Crimson Moon 2 Script (Part 3)|
EXT. THE CAR Ė NIGHT - WE WATCH IT DRIVE DOWN THE ROAD
UNTIL IT DISAPPEARS IN THE DARKNESS, THEN WE CUT TO-
CLOSE-UP OF A CALENDAR.
We pull back from the calendar and see that we're-
INT. JIMMY'S KITCHEN - JIMMY IS LOOKING AT THE
CALENDAR, RUBBING HIS THICK (TOO THICK) DAY'S
GROWTH OF BEARD.
He taps the 30th day of the month, and we look at a
close up of that day. In the top left corner of the
day's square is a full moon with a smiley face.
Well... Today's the day.
Jimmy turns around and we see Monica walk into the
kitchen, dressed for work, putting in one of her
Nothing, just talking to myself.
Yep. Just another step on the path
I know. A couple more days and I'll
be chasing pink elephants.
You mean pink werewolves?
Come on, don't make fun of me.
They kiss, and when they pull apart-
Well, I'm off to work.
They say their "See ya in the morning."'s and their
"I love you."'s, then Monica walks out of the room.
Jimmy turns his attention back to the calendar for
a while. We hear the front door open and Jimmy looks
in its direction.
Wait a minute!
INT. THE LIVINGROOM - MONICA IS WAITING AT THE OPEN
Jimmy hurries up to her.
I just wanted to do this again...
Jimmy kisses her, and this kiss lasts a lot longer
than the first one. When they pull apart-
And say that I love you again. So,
I love you.
Monica has a strange expression on her face.
I love you, too...
They stand in silence for a couple seconds, then-
You can go now.
Right. See ya in the morning.
Monica steps outside, and Jimmy steps up to shut the
door for her, watching her walk to her car.
JIMMY'S P.O.V - MONICA REACHES HER CAR, OPENS THE
DRIVER'S DOOR, AND GETS IN.
He shuts the door.
INT. JIMMY'S CAR Ė NIGHT - JIMMY, FACE FRESHLY SHAVED,
IS DRIVING, STARING STRAIGHT AHEAD.
JIMMY'S P.O.V - LOOMING OVER THE STREET IN FRONT OF
US IS THE FULL MOON.
EXT. THE POLICE STATION - JIMMY'S CAR PULLS INTO
THE PARKING LOT.
INT. THE STATION - WE LOOK THE MAIN ROOM OVER:
One section of the room is full of desks, and there
are some cops sitting at their desks, doing paperwork.
The cops doing this are Hodges, Smith, and a female
officer named JULIE GREY.
The front door opens and Brians and his partner,
DWIGHT DAVIS, enter, bringing in a young man who
seems to be fairly stoned. He's calm and
expressionless. His name's JEREMY MANN.
We follow behind Brians and Davis as they lead Jeremy
through the main room to a door. Davis opens the door,
and they step into-
INT. THE CELL ROOM - BRIANS AND DAVIS LEAD JEREMY
DOWN THE SMALL HALL THAT RUNS IN FRONT OF THE 4
We go down the hall as well, but as we go we turn
to look the cells over.
There are six people in these cells, and they are-
In cell 1: DANTE WALTERS, a muscular bald guy. He's
sharing a cell with GABE TURNER, a dirty little drunk
old man. In cell 2: There's a college age guy named
NOAH WOODS. He's sharing his cell with his friend who
is also a college guy, ANDREW BURLESON. In cell 3: There
are 2 prostitutes, CANDY and SIERRA.
Brians and Davis put Jeremy in cell 4 by himself.
What's your name, kid?
What's your last name?
INT. A LOUNGE ROOM - HOPPER AND BAKER ARE GETTING SOME
COFFEE AND TALKING.
...dog had pissed all over my side
of the bed. Only my side. So I tell
Molly and she...
Hopper is laughing at him.
INT. THE GARAGE - JIMMY AND MILLER ARE APPROACHING
ONE OF THE THREE PATROL CARS PARKED IN THE GARAGE.
Jimmy's beard is already starting to grow back in.
...daughters were little hellions
Sweat is breaking out on Jimmy's forehead, and he
wipes it away with his sleeve.
Miller looks over at him and sees that he's not
looking too good.
Are you alright?
Yeah, I'm just feeling kinda... sick.
It just hit me.
They stop beside the patrol car.
What do you want to do then?
Jimmy sighs, thinking.
I don't think we should go on patrol
yet. I need to... Yeah.
Jimmy walks away.
Miller watches him go.
INT. A RESTROOM - JIMMY ENTERS, HOLDING THE ARM THAT
Jimmy goes to the sink and looks into the mirror
over it, examining himself.
He doesn't look well at all. Beard back to the way
it was when he was checking the calendar. Sweating.
He turns his attention to his arm, rolling up his
His arm is very hairy, and the bite scar is red.
Jimmy looks back up into the mirror, and we see that
his eyes have now changed. They don't look human
God, no. This can't be really
Jimmy turns and runs out of the restroom.
INT. THE HALL - JIMMY COMES OUT OF THE RESTROOM AND
RUNS RIGHT INTO MILLER.
Whoa, Jimmy, take it...
Before Miller can finish, Jimmy turns and runs down
Miller hurries after him.
Jimmy, what's wrong?!
INT. THE MAIN ROOM - JIMMY RUNS THROUGH THE MAIN ROOM,
AND HODGES, SMITH, JULIE, AND DAVIS, WHO IS NOW AT
HIS DESK, LOOK UP AT HIM.
Hopper and Baker are now in this room, too, and they
watch as Jimmy runs into the cell room.
Hopper and Baker head for the cell room door, as
Miller enters the main room.
Where'd Jimmy go?
In the cell room. What's going on
I don't know.
Hopper, Baker, and Miller go into the cell room.
Hodges and Smith look at each other.
As I've said before, Bonham is a
INT. THE CELL ROOM - JIMMY IS SHOVING JEREMY INTO
THE CELL WITH SIERRA AND CANDY AS HOPPER, BAKER,
AND MILLER ENTER.
Take it easy, man!
Jeremy stumbles into the cell, and Sierra and Candy
are all over him immediately.
Your name's Jeremy, right?
Hopper, Baker, and Miller walk down the hall toward
Just stay away from me!
Jimmy, what are you doing?
Jimmy steps into the cell Jeremy was in, and shuts
What's wrong with you?
I don't know what it is, it...
It hurts... It burns, all through
Jimmy leans against the wall.
You shouldn't be around me. Something
bad is going to happen.
Jimmy, I think you should go to
No! It's not safe! I can't go to
I can't be around anybody! I need...
I need to stay in this cell...
Hopper turns to Baker and whispers into his ear-
Call an ambulance.
Baker nods and hurries out of the room.
You're gonna be ok, Jimmy.
I... I hope...
Jimmy drops to his knees.
Hopper pulls the cell keys off his belt and sticks
them into the lock.
No! Stay out!
Jimmy, we have to come in...
If you come in, I'll...
Jimmy pulls his gun out of its holster.
If anyone comes in, I'll shoot them.
Man, this guy is fucked up.
Jimmy lays his gun on the floor in front of him.
You don't mean that, Jimmy.
Yes I do. Just stay out.
Jimmy leans his head back against the wall, breathing
His mouth hangs open, and we see that his teeth have
turned into long, sharp, wolfen fangs.
A montage begins-
An ambulance speeding down a town street at night,
siren and lights going.
Jimmy crawling to the back corner of the cell, weakly
pulling his gun along with him.
Baker stepping outside the station to wait for the
Jimmy huddled in the back corner, facing the wall,
shaking all over. He pulls the cover off the cot
beside him and drapes it over himself.
The ambulance pulling up in front of the police station.
Jimmy's face completely covered with fur.
Paramedics hurrying out of the ambulance and going
up to Baker, who directs them into the building.
Jimmy's fingers elongating, claws growing.
The paramedics entering the police station, headed
for the cell room door.
Jimmy's face elongating into a snout.
Baker outside, lighting a cigarette, looking nervous.
The paramedics entering the cell room, Julie getting
up from her desk to follow them in.
The montage ends on-
INT. THE CELL ROOM - THE PARAMEDICS, WHO ARE NAMED
DAN AND BOBBY, ENTER, FOLLOWED BY JULIE.
They join Hopper and Miller at the cell door and
Hopper gets the cell door unlocked and opens it wide.
Bobby and Dan step into the cell, and just as they
do Jimmy's clothes split open, falling to the floor
along with the cover, revealing the body of a werewolf
Everyone screams or yells something.
The werewolf then falls over, completely still.
INT. THE MAIN ROOM - HODGES AND DAVIS LOOK UP FROM
That didn't sound right.
Hodges and Davis stand up and head for the cell
INT. THE CELL ROOM - SCENE'S THE SAME.
This can't be happening...
What happened to him?!
The cell room door opens and Hodges and Davis enter.
Shock washes over their faces.
What the fuck is going on?
Bobby and Dan turn to leave the cell, but Miller
blocks the path.
I don't know how to handle this!
Maybe we should...
Bobby turns back to the werewolf.
I don't fucking know.
Bobby approaches the werewolf.
Be careful, Bobby.
What happened to him?
It looks like...
It looks like a fucking werewolf!
Have any better explanations?
In the cell, Bobby is preparing a shot while Dan stands
What is that?
I'm gonna give it a sedative to make
sure it sleeps a while, then I'm
getting the fuck out of this cell.
The syringe is ready, full of sedative. Bobby gets
ready to jab it into one of the werewolf's arms.
When the needle is three inches from the werewolf's skin,
it bursts awake and leaps forward.
It slams into Bobby's chest, brutally ripping his
Blood gushes all over Dan.
The cops in the room all draw their guns, and Dan
turns to run out of the cell.
The wolf turns away from Bobby's blood gushing body
and jumps onto Dan, snapping it's jaws shut on his
arm with a sick crunch.
The cops begin to fire, just as the werewolf swings
Dan's body in front of itself.
Bullets rip across Dan's back.
INT. THE MAIN ROOM - AS SHOTS CONTINUE TO RING OUT,
BAKER RUSHES IN FROM OUTSIDE, HOLDING A CIGARETTE.
Brians comes rushing out of a hallway, buckling his
belt. He must have been in the restroom.
They look at each other for a split second, then run
for the cell room door.
INT. THE CELL ROOM - BAKER AND BRIANS BURST IN.
Miller, Hopper, Davis, Hodges, Smith, and Julie
are all still shooting at the werewolf, and it's still
viciously shaking Dan's body back and forth like
a rag doll.
The body slams back and forth against the bars and
the wall, bones breaking.
The shooters begin to reload and Baker and Brians
pull their guns.
What the fu...
Just shoot it for Christ's sake!
The werewolf drops Dan's body and lurches back down to
the floor, ready to leap forward and strike.
Julie realizes what it's going to do.
The werewolf leaps forward.
Hopper raises his gun and fires rapidly four times into
the werewolf's chest.
The werewolf slams into him, biting into his left shoulder.
The werewolf and Hopper slam back into the concrete
wall, cracking it.
The werewolf rips Hopper's shoulder open, but it doesn't
bother him, since he died when he hit the wall.
Davis aims his gun at the werewolf's head but before
he can shoot, the werewolf rears back and launches
itself up toward the ceiling.
It hits the ceiling and bursts through it, sending
tiles showering down on the police.
Everyone backs away from the hole in the ceiling.
We have a major problem here...
Can I go now?!
Baker drops to a knee beside Hopper's body.
Hopper's face is covered with blood.
Dusty, come on...
Julie stops, unsure.
Should we what?
I don't know... It seemed to be a,
a werewolf... What do we do with
Hopper and the medics?
Baker looks up at her.
What the hell do you mean?
Well, what if they turn... Too?
She's got a point.
Nobody asked you, kid.
It's obviously a werewolf...
All people that aren't cops keep
their mouths shut!
Baker, don't be a prick.
Baker stands and turns to Dante.
I said shut up!
Oh, fuck you.
Baker takes a step toward Dante's cell but Davis and
Smith grab him and pull him back.
Baker tries to pull free.
Yeah, cool down ya dumb fuck.
Baker manages to pull free and quickly takes the
Steps toward Dante and Gabe's cell.
Dante greets him with a fist to the face.
Baker falls to the floor, unconscious.
You kicked a copís ass!
Way to go, Dante!
You shouldn't have done that.
What? He deserved it.
We should put Hopper's body in the
cell, if they're gonna change...
Lock them up before they change!
I know what will happen. One of
these guys will turn into one of
those things, or the other one will
come back in, and all of you will
run out and leave us in here with it.
That's not what would happen.
Candy is sitting down, crying, and Jeremy is trying
to comfort her.
Bullshit! I know it is.
We wouldn't leave you in here.
Yes you would! Admit it!
Davis and Smith are carrying Hopper's body into the
cell with the dead paramedics.
Baker groans, coming back to consciousness.
Somebody knock him back out.
Baker sits up, rubbing his face. His nose is bleeding.
Hodges helps Baker to his feet.
Davis and Smith lay Hopper's body on the cot in the
back of the cell.
Two werewolves stand up behind Davis and Smith as
they do this, ripped paramedic uniforms dangling
from their bodies.
Screams ring out, people yelling "Look out!", and
the cops turn to face the werewolves.
One werewolf rushes Davis, the other rushes Smith. Both
The werewolf that rushed Smith grabs him by the chest
and tosses him back against the bars.
He fumbles for his gun as the werewolf growls at him.
The werewolf that rushed Davis wraps it's arm around his
chest and bites him on the face, pulling him off his
feet and into the air.
Just before Smith's werewolf lunges at him, Davis's legs
are swung across it's face.
The werewolf grabs Davis's legs, biting into a hip.
Smith and the other cops run out of the cell room.
Don't leave us!
INT. THE MAIN ROOM - SMITH SLAMS THE CELL ROOM DOOR
SHUT AND LEANS BACK ON IT.
INT. THE CELL ROOM - THE WEREWOLVES ARE PLAYING TUG OF
WAR WITH DAVIS'S LIMP BODY.
After a few vicious jerks the body is torn in half
at the waist.
Blood and guts pour out onto the floor. People scream.
INT. THE MAIN ROOM - SMITH IS STILL LEANING ON THE
CELL ROOM DOOR.
Somebody bring a desk over here so
we can barricade this motherfucker!
There are people in there, Smith!
Suddenly the door erupts forward, sending Smith to
The top of the door hits Miller in the face, sending
him falling over a desk, unconscious.
A werewolf stands on the fallen door as Smith scrambles
to his feet, pulling his gun.
He raises the gun to shoot the werewolf, but it bites
down on his arm.
The other werewolf jumps into the room, landing in front
Hodges raises his gun and the werewolf punches him.
Hodges flies backwards, going through the window
that looks into the interrogation room.
INT. THE INTERROGATION ROOM - HODGES LANDS ON HIS
BACK ON THE TABLE, THEN ROLLS OFF.
He hits the floor, unconscious.
INT. THE MAIN ROOM - ONE OF THE WEREWOLVES SLAMS SMITH
AGAINST THE WALL AS SMITH SCREAMS.
The werewolf turns around quickly, Smith's arm still in
it's mouth. It lets go of his arm and Smith is sent
flying across the room.
He slams hard into the doors, then falls to the
floor, bleeding all over.
The other werewolf is chasing Julie amongst the desks.
She swings into the knee hole of one of the desks,
and the werewolf starts swiping it's claws at her.
Brians steps up behind it and shoots it in the back.
The werewolf turns on him, growling.
The werewolf leaps forward.
INT. THE CELL ROOM - BRIANS COMES FLYING IN, THE WEREWOLF
ON TOP OF HIM.
They land on the floor in front of Dante and Gabe's
cell, sliding right up against it.
Brians puts his gun to the werewolf's head.
The werewolf's brains explode out of it's head and it falls
to the side.
Brians stands, covered in werewolf brains.
Son of a bitch...
Brians kicks the werewolf's body, then runs out of the
It takes a shot in the head! A shot
in the head kills them!
This is cruel and unusual punishment!
INT. THE MAIN ROOM - MILLER STANDS UP, USING THE DESK
HE FELL BESIDE TO HELP HIM UP.
Julie is standing on a nearby desk, a werewolf snapping
at her legs.
Miller jumps onto the werewolf's back.
The werewolf whirls around, backhanding Julie in the side.
She is sent flying off the desk and into the cell room.
INT. THE CELL ROOM - JULIE HITS NOAH AND ANDREW'S CELL
She falls to the floor, unconscious.
It's about time.
Noah kneels down and takes the cell keys off of
Thank you, Officer Julie.
Noah stands up and begins to unlock his cell door.
Sierra is watching eagerly.
Why the hell should we be last?
We're first in line!
Noah unlocks his cell door, then tosses the keys
Sierra hurriedly unlocks her cell door, steps out,
and tosses the keys to Dante.
Keys to freedom.
INT. THE MAIN ROOM - MILLER IS STILL CLINGING TO THE
WEREWOLF'S BACK AS IT TRIES TO SHAKE HIM OFF.
Brians is standing to the side, trying to get a
clear shot at the werewolf's head.
It finally reaches back, grabs Miller by the back of
his shirt, then pulls him up over it's head and slams
him down on a desk.
Brians tackles the werewolf from the side, dropping his
gun in the process.
Brians and the werewolf slam into a desk, which slides
back into another desk.
The desks lodge together, throwing Brians and the werewolf
over the top and to the floor.
Brians is on the bottom, the werewolf on top of him, and
they're in a small space between the desk and the wall.
Brians lifts the werewolf up off of him, trying to keep
its snapping mouth away.
The werewolf drops down closer, drool dripping into
Then, with a loud bang, the werewolf's head explodes open.
Its limp body falls onto Brians with a thud, blood
squirting all over his face.
Brians groans, shoving the body off of him and
Miller is standing a few feet away, gun aimed at
where the wolf's head was when he shot it.
He lowers the gun.
Don't mention it.
Smith is sitting against the doors in a pool of blood,
holding his bitten arm.
Baker is cowering under a desk the farthest back in
Miller sits down on a desk, sighing.
Brians turns to the cell room as Dante, Gabe, Noah,
Andrew, Jeremy, Sierra, and Candy walk out.
Hey, who said you all could get out
of your cells?
Things are under control here, get
back in your cells.
They don't look very controlled, man.
INT. THE CELL ROOM - JULIE SITS UP, GROANING.
When she's sitting up, she sees-
JULIE'S P.O.V - IN THE LAST CELL, HOPPER'S BODY IS GONE
OFF THE COT, BUT HIS RIPPED UNIFORM IS STILL THERE.
(turns away to yell)
Guys, Hopperís bodyís gone!
Everyone comes rushing over and looks in the cell,
seeing only the shredded clothing.
Where could he have gone to without
All of a sudden, the ceiling above them creaks and
Heís in the ceiling, too.
He must of left the cell when we
werenít looking and...
The only hole in the ceiling is the one the Jimmy-
Went up the same way.
Smith loudly moans from his spot in front of the door,
sitting in a pool of blood. Everyone turns and looks
INT. THE MAIN ROOM - BAKER IS CRAWLING OUT FROM UNDER
Julie enters and runs over to Smith.
Jesus Christ, he needs medical
She bends down and takes out a rag from her pocket,
holding it firmly over his wound as he winces in pain.
Hold that in that spot as tight as
Julie puts Smithís hand on the rag and stands up.
As she does, she looks over and sees Hodges unconscious
in the interrogation room.
INT. THE INTERROGATION ROOM - WE'RE IN A CLOSE UP OF
HODGES' BLOODY, CUT-UP FACE.
His eyes flutter open and he looks around.
We pull back to show Julie kneeling beside him.
Are you ok?
I'm just dandy.
Hodges groans as Julie helps him to his feet.
INT. THE MAIN ROOM - JULIE AND HODGES ENTER, HODGES
LIMPING A BIT.
Brians looks over at them.
You alright, Hodges?
Well, I did have a huge chunk of
glass in my left ass cheek, but
that's been taken care of.
INT. THE CELL ROOM - JULIE COMES BACK IN, AND HODGES
STANDS IN THE DOORWAY.
Is it still above us?
Miller takes out his gun and fires a couple shots
into the ceiling. Nothing.
They both must have moved on.
Thatís it, Iím out of here.
The other prisoners quickly agree.
You canít. If we leave, these things
are free to roam and kill other
people. We have to kill them here
and now before they leave this station.
Thatís your problem, not ours!
Gabe, Dante, Sierra, Candy, Noah, and Andrew turn and
storm out of the room.
INT. THE MAIN ROOM - THE GROUP ENTERS AND LOOK AT
SMITH BLOCKING THE DOOR.
I suggest we go out the back.
They head for a hallway.
INT. THE CELL ROOM - THE COPS ARE WATCHING THEM GO.
Someone should go get them before
they get killed.
Brians throws Miller an extra gun.
Go bring them back.
Miller nods as he puts the second gun in his holster
and runs off after the convicts.
INT. HALLWAY - THE CONVICTS ARE RUNNING DOWN A HALL,
WHEN SUDDENLY THE LIGHTS GO OUT. THE GIRLS SCREAM AS
THEY COME TO A STOP.
Shit. Come on, we better keep moving.
They continue to run, and they turn a corner. At the
end of the hall are the double doors leading outside.
Suddenly, a roof tile breaks in half as a large furry
object falls down, just a few yards in front of them.
They see itís one of the werewolves and they all stop in
their tracks and scream as it snarls at them.
Yeah, Fuck you too!
He pulls his arm back and throws a punch as hard as
he could into the werewolfís face, causing it to turn
to the side, then when it looks back at Dante, it
Before anyone can figure out what happened, the werewolf
jumps and lands on Dante, sending him to the floor.
It starts chewing his arm.
Help me, you fuckers!
The others turn and are about to run past the werewolf,
but itís head whips up and snarls at them. They turn
back the other way and run.
The werewolf goes back to its victim.
INT. HALL - MILLER IS WALKING FAST DOWN A HALL, WHEN
SUDDENLY, GABE, JEREMY, NOAH, ANDREW, CANDY, AND
SIERRA RUN AROUND FROM A CORNER.
Run, itís right behind us!
Miller whips out his two guns.
Quick, back to the main room. The
others are there.
Miller stays in his spot, pointing his guns out in
case anything comes around the corner. He waits for
the others to get behind him.
When they're all out of his way, he starts slowly
walking down the hall.
INT. MAIN HALL - MILLER WALKS AROUND THE CORNER, AND
HE SEES THE DOORS AT THE END, DANTEíS MANGLED BODY,
AND A LOT OF BLOOD. BUT NO WEREWOLF.
(into walkie-talkie attached to his uniform)
We have a man down. Can you send
someone down to help me move him?
He might still be alive, but injured
Yeah, me and Julie will be down in
Alright. Iím right in front of the
He looks both ways, seeing only darkness, and nothing
moving in the darkness. He looks up and sees the spot
where a tile used to be. He points his guns up at the
ceiling as he waits for his backup.
INT. MAIN ROOM - JULIE AND BRIANS ARE GOING INTO THE
HALLWAY JUST AS GABE, CANDY, SIERRA, JEREMY, ANDREW,
AND NOAH RUSH IN. HODGES IS LOOKING DOWN AT SMITH,
WHO IS NOW LAYING ON A TABLE, STILL COVERING HIS
WOUND. BAKER IS SITTING AT ONE OF THE DESKS, LOOKING
I don't understand what you all
think you're doing here. Why can't
we just leave?
Like Miller told you, right now this
situation is contained in this
building. If anyone else comes here,
or if we just leave, there is the
possibility of other people getting
infected. We could end up with a
whole city of these things. As it
is, there's only two of them.
Two of those things can do a lot of
Yeah! By keeping us here, you're
endangering our lives.
You're all welcome to get back in
your cells. Those should be pretty
INT. THE HALLWAY - MILLER IS STILL STANDING NEAR DANTE
AND THE BACK DOORS. HE STILL HAS HIS GUNS POINTED AT
Dante looks bad, but he's conscious. Barely. Bloody
drool is dripping from the corner of his mouth.
Fucker... bit me...
Just hold on, Brians and Julie
should be here any second.
We watch them in silence for a few seconds, Miller
watching the hole in the ceiling.
The silence is broken when a ceiling tile falls to
the floor at the point where the hall turns.
Miller looks down the hall.
There's a few more seconds of silence, then another
tile falls to the floor a couple feet from the
Another tile falls a few feet down from the last,
then another a few more feet. This continues to
happen all the way down the hallway, Miller following
along the ceiling with his guns.
When the tiles fall just 5 feet or so in front of him,
Miller begins to fire into the ceiling.
He fires along the 5 feet of ceiling, then up into
the hole as a furry blur passes over it.
He turns around, looking at the three feet or so
of ceiling between the hole and the back doors.
Got you now...
Miller points the guns at the stretch of ceiling,
pulls the triggers, and...
Click. They're empty.
We hear movement in the ceiling, and the
Werewolf leaves the hallway's ceiling, going
into the ceilings of the rooms along the hall.
Brians and Julie come running around the corner,
What's going on?
A werewolf was around, but it left.
Let's get out of here before it
Miller kneels down beside Dante.
10/30/2003 1:21:09 PM
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