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    #18
    The partnership with Hershey's Chocolate for TLW (which included, among others, TLW chocolate bars) was the first movie tie-in for the famous candy-maker.
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    Crimson Moon 2 Script (Part 4)
    By Aragorn

    INT. THE MAIN ROOM - THE SCENE IS THE SAME.

    Andrew motions toward Smith.

    ANDREW
    And what about that guy? He needs
    to be taken to the hospital!

    SIERRA
    Yeah, are you just gonna let him
    lay there and die?

    SMITH
    Don't listen to them, Hodges.

    ANDREW
    What, you don't want to go to a
    hospital?

    SMITH
    No. I can't. What if I turn into
    one of those things in the ambulance,
    or... I'm going to turn or die. The
    best thing for me would be to just
    shoot me in the head. Right now.

    HODGES
    You know I can't do that.

    JEREMY
    I say you do it, man. I told you,
    lock the sheriff and the paramedics
    up, and you didn't fucking do it
    fast enough. And now you see what
    happened. Give me a gun, I'll shoot
    the poor guy.

    HODGES
    Nobody is shooting anybody!

    SMITH
    Give me a gun, I'll shoot myself.
    It needs to be done.

    JEREMY
    Listen to him! A dying man's wish.

    HODGES
    That's it, shut up!

    Hodges turns his gun on the prisoners, but they
    all look unaffected.

    HODGES
    I want you all to line up against
    the wall, stand there and be quiet.

    ANDREW
    Yeah, that gun really scares us.
    If you can't shoot your soon-to-be-
    a-werewolf friend, you sure as hell
    won't shoot us.

    Hodges cocks his gun.

    HODGES
    Want to try me?

    INT. A HALLWAY - BRIANS AND MILLER ARE CARRYING THE
    GROANING DANTE, BRIAN’S AT THE HEAD AND MILLER AT
    THE FEET, AS JULIE WALKS IN FRONT OF THEM, GUN READY.

    MILLER
    God, he's heavy.

    BRIANS
    What do you expect? His biceps are
    as big as my head.

    JULIE
    Either of you have any idea why this
    is happening?

    BRIANS
    Well, didn't Jimmy talk all the time
    about how he was bit by a wolf out
    at the gas station?

    JULIE
    Yeah...

    BRIANS
    And when the survivor was questioned,
    she said that Eddie Bunker had been
    bit by a wolf the night before. So I
    guess it all goes back to that night.
    There was probably more going on out
    at that gas station than she told us.

    JULIE
    Understandable. She would have been
    called crazy and locked up.

    MILLER
    I think Jimmy had been hallucinating
    about wolves, too. He saw one, one
    night when we were on patrol... And
    he's been feeling sick.

    INT. THE MAIN ROOM - HODGES HAS MANAGED TO GET THE
    PRISONERS LINED UP AGAINST THE WALL.

    Baker is now leaning on the desk, his head down on
    his arms, staring at the desktop.

    GABE
    I'm in here for being drunk and
    disorderly, I didn't know I could
    die over it!

    HODGES
    Gabe... The next one of you that
    complains is gonna get fucking
    winged, I swear to God.

    GABE
    I don't...

    Gabe stops talking when a furry, clawed hand clamps
    down on his knee.

    He looks down and starts screaming as he sees the
    top half of Davis has transformed into a werewolf,
    crawled across the cell room floor with guts trailing
    behind it, and is now climbing up his leg.

    The rest of the prisoners join in on the screaming.

    Baker looks up at them.

    The Davis-wolf bites into Gabe's side.

    Hodges fires his gun at the werewolf, but it manages to
    pull itself behind Gabe.

    The bullet hits the wall, and the werewolf climbs up
    onto Gabe's back, bringing it's head up level with
    his screaming head.

    It then sinks its teeth into his neck.

    INT. THE HALLWAY - THE COPS AND DANTE ARE TRAVELLING
    IN THE SAME WAY.

    They pass a door with a small sign reading LOUNGE
    on it, and from inside the room comes a loud crash.

    The cops stop and look at the door.

    As soon as they stop, a tile falls from the ceiling,
    along with a werewolf.

    Both of these things land on Dante, knocking him from
    Brians and Miller's grasps and to the floor.

    The weight of the werewolf crushes Dante's mid-section
    almost flat to the floor and he screams, blood
    gushing out of his mouth.

    The werewolf steps off of Dante and turns on Miller,
    slashing his face with its claws.

    Miller falls to his knees, screaming and holding
    his face.

    The lounge door swings open and the other werewolf steps
    into the doorway, growling.

    INT. THE MAIN ROOM - GABE IS TRYING TO GET THE HALF-
    WOLF OFF HIS BACK AS IT GNAWS INTO HIS SHOULDER.

    Jeremy, Candy, Sierra, and Noah are cowering and
    screaming in the corner, Andrew is trying to grab
    the werewolf, Hodges is trying to get a shot, and
    Baker is watching from his desk.

    Andrew manages to grab a strand of the werewolf's guts
    that are swinging around, and begins to pull on them.

    The werewolf is pulled off of Gabe and he collapses.

    The werewolf hits the floor and spins around to face
    Andrew.

    ANDREW
    Shoot it!

    Hodges fires, misses by a couple inches.

    The werewolf begins to crawl very quickly toward Andrew.

    Andrew backs up quickly and Hodges continues to fire.
    One miss. Two. Three.

    Andrew backs up into the wall, and a second later the
    werewolf reaches him and grabs onto his legs.

    ANDREW
    Shoot it!!

    Hodges fires, and this time the werewolf's head is blown
    open and it falls, dead.

    Hodges' gun is now empty, and he opens the chamber,
    pouring the empty casings out onto the floor.

    Baker stands up from his desk and starts hurrying
    across the room.

    Hodges begins to reload.

    Baker passes the desk Smith was on, which now just
    has a puddle of blood on it.

    Baker heads for the hallway, and Hodges sees him.

    HODGES
    Baker, where are you going?

    Baker doesn't answer, just continues on his way.

    Noah notices Smith's empty desk.

    NOAH
    Where's the other cop?

    Baker is almost to the hallway, passing the interrogation
    room's busted window.

    As he passes, the Smith-wolf suddenly jumps through
    the empty window-frame, slamming into Baker.

    Hodges finishes reloading.

    HODGES
    Baker!!

    Baker and the werewolf fall to the floor, the werewolf biting
    into his chest.

    Baker screams.

    INT. THE HALLWAY - BRIANS, JULIE, AND MILLER ARE RUNNING
    DOWN THE HALL, THE TWO WEREWOLVES RIGHT BEHIND THEM. THE
    BLOOD FROM THE SCRATCHES ON HIS FACE IS GETTING IN
    MILLER'S EYES, SO HE HAS TO BE HELPED ALONG.

    One of the werewolves leaps forward, slamming into Julie's
    back, knocking her to the ground.

    Her gun goes sliding down the hall.

    Brians and Miller stop running to help her.

    BRIANS
    Get off of her, motherfucker!

    Brians grabs the werewolf and pulls it back right before
    it would have bitten Julie.

    The werewolf elbows Brians in the stomach without looking
    back at him, sending him flying backwards down the
    hall and right into the waiting arms of the other werewolf.

    Miller kicks the werewolf on Julie in the side of the
    head, knocking it against the wall. This allows Julie
    to get back to her feet.

    Brians pulls his gun, just as the werewolf holding him
    bites into his shoulder.

    He screams and the werewolf spins him around, grabbing
    him by the throat and slamming him to the floor.

    MILLER
    Brians!

    Miller is interrupted when the other werewolf backhands
    him, slamming him hard enough back against the wall
    to crack the plaster.

    Julie is running down the hall, toward her gun.

    Miller falls to the floor and the werewolf pounces on him.

    Brians raises his gun to shoot the werewolf on him, but
    it knocks his arm aside and bites down on it, so the
    gun is now pointing toward Miller, the other werewolf,
    and Julie.

    BRIANS
    Shit!

    The werewolf on Miller is about to rip into his chest.

    Brians pulls the trigger of his gun.

    BULLET'S P.O.V - WE FLY DOWN THE BARREL OF THE GUN,
    THEN DOWN THE HALL.

    The werewolf on Miller brings it's head down, and when
    it's teeth are just an inch from Miller's chest,
    the bullet smacks into the side of it's head.

    It falls over, dead.

    Julie reaches her gun, dropping to her knees and
    picking it up.

    She turns around, aiming it down the hall just in
    time to see-

    JULIE'S P.O.V - THE OTHER WEREWOLF IS DRAGGING BRIANS, BY
    HIS ARM IN ITS MOUTH, INTO THE LOUNGE.

    JULIE
    Son of a bitch!

    Miller climbs to his feet, the dead werewolf having turned
    back into the dead Sheriff Hopper.

    Julie and Miller run for the lounge, Miller very
    unsteadily.

    They reach the lounge doorway and look in.

    MILLER'S P.O.V - THERE'S A LARGE HOLE IN THE CEILING,
    AND WE'RE JUST IN TIME TO SEE BRIANS BE PULLED UP
    INTO IT.

    MILLER
    Fucking bastards!

    Brians' gun falls from the hole in the ceiling, to
    the lounge floor.

    It's followed by a large splash of blood.

    Julie rushes into the lounge and aims her gun up at
    the hole.

    JULIE'S P.O.V - ALL THAT CAN BE SEEN IN THE HOLE IS
    DARKNESS.

    JULIE
    Damn.

    Julie bends down and picks up Brians' gun, then
    hurries back into the hallway.

    She hands the gun to Miller.

    Miller and Julie stand in the hall in silence,
    collecting themselves.

    Miller wipes blood off his face with his shirt collar.

    MILLER
    I really hope you can't be infected
    by scratches as well as bites.

    JULIE
    In the movies, scratches
    do infect.

    MILLER
    Yeah, but the movies also say you
    need silver bullets to kill them.
    Shots to the head seem to work fine.
    It's obvious that...

    Miller is interrupted when a growling sound comes
    from off screen and both cops look down the hallway.

    The werewolf that was once Dante is standing just a few
    yards away.

    JULIE
    It never ends!

    They raise their guns and fire, and just as they do
    the Dante-wolf turns and jumps into the room beside
    it: The men's restroom, knocking the door off it's
    hinges.

    MILLER
    Shit!

    Screams come from the other end of the hall and
    Miller and Julie turn around, looking down the hall,
    just as Hodges, Jeremy, Sierra, Candy, Noah, and
    Andrew come around the corner, pursued by three
    werewolves.

    JULIE
    Jesus Christ...

    HODGES
    Run!

    The others are also yelling "run!", "go!", etc.

    Miller and Julie take their advice and turn around,
    starting to run.

    MILLER
    There's one in the men's room!

    JULIE
    Where are we going?!

    Miller and Julie pass the men's room, pointing their
    guns at the doorway, but the werewolf isn't in sight.

    HODGES
    Garage! Shotguns!

    Hodges passes the men's room and points his gun at
    the doorway, but the werewolf still isn't in sight.

    The prisoners begin passing the men's room doorway,
    staying as far away from it as possible. Jeremy and
    Candy pass. Sierra. Andrew.

    Just as Noah gets past the doorway, the werewolf swings
    out from the room, sinking it's claws into his back.

    Noah screams, falling to the floor.

    Andrew looks back, seeing as the werewolf begins ripping
    into his friend.

    ANDREW
    Noah!!

    But he keeps running.

    The three werewolves that were chasing the people from
    the main room pass the Dante-wolf as it bites a
    large chunk out of Noah's back.

    Once the other wolves are past, the Dante-wolf abandons
    Noah's body and joins the chase.

    The cops and prisoners run down the hall as fast as
    they can, the werewolves only a few feet behind them.

    Miller reaches a door in the hall and slams himself
    against it, grabbing the doorknob and flinging the
    door open.

    MILLER
    Go, go, go!

    Julie runs past Miller, through the doorway and down
    a small flight of stairs. At the bottom of the stairs
    is a landing. Julie can either go through a door
    marked GARAGE, or turn and go down another flight
    of stairs. She chooses the GARAGE door.

    Julie is quickly followed by Hodges, Jeremy, Candy,
    Sierra, and Andrew as Miller holds the door open
    for them.

    As soon as Andrew is through the doorway, Miller
    steps through behind him, firing his gun blindly
    down the hallway.

    The werewolves reach the door just as Miller slams it
    shut behind him.

    INT. THE STAIRWAY - MILLER RUNS DOWN THE STAIRS AND
    INTO THE GARAGE AS THE WEREWOLVES BEGIN TO POUND ON AND
    SCRATCH AT THE SHUT DOOR.

    INT. THE GARAGE - MILLER ENTERS AND SLAMS THE DOOR
    SHUT BEHIND HIM.

    The others watch him, standing a few feet away.
    Behind them the three patrol cars are still parked.
    We look up and see that there are no tiles on the
    ceiling in the garage, we can see straight up to the
    rafters and the roof.

    MILLER
    We need to block this door with
    something or they'll be in here
    before we're ready.

    The others look around and Hodges is the first to
    spot something-

    HODGES
    Tool chest. Andrew, help me push
    it over there.

    ANDREW
    Alright.

    Hodges and Andrew go over to a six foot tall tool
    chest that stands in the corner, and begin to wheel
    it toward the door, as Miller continues to stand
    there and make sure nothing's happening on the other
    side of it.

    Hodges and Andrew manages to get the chest in front
    of the door, leaving only a few inches of the door
    left visible, at the top.

    MILLER
    You know, if we wanted to make a
    hell of a barricade, we could drive
    one of the cruisers up against the
    chest.

    HODGES
    Good idea.

    DISSOLVE TO:

    The group standing a few feet away from the tool
    chest-blocked door, which now has a patrol car
    pulled up to it so the car's front bumper is right
    up against the chest.

    JULIE
    That should keep them out for
    a while.

    CANDY
    Maybe we could just stay in here
    until sunrise...

    Hodges looks at his watch.

    HODGES
    It's only a little after three
    right now.

    ANDREW
    So we have over three hours left
    until sunrise. Great.

    JEREMY
    We could make it, though, man.
    There's no way they can get in
    here now.

    SIERRA
    They'll find a way, I'm sure.

    CANDY
    Sierra, don't talk like that.

    JEREMY
    Don't be such a pessimist.

    SIERRA
    This isn't exactly an optimistic
    situation.

    HODGES
    Alright, people, cut it out. Whether
    we can wait it out in here, or if
    they break in here, we'll be better
    prepared once we get the shotguns
    out of the cars.

    MILLER
    Three cars, three shotguns, three
    cops. At least something's working
    out right.

    Miller opens the passenger door of the patrol car
    that's part of the barricade, and pulls a set of
    keys off his belt.

    INT. THE PATROL CAR - MILLER GOES TO WORK ON GETTING
    THE SHOTGUN.

    He uses a key on the set to unlock the lock that
    attaches the shotgun to the dashboard, then puts
    his keys back on his belt.

    EXT. THE CAR, INT. THE GARAGE - MILLER LEANS BACK
    OUT OF THE CAR, SHOTGUN NOW IN HAND.

    Hodges and Julie have moved on to the other two
    patrol cars, getting their shotguns.

    ANDREW
    Now that you guys have those, can
    we have weapons, too?

    MILLER
    No.

    ANDREW
    Why not? This isn't a cops and law
    breakers thing anymore, we're all
    in the same boat.

    JEREMY
    With no fuckin' paddles.

    MILLER
    We've got something better than
    paddles now.

    Miller makes a motion with his shotgun.

    The sound of cracking wood comes from off screen,
    followed by several loud thuds.

    CANDY
    What was that?

    SIERRA
    I'd say that the werewolves are now in
    the stairway.

    INT. THE STAIRWAY - THE WOLVES ARE IN THE STAIRWAY,
    HAVING BROKEN DOWN THE DOOR TO THE HALL.

    Brians and Noah have apparently turned, because seven
    werewolves are making their way into the stairway.

    INT. THE GARAGE - JULIE AND HODGES HAVE JOINED THE
    GROUP AGAIN, NOW HOLDING SHOTGUNS.

    ANDREW
    Please, give us some kind of defense
    against those things.

    Miller looks to Hodges, and Hodges shrugs.

    HODGES
    Fine. Julie...

    Julie and Hodges take out their handguns and give
    them to Andrew and Jeremy, who smile.

    JEREMY
    Fuckin' A.

    HODGES
    Now when those things break in
    here, we’ll make them wish they
    never did.

    CANDY
    What about us girls? We need guns.

    MILLER
    Sorry. My handgun is empty. These
    are all the weapons we have.

    SIERRA
    (whispering)
    Bullshit it is.

    Sierra storms over to the cop car in front of the tool
    chest, and climbs over it, onto the hood.

    As she does, the werewolves begin pounding on the other
    side of the door.

    Sierra goes to the chest, moving slower than she was
    before, worried by the pounding.

    She opens one of the top drawers in the tool chest
    and looks in.

    SIERRA'S P.O.V - THIS DRAWER IS FULL OF DIFFERENT SIZES
    OF WRENCHES.

    She takes out the two largest wrenches and she tosses
    one to Candy.

    Candy doesn't even attempt to catch the heavy wrench.
    She just steps to the side and lets it clatter to the
    floor.

    Right before Sierra can get down off the car, a large
    piece of wood splinters off the top of the door and
    hits her, sending her falling off the car and to the
    floor.

    A werewolf’s clawed hand has burst through the door
    and is moving around.

    MILLER
    Son of a bitch!

    He aims his shotgun and fires, blowing up the werewolf’s
    hand, blood spraying the door and tool chest. A loud
    screech is heard and the pounding stopped.

    Everyone waits a moment, but all that is heard from
    the other side of the door is silence.

    JEREMY
    Maybe they went away.

    MILLER
    No. They’re too smart and too pissed
    off to just go away. They’re up to
    something.

    Sierra gets back to her feet and walks over to the
    rest, wrench in hand.

    Candy bends over and picks her wrench up.

    CANDY
    This weapon doesn't bring much
    comfort...

    SIERRA
    It's the best we can do, I guess.

    ANDREW
    Bring it down on their head hard
    enough, and it might be as good as a
    bullet.

    JEREMY
    If not, you could bust out their
    fuckin' teeth.

    A chorus of howls come from the other side of the
    door, causing everybody to jump.

    HODGES
    I don't like the sound of that.

    There's a loud sound of impact from the door, and it
    slams against the back of the tool chest, knocking
    the top drawer out and onto the car's hood.

    Another sound of impact follows immediately, and
    the door busts off it's hinges.

    JEREMY
    Oh, fuck.

    JULIE
    Here it goes.

    HODGES
    Candy, Sierra, get back by the cars.
    Andrew, Jeremy get behind us and
    guard them.

    Candy and Sierra move back, between the two cars,
    and Andrew and Jeremy take positions in front of the
    cars. Hodges, Miller, and Julie stand a few feet
    in front of Andrew and Jeremy, shotguns aimed at the
    door. Everyone gets into these positions very quickly.

    There's another sound of impact and the busted door
    slams into the back of the tool chest again, causing
    it to slam into the car. The car skids back about
    an inch.

    JEREMY
    No way, man! They can't be that
    strong!

    HODGES
    There's a lot of them out there...

    Another sound of impact, everything slams into each-
    other again, and the car skids back another couple
    inches.

    Hodges fires his shotgun, blowing a hole in the
    top part of the door. No sounds come from the other
    side, he must not have hit anything...

    A werewolf's growling face appears in the hole.

    Hodges pumps the empty shell out of his shotgun
    and fires again.

    The shotgun blast hits the werewolf right in the face,
    blowing the top half of it's head off.

    Sierra, Candy, Andrew, and Jeremy cheer and yell.

    Hodges pumps his shotgun again.

    A couple seconds of silence follow...

    Then, another sound of impact. Everything slams
    together, and the car goes back a few more inches.

    There is now enough space between the broken door
    and the wall for the werewolves to start coming in...
    And they do.

    The six werewolves begin bursting through the small
    opening they've made, moving extremely fast.

    The cops begin firing their shotguns, pumping the
    empty shells out as fast as possible. A lot of the
    shots miss, a lot hit the werewolves but are only body
    hits.

    Andrew and Jeremy step up between the cops and join
    in on the firing.

    Two werewolves move over the car that was in front of the
    door, the others run along the back wall, staying in
    the shadows.

    One werewolf stands on the roof the car, then jumps up,
    climbing onto one of the rafters.

    HODGES
    Watch out!

    Hodges fires at the rafter werewolf, only hitting the
    rafter.

    The werewolf begins to quickly jump from rafter to rafter,
    headed for the people.

    One of the other werewolves stands on the car's trunk and
    gets ready to jump at the people.

    Julie fires and the blast goes along the side of it's
    head, ripping out a huge chunk of flesh.

    The werewolf howls, falling backwards off the trunk, into
    the space between the car and the wall. There's not
    much space, so the werewolf gets lodged there, thrashing
    wildly and howling.

    The rafter werewolf jumps on the rafter right above the
    Cops. Hodges, Miller, and Andrew aim their weapons
    upwards.

    They fire and the werewolf launches itself down at them.

    Andrew's shot hits the werewolf right in the left eye,
    and it's dead body slams into Hodges, knocking him
    to the ground.

    While Sierra and Candy face forward, watching all
    this, werewolves begin gathering behind them.

    Hodges shoves the dead werewolf off of him, climbing to
    his feet.

    HODGES
    That really hurt...

    Miller and Julie are both reloading their shotguns.

    Jeremy looks back at Sierra and Candy, and sees that
    three werewolves are right behind them.

    JEREMY
    Behind you!

    Everyone turns their attention toward Sierra and
    Candy, who look behind them.

    Jeremy and Andrew raise their guns to fire, Sierra
    and Candy run forward, Julie finishes reloading her
    shotgun, Miller starts loading his faster, and
    Hodges raises his.

    Just as Hodges gets his into firing position, the werewolf
    that Julie shot jumps on him from behind, knocking him
    face first to the floor.

    His shotgun goes off, and the blast hits Jeremy in
    the side, blowing his dead body sideways over the
    hood of a car.

    Sierra and Candy reach the front of the cars and
    Andrew and Julie begin firing at the werewolves that
    were behind them, as Miller turns his now reloaded
    gun on the werewolf that is on Hodges.

    HODGES
    Shoot it!

    Before Miller can, the werewolf backhands his shotgun,
    knocking it out of his grasp and sending it flying
    across the garage.

    The shotgun lands right in front of the door.

    The werewolves that were behind Sierra and Candy jump
    toward Julie and Andrew as Andrew runs out of bullets.

    ANDREW
    Shit!

    Julie fires her shotgun and the blast hits one of
    the werewolves in the chest, knocking it backwards to
    the ground.

    The other two werewolves then land right in front of them.

    Andrew turns and begins to run. The werewolf that landed
    In front of him runs after him.

    The werewolf that landed in front of Julie snarls at her,
    and she jams her shotgun barrel right into it's mouth.

    JULIE
    Open wide, asshole!

    Before she can pull the trigger, however, the werewolf
    grabs the gun and her hand, squeezing as hard as it
    can.

    Julie screams as all the bones in her hand are broken,
    followed by the shotgun being snapped in half.

    The shotgun pieces clatter to the floor, and the werewolf
    lunges forward, grabbing Julie by the shoulders.

    The werewolf Julie managed to shoot earlier, scurries
    under a car and out of sight.

    Miller is on the back of the werewolf on Hodges, holding
    it in a headlock and pulling back as hard as he can,
    keeping it's snapping mouth just inches from the back
    of the yelling Hodges' head.

    Sierra and Candy rush the werewolf that is holding Julie,
    beating it in the head with their wrenches right
    before it bites into her screaming face.

    Andrew reaches the broken door, the wolf right
    behind him.

    He goes through the opening between the door and the
    wall, bending down and picking up Miller's shotgun.

    As he does this, the werewolf grabs him by the waist of
    his pants and pulls him back into the garage.

    The force of the pull causes the shotgun to fly out
    of Andrew's hand and into the stairway, down the other
    flight of stairs.

    It spins him around and slams the claws of its left
    hand into his stomach. It continues digging into his
    stomach until it's whole hand disappears into him.

    Blood pours to the floor as Andrew dies.

    The werewolf chewing on Julie's face gets tired of Sierra
    and Candy pummeling it and turns on them, growling.

    Sierra slams her wrench into its mouth, turning
    its head to the side and sending blood and teeth
    flying as it howls.

    Sierra and Candy take this chance to jump up onto
    the hood and then the roof of the car beside them.

    Julie falls to the floor beside a car, her face a
    bloody mess.

    The werewolf that went under the car shoots out one
    of its arms from under the car, grabs her by the
    leg, and pulls her under the car and out of sight
    with it.

    The werewolf on Hodges that has Miller on it's back,
    rears backwards, knocking Miller off of it and to
    the floor.

    This allows Hodges to roll over onto his back and
    aim the shotgun up at the werewolf's head.

    The werewolf looks back down at Hodges and he fires,
    blowing it's head apart.

    The werewolf's dead body falls backwards, on top of
    Miller.

    Hodges turns around as the werewolf that Sierra and Candy
    beat on, hops up onto the hood of the car they're
    on.

    HODGES
    Hey, ugly!

    Hodges aims his shotgun at the werewolf's head as it
    turns to him.

    Before he can fire, a werewolf's hand clamps down on
    his shoulder and spins him around to face it.

    The werewolf that spun him punches him in the face as
    soon as he's facing it, and he's sent flying back-
    wards across the garage, in the direction of the
    door.

    The werewolf on the car turns its attention back to
    Sierra and Candy.

    Miller climbs out from under the body of the werewolf
    Hodges killed, which has turned into the headless
    body of a man.

    Hodges slams down onto the trunk of the car in front
    of the door.

    We travel along the side of the car until we reach
    the hood. The werewolf that killed Andrew has his body
    laying back on the hood and is chewing on his left
    arm as it pulls his guts out of his stomach.

    Hodges's shotgun hits the werewolf in the back of the
    head and it looks up, dropping Andrew's arm.

    The werewolf that's going after Sierra and Candy jumps
    toward them, and they jump at the same second, in
    different directions off of the roof of the car.

    This throws the werewolf off and it tries to turn in
    mid-air, landing on the trunk of the car in an
    awkward stance and slipping, falling down on the
    trunk.

    Miller is on the side Candy jumped to, and grabs
    her as she steadies herself after landing, pulling
    her away from the car.

    MILLER
    Come on... Come on, Sierra!

    On her side, Sierra is looking at the floor.

    SIERRA'S P.O.V - TWO CLAWED WEREWOLF HANDS APPEAR
    FROM UNDER THE CAR, INCHING FORWARD.

    These two hands are joined by two more, a couple
    feet down.

    MILLER
    (O.S.)
    Sierra!

    Sierra looks up and starts hurrying toward Miller
    and Candy.

    SIERRA
    There are two under the car!

    Sierra doesn't have to worry about them, though,
    because-

    CANDY
    Watch out!

    MILLER
    Run!

    Instead of running, Sierra looks back and sees a werewolf,
    the one that was after her on the car, running right
    toward her.

    She screams, and now decides to turn and run.

    The werewolf jumps forward, and slams into Sierra's back
    right before she reaches Miller and Candy.

    Sierra and the werewolf fall forward against Miller and
    Candy, and all four of them fall to the floor.

    At the car in front of the door, Hodges groans as
    he rolls off the trunk.

    He hits the floor hard, landing on his hands and
    knees.

    The werewolf that killed Andrew steps in front of him,
    guts dangling from his claws.

    Hodges looks up at the werewolf, and as he does another
    werewolf stands up behind him.

    HODGES
    Damn.

    Hodges quickly gets to his feet and turns his back
    on the Andrew-killer werewolf, facing the other.

    The Andrew-killer rushes Hodges' back, as the other
    werewolf swings its right fist at him.

    Hodges dodges the fist right before it would have
    made contact, and it instead slams into the Andrew-
    killer's face.

    The Andrew-killer werewolf is sent howling backwards,
    slamming into the tool chest and the busted door.

    INT. THE STAIRWAY - THE ANDREW-KILLER WEREWOLF, THE
    BUSTED DOOR, AND THE TOOL CHEST TUMBLE DOWN THE OTHER
    STAIRS.

    Drawers fly out of the tool chest and tools are
    sent flying everywhere.

    The werewolf lands at the bottom of the stairs with the
    door and tool chest criss-crossed on top of it.

    INT. THE GARAGE - SIERRA, CANDY, AND MILLER ARE ALL
    SCRAMBLING TO THEIR FEET AT THE SAME TIME.

    The werewolf that jumped them is standing a few feet away,
    waiting as two other werewolves join it from behind.

    At the car in front of the door, the werewolf swings at
    Hodges and misses again.

    Hodges takes this chance to jump-kick the werewolf in
    the side of the head.

    As soon as Hodges lands, the werewolf grabs him by the
    shirt and tosses him sideways against the car,
    sending his right arm through the back passenger
    window.

    It then shoves him backwards, and he falls on his
    back at the front of the car, at the dangling feet
    of Andrew's dead body... And right beside his shot-
    gun.

    Hodges smiles.

    HODGES
    Dumb bastard.

    The werewolf lunges toward Hodges, and he grabs his shot-
    gun, aiming it at it's head.

    HODGES
    Thanks.

    He fires, and the top of the werewolf's head is blown off.

    Its dead body falls to the floor as Sierra, Candy,
    and Miller run up.

    MILLER
    Hodges, we gotta get the fuck out
    of here!

    Hodges gets to his feet, reloading his shotgun.

    HODGES
    Why?

    The three werewolves are running up behind Sierra, Candy,
    and Miller.

    HODGES
    Step aside.

    Sierra, Candy, and Miller do so. Sierra on one side
    of Hodges and Candy and Miller on the other.

    Hodges raises his shotgun into firing position, the
    werewolves just 15 feet away.

    Hodges begins to fire.

    At 13 feet, one werewolf's head is blown apart.

    Hodges pumps the empty shell out, fires again.

    At 10 feet another werewolf's head is blown apart.

    Hodges pumps the empty shell out, fires again.

    The last werewolf's head is blown apart when it's just
    6 feet away.

    Hodges pumps the empty shell out as the last werewolf's
    dead body falls at his feet.

    HODGES
    They got sloppy. Running right at
    me like that...

    CANDY
    Is... is that all of them?

    HODGES
    No. There's one more.

    Hodges turns and walks to the doorway, looking out
    into the stairway.

    INT. THE STAIRWAY - THE WEREWOLF IS GONE FROM UNDER THE
    BUSTED DOOR AND THE TOOL CHEST.

    INT. THE GARAGE - HODGES LOOKS DISAPPOINTED.

    HODGES
    But I don't know where it is.

    Miller looks back at the rest of the garage.

    Laying on the floor are seven bodies of dead
    werewolves turned back into their human forms, six men
    and one woman, along with Jeremy's body.

    MILLER
    Motherfucking werewolves...

    Sierra is looking at Andrew's body.

    SIERRA
    You better shoot Andrew, before he
    changes.

    Hodges reaches into his pocket to get more shotgun
    shells, and once again gets a disappointed look on
    his face.

    HODGES
    I'm out of shells. Where's your gun?

    MILLER
    I don't know where it went.

    HODGES
    Great. One werewolf and one bitten
    Person left, and we once again don't
    Have shit to protect ourselves with.

    Sierra steps into the garage's doorway, bending down
    and picking up a large screwdriver that fell out of
    the tool chest.

    SIERRA
    Well, let's hope this works.

    Sierra stands over Andrew's body, looking down at him.

    Andrew's dead face is staring wide-eyed up at the
    ceiling.

    SIERRA
    I'm sorry, Andrew.

    Sierra jams the screwdriver into Andrew's right eye
    and shoves it into his head as far as she can.

    Hodges, Miller, and Candy look away in disgust.

    Once she can't get the screwdriver to go any farther,
    Sierra lets go of it, leaving it in Andrew's head.

    She looks at Hodges, Miller, and Candy to see them
    looking away.

    SIERRA
    I'm sorry, it had to be done.

    The last remaining werewolf suddenly steps into the
    doorway behind Sierra and grabs her, biting into her
    shoulder.

    Sierra screams and Hodges, Miller, and Candy look
    back at her.

    HODGES
    Fuck!

    Hodges rushes forward, and the werewolf stops biting
    Sierra to look up at him.

    Hodges swings to punch the werewolf in the face, but it
    opens it's mouth and catches his fist in it's teeth.

    Hodges screams.

    MILLER
    No!

    Sierra stumbles away from the werewolf and Hodges, falling
    to her knees.

    Candy rushes to her friend, dropping to her knees
    beside Sierra as Miller rushes to Hodges and the
    werewolf.

    Hodges is beating the werewolf on the side of the head
    with his remaining fist as the werewolf bites down hard
    on his other.

    The fist is finally severed at the wrist and Hodges
    stumbles back, holding his blood-spurting stump.

    Miller kicks the werewolf in the stomach and it grabs
    his leg, turning and swinging him through the air.

    Miller screams as he's swung through the doorway.

    The werewolf lets go and Miller is sent flying into the
    railing of the stairs from the hall to the landing.

    The railing shatters and Miller falls to the side,
    down onto the other flight of stairs.

    The werewolf turns on Sierra and Candy, spitting out
    Hodges' hand.

    Hodges falls back against the side of the car in front
    of the doorway, still holding his bloody stump.

    As soon as he hits the car, a werewolf sits up on the
    hood beside him. It's obviously Andrew, because it
    has the screwdriver sticking out of it's right eye.

    Candy is helping Sierra to her feet as the werewolf
    lunges at them.

    Sierra shoves her friend out of the way and the werewolf
    grabs her, sinking it's teeth into her other shoulder.

    CANDY
    Sierra!

    SIERRA
    Run!

    Candy takes her friend's advice and heads for the
    doorway, running past the hood of the car as the
    Andrew-wolf bites into Hodges.

    Candy runs through the doorway, and right into Miller,
    who is now holding his shotgun.

    Candy screams at first, not realizing who it is,
    but she quickly realizes, and notices the shotgun.

    CANDY
    You got your gun! Shoot them!

    MILLER
    There's only one shot.

    CANDY
    Shoot Sierra! Don't let her turn
    into one of them.

    Miller looks into the garage, where the Andrew-wolf
    is still chewing on the now-dead Hodges, and the
    other werewolf is tearing into the shoulder of the still-
    screaming Sierra, holding her tight against it.

    Miller raises the shotgun into firing position as
    the werewolf unknowingly turns Sierra toward him.

    We zoom into first Sierra's eyes, then Miller's as
    they make eye contact.

    Back to Sierra's eyes as she closes them.

    Miller pulls the trigger of the shotgun.

    Sierra's head is blown apart, and the force of the
    shot knocks her body and the werewolf backwards to the
    floor.

    Miller turns away from the doorway, grabbing Candy.

    MILLER
    Now, go!

    INT. THE STAIRWAY - MILLER AND CANDY RUN UP THE STAIRS
    TO THE HALLWAY.

    INT. THE HALLWAY - AS MILLER AND CANDY COME THROUGH
    THE STAIRWAY DOORWAY AND INTO THE HALL, MILLER TRIPS
    ON THE BROKEN DOOR AND FALLS TO THE FLOOR.

    We look through the doorway and see as the two werewolves
    step into the garage doorway, looking after Miller
    and Candy.

    Candy pulls Miller to his feet.

    CANDY
    Come on!

    Miller gets to his feet and he and Candy start to
    run down the hall, in the direction of the lobby,
    just as the two werewolves run toward them.

    We go backwards down the hall, watching Miller and
    Candy as they run toward us and the werewolves burst into
    the hallway behind them, once again giving chase.

    As he runs, Miller pumps the empty shell out of
    his shotgun.

    Miller and Candy round the first turn in the hall.

    Once the turn is made, Miller reaches into his pocket
    and pulls out a shotgun shell.

    He fumbles and drops it.

    MILLER
    This is gonna be a bitch.

    CANDY
    Just run!

    They continue down the hall, jumping over Sheriff
    Hopper's body.

    As they clear the body, the two werewolves turn the
    corner and enter this hall.

    Just a couple seconds later, they're followed by
    a third werewolf. Hodges.

    Miller and Candy round the second corner.

    INT. THE LOBBY - MILLER AND CANDY ENTER, RUNNING OUT
    OF THE HALL.

    They reach the front doors and stop.

    Miller reaches into his pocket and quickly begins
    to reload his shotgun.

    MILLER
    Candy, get outside. It's time for
    you to get out of here.

    CANDY
    What about you?

    MILLER
    I have to take care of this. It's
    the same for me now as it's been
    since the beginning. But you've got
    to get out of here. I'm sorry, we
    probably should have let you go
    earlier... Or protected you better.
    But we didn't know.

    Miller finishes loading his shotgun.

    CANDY
    Where am I supposed to go?

    MILLER
    Away from here. I'm sure you have
    an idea.

    Miller aims the shotgun at the hall.

    CANDY
    But...

    MILLER
    Go!

    CANDY
    They'll kill you!

    MILLER
    Go!

    CANDY
    I'm not leaving without you!

    Miller turns to the doors and opens one of them.

    MILLER
    Now!

    Candy hesitates for a second, wanting Miller to come
    along, but finally-

    CANDY
    Fuck!

    Candy steps outside and Miller shuts the door behind
    her.

    He turns his attention back to the hallway. None of
    the werewolves have appeared yet.

    MILLER
    Come on...

    One of the werewolves finally appears, rounding the
    corner in the hall.

    Miller fires and the werewolf's head is blown apart.

    EXT. THE STATION – NIGHT - CANDY HEARS THE SHOT AND STOPS
    AT THE BOTTOM OF THE STAIRS FROM THE SIDEWALK TO THE
    FRONT DOORS, LOOKING UP AT THEM.

    Parked behind her on the side of the street is a
    police cruiser (Davis and Brians') and Dan and Bobby's
    ambulance. The vehicles are facing each other.

    INT. THE STATION - THE LOBBY - SCENE'S THE SAME.

    In the hall the werewolf's body falls to the floor. Still
    no sign of the other two.

    MILLER
    What the hell are they doing now?

    Miller continues to aim the shotgun at the hall.

    Suddenly a loud crashing noise comes from the cell
    room, and Miller turns to look at it.

    Ceiling tiles slide in front of the cell room doorway.

    Miller aims his shotgun in that direction.

    A loud crashing sound then comes from the interrogation
    room, and through the busted window frame we see ceiling
    tiles and a werewolf fall from the ceiling into the
    room.

    Miller is about to turn his attention to that room,
    when the screwdriver-eyed Andrew-wolf appears in the
    cell room doorway.

    Miller fires his shotgun and the Andrew-wolf's head
    is blown apart.

    The screwdriver spins out of its head, flying back
    into the cell behind it.

    Miller turns to aim his shotgun at the interrogation
    room, but the last werewolf is already rushing toward him.

    Miller prepares himself for the blow.

    EXT. THE STATION - NIGHT - CANDY IS STILL WATCHING THE
    FRONT DOORS.

    The front doors suddenly burst apart as Miller comes
    flying through them.

    He hits the stairs hard and rolls down them, stopping
    at Candy's feet.

    He looks up at her, blood running from his nose.

    MILLER
    Candy, I told you to leave!

    Miller gets to his feet, looking around for his
    shotgun, which is nowhere in sight.

    MILLER
    Get in the cruiser and go! Radio
    for help!

    Miller and Candy look up at the front doorway.

    The last werewolf is standing there, Miller's shotgun
    at its feet.

    Candy turns and runs to the cruiser.

    The werewolf watches her, then looks back at Miller.

    MILLER
    Make your move, asshole.

    The werewolf kicks the shotgun and it flies out into
    the street, landing under the ambulance.

    Candy gets in the cruiser and shuts the door.

    The werewolf jumps down the stairs and lands right beside
    Miller, immediately grabbing him.

    MILLER
    Shit!

    Miller yells as the werewolf throws him against the side
    of the ambulance.

    The impact rocks the ambulance back and forth on it's
    wheels.

    Miller falls to the sidewalk, groaning.

    The werewolf jumps up onto the hood of the cruiser.

    INT. THE CRUISER - THE KEYS AREN'T IN THE IGNITION.

    Candy is looking at the empty ignition.

    CANDY
    Shit!

    She looks up at the werewolf through the windshield.

    The werewolf steps up onto the roof of the cruiser.

    EXT. THE CRUISER – NIGHT - MILLER GETS TO HIS FEET.

    He looks at the cruiser as the werewolf starts to rip
    the roof open with it's claws.

    MILLER
    Motherfucker!

    INT. THE CRUISER - CANDY SLIDES DOWN IN THE SEAT,
    LOOKING UP AT THE HOLE BEING TORN IN THE ROOF.

    The werewolf is looking down through the hole, swiping
    at her with its claws.

    Candy screams, now laying on the seat, the claws
    swiping just inches from her throat.

    She looks down and spots the C.B.

    She grabs it, raises it to her mouth, and-

    CANDY
    Help us! Please! They're attacking
    the police station! Help us! They're
    gonna kill us!

    Candy drops the C.B. and looks down again.

    CANDY'S P.O.V - LIKE THE CRUISERS IN THE GARAGE, THIS
    ONE HAS A SHOTGUN ATTACHED TO THE DASHBOARD.

    VOICE FROM C.B.
    Who the hell is this?

    Candy reaches down and pulls the trigger of the
    shotgun.

    The shotgun fires.

    EXT. THE CRUISER – NIGHT - THE SHOTGUN BLAST EXPLODES UP
    THROUGH THE ROOF OF THE CRUISER AND HITS THE WEREWOLF
    IN THE STOMACH, BLOWING THROUGH ITS BACK.

    The werewolf howls, standing.

    Miller jumps up onto the hood of the cruiser.

    He runs up across the hood, tackling the werewolf.

    Miller and the werewolf fall off the car, onto the street,
    the werewolf landing on the bottom.

    The werewolf grabs Miller by the throat with one hand.

    MILLER
    (choked)
    Son of a...

    The werewolf interrupts Miller by punching him in the face.

    Miller flies backwards, six feet in the air.

    He comes down on his back, in the street, between the
    front of the ambulance and the front of the cruiser.

    He spits out a mouthful of blood and teeth.

    The werewolf stands, and Miller stands at the same time.

    The werewolf jumps toward him, and lands right in front
    of him.

    MILLER
    Fucker!

    Miller punches at the werewolf but it catches his arm,
    bending it the wrong way at the elbow.

    Miller screams.

    INT. THE CRUISER - CANDY IS WATCHING.

    CANDY
    Miller!

    EXT. THE CRUISER – NIGHT - THE WEREWOLF LETS GO OF MILLER'S
    ARM, THEN AGAIN PUNCHES HIM IN THE FACE.

    Miller flies backwards, through the windshield of
    the ambulance.

    INT. THE AMBULANCE - MILLER FLIES THROUGH THE AMBULANCE,
    THROUGH THE FRONT WINDOW, AND THROUGH THE LITTLE DOORWAY,
    INTO THE BACK.

    He lands on his back on the floor of the back, and
    slides headfirst into the back doors.

    He lays there, groaning, and slowly looks to his left.

    Standing up against the wall is a tank of oxygen.

    Miller smiles as well as he can, considering all
    the pain he's in.

    EXT. THE AMBULANCE – NIGHT - THE WEREWOLF WALKS TOWARD THE
    AMBULANCE.

    INT. THE CRUISER - CANDY IS KICKING THE LOCK KEEPING
    THE SHOTGUN ATTACHED TO THE DASHBOARD.

    CANDY
    Damn thing!

    She kicks the lock repeatedly, trying to break it.

    We turn and watch through the windshield as the werewolf
    jumps up into the windshield frame of the ambulance.

    INT. THE AMBULANCE - MILLER IS ON HIS KNEES IN THE BACK,
    TURNING THE VALVE ON THE OXYGEN TANK WITH HIS UNBROKEN
    LEFT ARM.

    Oxygen hisses out as the valve is opened.

    Miller stands and turns to face the werewolf as it starts
    to climb in.

    The werewolf stands in the cab, facing Miller.

    MILLER
    Come on.

    Miller turns to the back doors and opens them.

    INT. THE CRUISER - CANDY IS STILL KICKING THE LOCK,
    AND IT'S STARTING TO BREAK OFF FROM THE DASH.

    EXT. THE AMBULANCE – NIGHT - MILLER JUMPS DOWN FROM THE
    BACK AND DROPS TO HIS KNEES, REACHING UNDER THE
    AMBULANCE.

    We look under the ambulance and see that his fingers
    are just grazing the butt of his shotgun.

    The werewolf walks across the ambulance, toward him.

    MILLER
    Shit!

    Miller reaches as far as he can, and manages to
    pull the shotgun closer.

    He smiles.

    MILLER
    Yes!

    He pulls the shotgun out from under the ambulance,
    then stands up.

    The werewolf is standing right in the back doorway.

    Oxygen continues to hiss out of the tank.

    The werewolf growls, drool dripping from its mouth.

    Miller points the shotgun at the oxygen tank.

    MILLER
    Boom Bitch.

    Miller pulls the trigger as the werewolf jumps toward him.

    The shotgun blast hits the oxygen tank, causing it
    to explode.

    Just as the werewolf slams into Miller, they're both
    caught in the beginning of the explosion.

    The ambulance explodes.

    EXT. THE CRUISER – NIGHT - CANDY IS JUST GETTING OUT OF
    THE CRUISER, HOLDING THE SHOTGUN, WHEN THE EXPLOSION
    HAPPENS.

    Candy is knocked backward and all the windows of the
    cruiser shatter.

    Candy hits the ground, looking at the ambulance.

    The ringing in Candy's ears fills the audio, drowning
    out all other sound.

    Since she's on the ground, she doesn't see the trail
    of fire that leads from the ambulance, up the police
    station stairs, and back into the station.

    We watch the ambulance burn as we-

    FADE OUT.

    FADE BACK IN ON:

    CU OF THE RED AND BLUE LIGHTS ON TOP OF A POLICE
    CRUISER FLASHING.

    We pull back from the lights to see that we're-

    EXT. THE POLICE STATION – NIGHT - CRUISERS, AMBULANCES,
    FIRETRUCKS, AND NEWS VANS ARE PARKED ALL OVER THE
    STREET IN FRONT OF THE STATION.

    Cops, paramedics, firefighters, and reporters are
    walking all over the place.

    There's a blue tint to the sky, it's almost dawn.

    The firefighters have just extinguished the ambulance
    Miller blew up.

    Being loaded into the back of one of the new ambulances,
    on a stretcher, is Miller. He's bruised, battered,
    bloody, his clothes are torn and charred, but he's
    conscious and talking to the paramedics, though we
    can't make out what he's saying.

    Candy is standing nearby, a blanket wrapped around
    her, watching.

    Once Miller is loaded in, one of the paramedics
    stays out of the ambulance to shut the back doors.

    Candy steps up to him as he does this.

    CANDY
    How is he?

    PARAMEDIC
    He's pretty beat up, but I think he
    should pull through. Guy looks like
    he went through Hell.

    CANDY
    We all did.

    INT. THE LOBBY - POLICE OFFICERS ARE LOOKING AROUND THE
    ROOM, THE FLOOR COVERED WITH BLOOD AND BODIES.

    INT. THE GARAGE - COPS ARE ALSO LOOKING AT THE DAMAGE
    IN HERE.

    INT. THE HALLWAY - MORE COPS ARE LOOKING AROUND, GOING
    THROUGH EVERY ROOM.

    We join two cops as they enter the men's room,
    stepping over the door that the Dante-wolf knocked
    down.

    INT. THE MEN'S ROOM - THE COPS ENTER.

    The cops go through the room, opening every stall
    door.

    COP #1
    This is crazy. Too fuckin' much like
    that thing at the gas station last
    month.

    Cop #2 reaches the last stall.

    COP #2
    Do you know if...

    He's interrupted when he opens the stall door,
    revealing the last werewolf inside. It's badly burnt,
    most of it's fur gone.

    COP #2
    Holy shit!

    Cop #2 raises his gun as the werewolf jumps on top of
    him, ripping his chest open.

    COP #1
    What the fuck?!

    The werewolf and Cop #2 fall to the floor, the cop
    spasming as the werewolf chews into his chest.

    Cop #1 shoots the werewolf in the back seven times,
    emptying his pistol.

    The werewolf roars, turning to Cop #1.

    Cop #1 screams as the werewolf grabs him by the head,
    pulls him off his feet, and slams him face-first
    into the mirror above the sink.

    The werewolf then pushes Cop #1's face into the wall,
    crushing his head flat. His head pops like a grape
    and blood and brains go everywhere.

    Other cops are now crowding in the doorway, looking
    at the scene.

    The werewolf drops the cop's body and turns on the
    others as they open fire.

    Bullets rip across the werewolf's chest and stomach,
    driving it back against the wall.

    Once the werewolf has been shot at least 20 times, it
    collapses to the floor.

    EXT. THE POLICE STATION - IT'S NOW VERY CLOSE TO
    DAWN - POLICE OFFICERS ARE RUSHING INTO THE STATION
    AFTER HEARING THE SHOTS.

    Candy tries to rush in with them, but a cop holds
    her back.

    CANDY
    What's going on?!

    COP
    Just stay out here!

    A female reporter turns to her cameraman, talking
    to the camera.

    REPORTER
    Shots have been fired inside...

    INT. THE STATION - THE MEN'S ROOM - SOME COPS ARE NOW
    KNEELING BESIDE COP #2'S BODY, WHILE OTHERS WATCH
    THE WEREWOLF'S BODY WARILY.

    EXT. THE STATION - CANDY IS TALKING TO THE COP THAT
    STOPPED HER.

    CANDY
    Please, you've got to tell them!
    If they've found one of those
    creatures, they have to shoot it
    in the head!

    COP
    I think you need to get to a hospital.

    The sun is rising.

    INT. THE MEN'S ROOM - SCENE'S THE SAME.

    The cops watch in shock as the werewolf's face starts
    forming back into it's human face. It slowly becomes
    clear that the werewolf is... Jimmy.

    EXT. THE STATION – DAWN - MONICA'S CAR PULLS UP AND PARKS
    ON THE SIDEWALK, MONICA GETTING OUT AS SOON AS IT
    COMES TO A STOP.

    She rushes to the nearest cop, which is the one
    Candy was talking to.

    MONICA
    What happened?!

    COP
    We don't have all the details yet,
    but...

    The cop is interrupted by-

    JIMMY
    (O.S.)
    Shoot me!

    Monica, Candy, and the cop look at the front doorway
    of the station as Jimmy is brought out, back to normal
    and wrapped in a blanket, struggling, his hands
    cuffed in front of him.

    JIMMY
    Shoot me! You have to!

    MONICA
    Jimmy?!

    JIMMY
    Monica, Monica, get out of here! It
    wasn't a dream... It was all real!
    It was all real this time!

    Monica tries to head for her husband, but the cop
    holds her back.

    COP
    Just stay back, ma'am.

    JIMMY
    Monica, I love you. Go home!

    Jimmy then elbows the cop on his right in the stomach,
    and pulls his gun from his holster.

    He then turns the gun on the cops. They all draw
    their guns, but don't fire.

    MONICA
    Jimmy!

    RANDOM COP
    Drop it!

    JIMMY
    Somebody shoot me!

    RANDOM COP
    Drop the gun, buddy!

    CANDY
    Somebody shoot him in the head!

    MONICA
    No!

    Jimmy turns his gun on Candy and the cop.

    JIMMY
    Shoot me! Please!

    Beside Candy, on the trunk of the cruiser she got it
    out of, is the shotgun she kicked off the dash.

    She quickly grabs the shotgun off the trunk and turns
    it on Jimmy.

    COP
    Hey!

    JIMMY
    Shoot!

    Candy does, and Jimmy's head is blown apart.

    MONICA
    Noooo!

    Monica lunges toward Candy, but the cop holds her
    back again.

    MONICA
    You fucking bitch!

    Candy puts the shotgun back down on the trunk, and
    cops move toward her, holstering their guns.

    Monica is still fighting the cop, crying and screaming,
    trying to get to Candy.

    Some paramedics come out of the station quickly,
    carrying the wounded Cop #2 on a stretcher.

    PARAMEDIC
    Clear the way! We've got to get
    him to the hospital!

    Candy sees this just as a group of cops reach her.

    She grabs the shotgun again and jumps up onto the
    hood of the cruiser.

    CANDY
    Stop!

    Candy jumps up onto the roof of the cruiser, pumping
    the empty shell out of the shotgun and aiming it
    at the paramedics.

    CANDY
    You can't take him!

    The cops have once again drawn their guns and are
    aiming them at Candy, shouting at her to drop the
    shotgun.

    CANDY
    Put him on the ground!

    The paramedics slowly lower the stretcher to the
    ground.

    PARAMEDIC
    If we don't get him to a hospital
    soon, he'll die.

    The paramedics stand up from the stretcher.

    CANDY
    He's already dead.

    Candy fires, the shotgun blast hitting its mark-
    Cop #2's head.

    A split second later the police open fire on Candy,
    as "I Want Candy" by Bow Wow Wow kicks in, just in
    time for the last chorus.

    As we listen to the chorus of "I Want Candy" we watch
    as Candy is riddled with bullets, in slow motion.

    When the fourth and last "I want candy" is said, Candy
    is driven off the roof of the cruiser and falls off-
    screen, leaving us looking at the dark blue dawn sky
    for a second before we-

    CUT TO BLACK.

    The last "candy" echoes in the darkness.

    Once the echo ends, "Bad Moon Rising" by Creedence
    Clearwater Revival begins, and the end credits roll.
    When the song and credits end, we hear a chorus of
    wolves howling.


    THE END

    10/30/2003 7:40:32 PM
    (Updated: 7/22/2004 3:30:01 AM)
    (Updated: 7/29/2004 2:31:32 PM)

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