again and her and ARBY leave the
    apartment, closing the door behind them. THORNE sighs
    with relief.

    THORNE
    Well, he’s out of my hair.



    CUT TO:


    9 INT. THORNE’S WORKSHOP – DAY 9

    Back to THORN’S garage where the cars are being worked
    on continuously. A man by the name of TROY ORBISON
    comes in looking intensely at the work that’s happening.
    He seems to be thinking every few seconds. He takes his bag that’s over his shoulder and lays it down on the hard concrete floor.

    WORKER
    Hot wire that computer system in
    there.

    TROY has a surprised look.


    CUT TO:


    10 INT. THORNE’S OFFICE – DAY 10

    We are now back to his office, located on the right side
    as you walk into his apartment. He’s looking at papers
    and the clock simultaneously. We get the feeling he’s
    actually nervous, from what we don’t know.

    Now, TROY ORBISON walks into his apartment, and THORNE
    looks up and sees him through the glass door.

    TROY
    Mr. Thorne?

    THORNE
    In here…

    TROY notices and walks straight into his office.

    TROY
    Ah, Mr. Thorne, great to see you.

    (Hand shakes THORNE)

    And it must be great to have a pro at
    this expedition.

    THORNE
    I do what I can to make the best vehicles
    money has to offer, Mr…

    TROY
    Orbison, Troy Orbision.

    TROY smoothly sits into the chair and sinks in.

    THORNE
    Comfortable, Mr. Orbison?

    TROY
    Very…

    THORNE
    That’s the way you’ll feel when you go
    with me on this little adventure. So,
    what do you do?

    TROY
    I film and dig up ancient animals.

    THORNE raises an eyebrow.

    THRONE
    Dig up dinosaurs?

    TROY
    Sure do. Expert on them. But I’m
    here to film.

    THORNE
    I’m telling you, I’m wondering what
    it is Levine’s got up his sleeve.

    TROY
    Same here.

    THORNE chuckles.

    THORNE
    Ah, hell, you don’t know either, I
    thought I could have begged it out
    of you.

    TROY
    No sir, no questions asked. I need the
    money.


    CUT TO:


    11 INT. AUDITORIUM – DARK 11

    A COLLEGE auditorium is full of students watching the
    masterful debates of DR. MALCOLM and the white haired
    DR. ALVIN.

    MALCOLM
    And what killed the dinosaurs,
    Dr. Alvin?

    ALVIN
    I think it’s really self-explanatory,
    Dr. Malcolm. Nothing did. They are
    found in present day birds across
    the country.

    MALCOLM
    Ah… that’s where you are wrong.
    Evolution played no key part in their
    disappearances. Evidence number one:
    a particular finding had a dinosaur
    foot and a human foot on the same
    level of ground. Only suggesting that
    they were both in the same age and time.

    ALVIN
    Correction: it wasn’t human.

    MALCOLM
    No, it was. Evidence number two,
    class: cave paintings and paintings
    on objects that they made showed a
    form of dinosaur on them. Very
    interesting find too. And then we
    come to why scientists try so
    desperately to hide these kind of
    evidence and not publish them into a
    book. They know it goes against their
    own belief, same thing with Evolution.
    Scientists have evidence that go
    against it. One of them is that they
    have never found a middle species. Only
    the species after it that was formed.
    Why is that? If the theory of Evolution
    can be so true, why the hell would we
    not have a middle forming species?
    Instead, scientists take their so
    called educated guesses as to what
    the forming species would look like.
    But no evidence of them have never
    been found. If there were life forms
    that were formed in the beginning,
    why couldn’t there be some after? Why
    can’t species be created that are
    similar? A scientist will find his or
    her bones such as birds to look
    similar to dinosaur bones and they
    come up with the conclusion that they
    are related? Not the kind of
    assumption that should be taken as fact.


    DR. ALVIN stands dumbfounded at his podium.

    ALVIN
    Dr. Malcolm, I thought you believed
    in Evolution?

    MALCOLM
    I do, but not the theory of
    Evolution, Dr. Alvin. There’s a
    difference. A moth that was a bright
    color in the late 1800’s found itself
    to not be adequately matching the
    trees because of the pollution we did
    back then. It left ashes all over
    the trees and darkened them. They
    soon adapted to fit their surrounding
    and became darker. Then, we outlawed
    how much pollution we were to put out,
    causing the moth’s to adapt once
    again. This is the kind of evolution
    I believe in. After all, Dr. Alvin,
    evolution means change doesn’t it?

    DR. ALVIN just stands there.


    CUT TO:



    12 INT. MALCOLM’S OFFICE – DARK 12

    MALCOLM’S hand is over the receiver. In the chair in
    front of him is HEROLD JOHNSON, an old man in his late
    60s.

    MALCOLM
    Herold, it’s for you. Go pick it up
    in the office next to mine. Line 3.

    HEROLD nods, then, exits out the door.

    MALCOLM grunts and punches in a number. A message machine comes, we can recognise the voice, it’s RICHARD LEVINE.

    LEVINE (cont’d)
    Leave a message if you want me.

    BEEP

    MALCOLM
    Richard, it’s Ian. Where are you, it’s
    been since this morning that I called
    and you weren’t there. Well, it’s 5:33
    P.M. and you still aren’t in.

    He hangs up the phone, furious. His patience for him as
    been ever ending and he’s finally lost his nerve. Now
    he feels like doing something risky. He quickly takes
    back the phone and punches in another number.

    MALCOLM waits for an answer. A voice picks up after the
    third ring.

    THORNE (V.O.)
    Jack Thorne.

    MALCOLM
    Thorne, it’s Malcolm. You receive any
    messages about Levine leaving
    anywhere?

    THORNE (V.O.)
    No, haven’t heard a thing. Something
    wrong?

    MALCOLM
    Yeah, he’s missing.

    THORNE (V.O.)
    Missing? It’s not uncommon for him to
    take trips to places without telling
    anybody. He does it all the time.

    MALCOLM
    Well, anyway, he might have already
    gone.

    THORNE (V.O.)
    To what? Costa Rica? Why the hell
    would he ever do that?

    MALCOLM rolls his eyes.

    MALCOLM
    You know as well as I do that he’s an
    inpatient fool. You could get a doctor
    to tell him to wait five minutes and
    he’s running out of the hospital at
    the first two.

    THORNE (V.O.)
    Who the hell does he have that we
    don’t?

    MALCOLM
    Don’t know, but I want you to go and
    brake into his apartment and look for
    some evidence.

    THORNE (V.O.)
    Evidence of what?

    MALCOLM
    Anything that remotely relates to
    Costa Rica.


    CUT TO:


    13 INT. LEVINE’S APARTMENT – NIGHT 13

    ARBY took glances at the dirtied apartment.

    ARBY
    How can a rich guy live like this?

    THORNE
    Beats the hell out of me.

    THORNE looked around at cardboard boxes. One was marked
    with a triangular symbol. He snatched papers out of it.

    ARBY
    And I thought your credit card was
    done for.

    THORNE
    Well, if it broke I could always get
    another.

    ARBY looks over and sees a sheet of paper. On it are
    hastily scribbled notes. But there is three words on it
    that are circled.

    ARBY
    Take a look at this!

    (Hands THORNE paper)

    THORNE
    Hmmm…

    THORNE reads.

    THORNE (cont’d)
    Well, it’s in Spanish. It says la
    lagartija agresivo.

    ARBY
    What does it mean?

    THORNE
    Umm… If I’m correct it means
    ‘hostile lizard’.

    ARBY
    What is it really?

    THORNE
    I don’t know…maybe a place of some
    kind. Prossibly in Costa Rica.

    THORNE looks over and sees that the closet is wide
    opened. He walks over to it. That’s when he notices the
    computer. It’s marked with a symbol and the name BIOSYN
    CORP right on the side.

    THORNE (cont’d)
    Biosyn…now where have I heard that
    before?

    ARBY
    I think we have enough evidence. I say
    we get out of here.

    THORNE
    No…wait.

    He takes a slip of paper in his hands.

    It reads:

    La Lagartija Agresivo…Where is it???

    Possibility: Near the Meseta Central.

    THORNE
    I think I’ve found something that might
    just help us!


    CUT TO:



    14 EXT – FRENCH OUTSIDE RESTAURANT – CLEAR BRIGHT DAY 14

    RICHARD LEVINE walks in a crowd of people. Everyone
    talking and carrying objects. He finally finds a seat
    to sit down and order some meal. He is in FRANCE.

    From up ahead we see another man. This is a MEXICAN
    named DIEGO. The pilot has a bag hanging over his
    shoulder and he finds LEVINE and sits down.

    DIEGO
    Ca Va!

    (How’s it going?)

    LEVINE
    Ca Va, Merci, l’ami.

    (Fine, thank you, friend.)

    DIEGO
    Ha ha, you still know French!

    LEVINE
    You were a great teacher, Diego.
    I respected that.


    DIEGO and LEVINE are smiling with joy. They seemed to have not seen each other in a long time.

    DIEGO
    So, you still have that woman?

    LEVINE
    Things didn’t work out as I planned.
    She had her needs…I had mine. Yours?

    DIEGO
    Ah…she left me for another man. Pitiful,
    eh?

    LEVINE
    Si.

    DIEGO
    That’s probably the only thing you know of
    Spanish.

    LEVINE
    Si, I have a lot to learn.

    DIEGO laughs.

    DIEGO
    Well…are we going are not?


    CUT TO:



    15 EXT. COSTA RICA – BRIGHT DAY 15

    The TURBOPROP PLANE hovers above the landscape of trees.
    It slices through the air like a knife through butter.

    CUT TO:


    16 INT. PLANE – DIM 16

    DIEGO switches buttons. We can see the headsets on
    DIEGO and LEVINE. LEVINE is the only one smiling right
    now. He’s really anxious to be walking on that ground
    below him.

    DIEGO
    When we reach the landing strip, I’ll
    take you to some villagers. See what’s
    up with them.

    LEVINE
    Sounds like a good plan!

    CUT TO:


    17 EXT. COSTA RICA – BRIGHT DAY 17

    The PLANE descends a little above the trees.


    CUT TO:


    18 INT. MALCOLM’S OFFICE – DARK 18

    MALCOLM paces around.

    MALCOLM
    I knew he would do this. I knew it…I
    knew it…I knew it…

    THORNE
    I know.

    MALCOLM
    He’s always like this. This “I’m a
    rich kid” shit has got to stop.

    THORNE
    Get that shit out of his system!

    MALCOLM
    Right!

    THORNE
    Right…

    MALCOLM looks curiously at THORNE.

    MALCOLM
    You mocking me?

    THORNE chuckles.

    The door opens and out comes ED REGIS, he a light built man in his early 20’s with dark brown hair.

    REGIS
    I just heard the news.

    MALCOLM
    Yeah, and it’s not good.

    THORNE
    What do we do?

    MALCOLM
    We go out there to that place and find
    him tomorrow. That’s what we’ll do.

    THORNE
    Ah hell, no. I haven’t tested anything. For
    all I know there might be dozens of bugs in
    those vehicles that haven’t been sought out
    yet.

    MALCOLM
    Then, I suggest you work hard at doing your
    work.

    THORNE shakes his head.

    THORNE
    What the hell is he looking for anyway?

    MALCOLM
    Survivals of exctinction.

    THORNE
    What?

    MALCOLM
    Dinosaurs…he’s looking for dinosaurs.

    THORNE’S jaw opens.

    THORNE
    That’s absurd.

    MALCOLM
    Same here. Costa Rican government
    finds him, it won’t be pretty.

    THRONE
    It’s just like Richard. Always
    wanting some trouble.

    MALCOLM
    Trouble’s his motto.

    REGIS
    I can call up some people to help us
    load the vehicles. They’ll have them
    there before we get there.

    MALCOLM
    You do that… Meanwhile, me and Thorne
    will catch a chopper.


    CUT TO:


    19 INT. PLANE – DAY 19

    DIEGO squints his eyes, trying to see passed the bright
    sun’s beam. Then, he sees what he’s looking for.

    DIEGO
    There it is.

    Now we get a better look at what it was. It’s a small strip, and on the side is a small house. A couple of Costa Rican’s are there waving for them.


    20 EXT. COSTA RICA – DAY 20

    Above the trees, the PLANE curves to the right towards
    the air strip, and then it descends. Finally it touches
    the muddy ground and makes a complete stop after
    driving for a few seconds.


    CUT TO:



    8/30/2002 5:20:50 PM
    (Updated: 8/31/2002 3:05:10 AM)

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