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    #76
    Sam Neill owns a winery in New Zealand, which he named "Two Paddocks". T-rex paddock?
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    Crimson Moon 2 Script (Part 3)
    By Aragorn

    EXT. THE CAR Ė NIGHT - WE WATCH IT DRIVE DOWN THE ROAD
    UNTIL IT DISAPPEARS IN THE DARKNESS, THEN WE CUT TO-

    CLOSE-UP OF A CALENDAR.

    We pull back from the calendar and see that we're-

    INT. JIMMY'S KITCHEN - JIMMY IS LOOKING AT THE
    CALENDAR, RUBBING HIS THICK (TOO THICK) DAY'S
    GROWTH OF BEARD.

    He taps the 30th day of the month, and we look at a
    close up of that day. In the top left corner of the
    day's square is a full moon with a smiley face.

    JIMMY
    Well... Today's the day.

    MONICA
    (O.S.)
    What?

    Jimmy turns around and we see Monica walk into the
    kitchen, dressed for work, putting in one of her
    earrings.

    JIMMY
    Nothing, just talking to myself.

    MONICA
    Yep. Just another step on the path
    to insanity.

    JIMMY
    I know. A couple more days and I'll
    be chasing pink elephants.

    MONICA
    You mean pink werewolves?

    JIMMY
    Come on, don't make fun of me.

    MONICA
    Sorry.

    They kiss, and when they pull apart-

    MONICA
    Well, I'm off to work.

    They say their "See ya in the morning."'s and their
    "I love you."'s, then Monica walks out of the room.

    Jimmy turns his attention back to the calendar for
    a while. We hear the front door open and Jimmy looks
    in its direction.

    JIMMY
    Monica?

    MONICA
    (O.S.)
    Yeah?

    JIMMY
    Wait a minute!

    INT. THE LIVINGROOM - MONICA IS WAITING AT THE OPEN
    FRONT DOOR.

    Jimmy hurries up to her.

    JIMMY
    I just wanted to do this again...

    Jimmy kisses her, and this kiss lasts a lot longer
    than the first one. When they pull apart-

    JIMMY
    And say that I love you again. So,
    I love you.

    Monica has a strange expression on her face.

    MONICA
    I love you, too...

    They stand in silence for a couple seconds, then-

    JIMMY
    You can go now.

    MONICA
    Right. See ya in the morning.

    JIMMY
    See ya.

    Monica steps outside, and Jimmy steps up to shut the
    door for her, watching her walk to her car.

    JIMMY'S P.O.V - MONICA REACHES HER CAR, OPENS THE
    DRIVER'S DOOR, AND GETS IN.

    He shuts the door.

    INT. JIMMY'S CAR Ė NIGHT - JIMMY, FACE FRESHLY SHAVED,
    IS DRIVING, STARING STRAIGHT AHEAD.

    JIMMY'S P.O.V - LOOMING OVER THE STREET IN FRONT OF
    US IS THE FULL MOON.

    EXT. THE POLICE STATION - JIMMY'S CAR PULLS INTO
    THE PARKING LOT.

    INT. THE STATION - WE LOOK THE MAIN ROOM OVER:

    One section of the room is full of desks, and there
    are some cops sitting at their desks, doing paperwork.
    The cops doing this are Hodges, Smith, and a female
    officer named JULIE GREY.

    The front door opens and Brians and his partner,
    DWIGHT DAVIS, enter, bringing in a young man who
    seems to be fairly stoned. He's calm and
    expressionless. His name's JEREMY MANN.

    We follow behind Brians and Davis as they lead Jeremy
    through the main room to a door. Davis opens the door,
    and they step into-

    INT. THE CELL ROOM - BRIANS AND DAVIS LEAD JEREMY
    DOWN THE SMALL HALL THAT RUNS IN FRONT OF THE 4
    CELLS.

    We go down the hall as well, but as we go we turn
    to look the cells over.

    There are six people in these cells, and they are-
    In cell 1: DANTE WALTERS, a muscular bald guy. He's
    sharing a cell with GABE TURNER, a dirty little drunk
    old man. In cell 2: There's a college age guy named
    NOAH WOODS. He's sharing his cell with his friend who
    is also a college guy, ANDREW BURLESON. In cell 3: There
    are 2 prostitutes, CANDY and SIERRA.

    Brians and Davis put Jeremy in cell 4 by himself.

    DAVIS
    What's your name, kid?

    JEREMY
    Jeremy Mann.

    DAVIS
    What's your last name?

    JEREMY
    Mann, man.

    INT. A LOUNGE ROOM - HOPPER AND BAKER ARE GETTING SOME
    COFFEE AND TALKING.

    BAKER
    (mid-sentence)
    ...dog had pissed all over my side
    of the bed. Only my side. So I tell
    Molly and she...

    Hopper is laughing at him.

    INT. THE GARAGE - JIMMY AND MILLER ARE APPROACHING
    ONE OF THE THREE PATROL CARS PARKED IN THE GARAGE.

    Jimmy's beard is already starting to grow back in.

    MILLER
    (mid-sentence)
    ...daughters were little hellions
    today.

    Sweat is breaking out on Jimmy's forehead, and he
    wipes it away with his sleeve.

    Miller looks over at him and sees that he's not
    looking too good.

    MILLER
    Are you alright?

    JIMMY
    Yeah, I'm just feeling kinda... sick.
    It just hit me.

    They stop beside the patrol car.

    MILLER
    What do you want to do then?

    Jimmy sighs, thinking.

    JIMMY
    I don't think we should go on patrol
    yet. I need to... Yeah.

    Jimmy walks away.

    Miller watches him go.

    MILLER
    Ok...

    INT. A RESTROOM - JIMMY ENTERS, HOLDING THE ARM THAT
    WAS BITTEN.

    Jimmy goes to the sink and looks into the mirror
    over it, examining himself.

    JIMMY
    Damn.

    He doesn't look well at all. Beard back to the way
    it was when he was checking the calendar. Sweating.

    He turns his attention to his arm, rolling up his
    sleeve.

    His arm is very hairy, and the bite scar is red.

    JIMMY
    Oh, shit.

    Jimmy looks back up into the mirror, and we see that
    his eyes have now changed. They don't look human
    anymore.

    JIMMY
    God, no. This can't be really
    happening...

    Jimmy turns and runs out of the restroom.

    INT. THE HALL - JIMMY COMES OUT OF THE RESTROOM AND
    RUNS RIGHT INTO MILLER.

    MILLER
    Whoa, Jimmy, take it...

    Before Miller can finish, Jimmy turns and runs down
    the hall.

    Miller hurries after him.

    MILLER
    Jimmy, what's wrong?!

    INT. THE MAIN ROOM - JIMMY RUNS THROUGH THE MAIN ROOM,
    AND HODGES, SMITH, JULIE, AND DAVIS, WHO IS NOW AT
    HIS DESK, LOOK UP AT HIM.

    Hopper and Baker are now in this room, too, and they
    watch as Jimmy runs into the cell room.

    HOPPER
    Jimmy?

    Hopper and Baker head for the cell room door, as
    Miller enters the main room.

    MILLER
    Where'd Jimmy go?

    HOPPER
    In the cell room. What's going on
    with him?

    MILLER
    I don't know.

    Hopper, Baker, and Miller go into the cell room.

    Hodges and Smith look at each other.

    HODGES
    As I've said before, Bonham is a
    weird guy.

    INT. THE CELL ROOM - JIMMY IS SHOVING JEREMY INTO
    THE CELL WITH SIERRA AND CANDY AS HOPPER, BAKER,
    AND MILLER ENTER.

    JEREMY
    Take it easy, man!

    Jeremy stumbles into the cell, and Sierra and Candy
    are all over him immediately.

    SIERRA
    Hey.

    JEREMY
    Hey.

    CANDY
    Your name's Jeremy, right?

    Hopper, Baker, and Miller walk down the hall toward
    Jimmy.

    JIMMY
    Just stay away from me!

    HOPPER
    Jimmy, what are you doing?

    Jimmy steps into the cell Jeremy was in, and shuts
    himself in.

    JIMMY
    Stay away!

    BAKER
    What's wrong with you?

    JIMMY
    I don't know what it is, it...
    It hurts... It burns, all through
    my body...

    Jimmy leans against the wall.

    JIMMY
    You shouldn't be around me. Something
    bad is going to happen.

    MILLER
    Jimmy, I think you should go to
    the hospital.

    JIMMY
    No! It's not safe! I can't go to
    the hospital!

    HOPPER
    Not safe?

    JIMMY
    I can't be around anybody! I need...
    I need to stay in this cell...

    Hopper turns to Baker and whispers into his ear-

    HOPPER
    Call an ambulance.

    Baker nods and hurries out of the room.

    MILLER
    You're gonna be ok, Jimmy.

    JIMMY
    I... I hope...

    Jimmy drops to his knees.

    Hopper pulls the cell keys off his belt and sticks
    them into the lock.

    JIMMY
    No! Stay out!

    HOPPER
    Jimmy, we have to come in...

    JIMMY
    If you come in, I'll...

    Jimmy pulls his gun out of its holster.

    JIMMY
    If anyone comes in, I'll shoot them.

    JEREMY
    Man, this guy is fucked up.

    MILLER
    Shut up.

    Jimmy lays his gun on the floor in front of him.

    HOPPER
    You don't mean that, Jimmy.

    JIMMY
    Yes I do. Just stay out.

    Jimmy leans his head back against the wall, breathing
    heavily.

    His mouth hangs open, and we see that his teeth have
    turned into long, sharp, wolfen fangs.

    A montage begins-

    An ambulance speeding down a town street at night,
    siren and lights going.

    Jimmy crawling to the back corner of the cell, weakly
    pulling his gun along with him.

    Baker stepping outside the station to wait for the
    ambulance.

    Jimmy huddled in the back corner, facing the wall,
    shaking all over. He pulls the cover off the cot
    beside him and drapes it over himself.

    The ambulance pulling up in front of the police station.

    Jimmy's face completely covered with fur.

    Paramedics hurrying out of the ambulance and going
    up to Baker, who directs them into the building.

    Jimmy's fingers elongating, claws growing.

    The paramedics entering the police station, headed
    for the cell room door.

    Jimmy's face elongating into a snout.

    Baker outside, lighting a cigarette, looking nervous.

    The paramedics entering the cell room, Julie getting
    up from her desk to follow them in.

    The montage ends on-

    INT. THE CELL ROOM - THE PARAMEDICS, WHO ARE NAMED
    DAN AND BOBBY, ENTER, FOLLOWED BY JULIE.

    They join Hopper and Miller at the cell door and
    look in.

    JULIE
    God...

    Hopper gets the cell door unlocked and opens it wide.

    Bobby and Dan step into the cell, and just as they
    do Jimmy's clothes split open, falling to the floor
    along with the cover, revealing the body of a werewolf
    underneath.

    Everyone screams or yells something.

    DAN
    Holy shit!

    The werewolf then falls over, completely still.

    INT. THE MAIN ROOM - HODGES AND DAVIS LOOK UP FROM
    THEIR DESKS.

    HODGES
    That didn't sound right.

    Hodges and Davis stand up and head for the cell
    room door.

    INT. THE CELL ROOM - SCENE'S THE SAME.

    HOPPER
    This can't be happening...

    SMITH
    What happened to him?!

    The cell room door opens and Hodges and Davis enter.

    Shock washes over their faces.

    DAVIS
    What the fuck is going on?

    Bobby and Dan turn to leave the cell, but Miller
    blocks the path.

    MILLER
    Do something!

    DAN
    I don't know how to handle this!

    BOBBY
    Maybe we should...

    Bobby turns back to the werewolf.

    BOBBY
    I don't fucking know.

    Bobby approaches the werewolf.

    DAN
    Be careful, Bobby.

    SMITH
    What happened to him?

    HOPPER
    It looks like...

    JEREMY
    It looks like a fucking werewolf!

    SMITH
    That's impossible.

    HOPPER
    Have any better explanations?

    In the cell, Bobby is preparing a shot while Dan stands
    back, watching.

    MILLER
    What is that?

    BOBBY
    I'm gonna give it a sedative to make
    sure it sleeps a while, then I'm
    getting the fuck out of this cell.

    The syringe is ready, full of sedative. Bobby gets
    ready to jab it into one of the werewolf's arms.

    When the needle is three inches from the werewolf's skin,
    it bursts awake and leaps forward.

    It slams into Bobby's chest, brutally ripping his
    throat open.

    Blood gushes all over Dan.

    DAN
    Shit!

    The cops in the room all draw their guns, and Dan
    turns to run out of the cell.

    The wolf turns away from Bobby's blood gushing body
    and jumps onto Dan, snapping it's jaws shut on his
    arm with a sick crunch.

    DANTE
    Shoot it!

    The cops begin to fire, just as the werewolf swings
    Dan's body in front of itself.

    Bullets rip across Dan's back.

    INT. THE MAIN ROOM - AS SHOTS CONTINUE TO RING OUT,
    BAKER RUSHES IN FROM OUTSIDE, HOLDING A CIGARETTE.

    Brians comes rushing out of a hallway, buckling his
    belt. He must have been in the restroom.

    They look at each other for a split second, then run
    for the cell room door.

    INT. THE CELL ROOM - BAKER AND BRIANS BURST IN.

    Miller, Hopper, Davis, Hodges, Smith, and Julie
    are all still shooting at the werewolf, and it's still
    viciously shaking Dan's body back and forth like
    a rag doll.

    The body slams back and forth against the bars and
    the wall, bones breaking.

    The shooters begin to reload and Baker and Brians
    pull their guns.

    BRIANS
    What the fu...

    HOPPER
    (interrupts)
    Just shoot it for Christ's sake!

    The werewolf drops Dan's body and lurches back down to
    the floor, ready to leap forward and strike.

    Julie realizes what it's going to do.

    JULIE
    Watch out!

    The werewolf leaps forward.

    Hopper raises his gun and fires rapidly four times into
    the werewolf's chest.

    The werewolf slams into him, biting into his left shoulder.

    The werewolf and Hopper slam back into the concrete
    wall, cracking it.

    BAKER
    Dusty!

    The werewolf rips Hopper's shoulder open, but it doesn't
    bother him, since he died when he hit the wall.

    DAVIS
    Fuckin' thing!

    Davis aims his gun at the werewolf's head but before
    he can shoot, the werewolf rears back and launches
    itself up toward the ceiling.

    It hits the ceiling and bursts through it, sending
    tiles showering down on the police.

    JULIE
    Holy shit!

    HODGES
    Get back!

    Everyone backs away from the hole in the ceiling.

    MILLER
    We have a major problem here...

    JEREMY
    Can I go now?!

    BRIANS
    Be quiet.

    Baker drops to a knee beside Hopper's body.

    BAKER
    Dusty!

    Hopper's face is covered with blood.

    BAKER
    Dusty, come on...

    SMITH
    He's dead.

    JULIE
    Should we...?

    Julie stops, unsure.

    MILLER
    Should we what?

    JULIE
    I don't know... It seemed to be a,
    a werewolf... What do we do with
    Hopper and the medics?

    Baker looks up at her.

    BAKER
    What the hell do you mean?

    JULIE
    Well, what if they turn... Too?

    BAKER
    That's bullshit.

    ANDREW
    She's got a point.

    BAKER
    Nobody asked you, kid.

    NOAH
    It's obviously a werewolf...

    BAKER
    All people that aren't cops keep
    their mouths shut!

    DANTE
    Baker, don't be a prick.

    Baker stands and turns to Dante.

    BAKER
    I said shut up!

    DANTE
    Oh, fuck you.

    BAKER
    Fuck me?!

    Baker takes a step toward Dante's cell but Davis and
    Smith grab him and pull him back.

    SMITH
    Settle down.

    BAKER
    Let go!

    Baker tries to pull free.

    DAVIS
    Chill out!

    DANTE
    Yeah, cool down ya dumb fuck.

    SMITH
    Dante...

    BAKER
    Dumb fuck?!

    Baker manages to pull free and quickly takes the
    Steps toward Dante and Gabe's cell.

    Dante greets him with a fist to the face.

    Baker falls to the floor, unconscious.

    ANDREW
    You kicked a copís ass!

    NOAH
    Way to go, Dante!

    SMITH
    You shouldn't have done that.

    DANTE
    What? He deserved it.

    JULIE
    We should put Hopper's body in the
    cell, if they're gonna change...

    MILLER
    Yeah.

    JEREMY
    Lock them up before they change!

    SIERRA
    I know what will happen. One of
    these guys will turn into one of
    those things, or the other one will
    come back in, and all of you will
    run out and leave us in here with it.

    MILLER
    That's not what would happen.

    Candy is sitting down, crying, and Jeremy is trying
    to comfort her.

    SIERRA
    Bullshit! I know it is.

    MILLER
    We wouldn't leave you in here.

    SIERRA
    Yes you would! Admit it!

    Davis and Smith are carrying Hopper's body into the
    cell with the dead paramedics.

    Baker groans, coming back to consciousness.

    DANTE
    Somebody knock him back out.

    Baker sits up, rubbing his face. His nose is bleeding.

    BAKER
    What happened?

    Hodges helps Baker to his feet.

    DANTE
    You slipped.

    Davis and Smith lay Hopper's body on the cot in the
    back of the cell.

    Two werewolves stand up behind Davis and Smith as
    they do this, ripped paramedic uniforms dangling
    from their bodies.

    Screams ring out, people yelling "Look out!", and
    the cops turn to face the werewolves.

    DAVIS
    Oh, shit!

    One werewolf rushes Davis, the other rushes Smith. Both
    men scream.

    The werewolf that rushed Smith grabs him by the chest
    and tosses him back against the bars.

    He fumbles for his gun as the werewolf growls at him.

    The werewolf that rushed Davis wraps it's arm around his
    chest and bites him on the face, pulling him off his
    feet and into the air.

    Just before Smith's werewolf lunges at him, Davis's legs
    are swung across it's face.

    The werewolf grabs Davis's legs, biting into a hip.

    SMITH
    Fuck this!

    Smith and the other cops run out of the cell room.

    SIERRA
    Wait!

    NOAH
    Don't leave us!

    GABE
    You motherfuckers!

    INT. THE MAIN ROOM - SMITH SLAMS THE CELL ROOM DOOR
    SHUT AND LEANS BACK ON IT.

    INT. THE CELL ROOM - THE WEREWOLVES ARE PLAYING TUG OF
    WAR WITH DAVIS'S LIMP BODY.

    After a few vicious jerks the body is torn in half
    at the waist.

    Blood and guts pour out onto the floor. People scream.

    INT. THE MAIN ROOM - SMITH IS STILL LEANING ON THE
    CELL ROOM DOOR.

    SMITH
    Somebody bring a desk over here so
    we can barricade this motherfucker!

    MILLER
    There are people in there, Smith!

    SMITH
    Fuck 'em!

    Suddenly the door erupts forward, sending Smith to
    the floor.

    The top of the door hits Miller in the face, sending
    him falling over a desk, unconscious.

    A werewolf stands on the fallen door as Smith scrambles
    to his feet, pulling his gun.

    He raises the gun to shoot the werewolf, but it bites
    down on his arm.

    Smith screams.

    The other werewolf jumps into the room, landing in front
    of Hodges.

    Hodges raises his gun and the werewolf punches him.

    Hodges flies backwards, going through the window
    that looks into the interrogation room.

    INT. THE INTERROGATION ROOM - HODGES LANDS ON HIS
    BACK ON THE TABLE, THEN ROLLS OFF.

    He hits the floor, unconscious.

    INT. THE MAIN ROOM - ONE OF THE WEREWOLVES SLAMS SMITH
    AGAINST THE WALL AS SMITH SCREAMS.

    The werewolf turns around quickly, Smith's arm still in
    it's mouth. It lets go of his arm and Smith is sent
    flying across the room.

    He slams hard into the doors, then falls to the
    floor, bleeding all over.

    The other werewolf is chasing Julie amongst the desks.

    She swings into the knee hole of one of the desks,
    and the werewolf starts swiping it's claws at her.

    Brians steps up behind it and shoots it in the back.

    The werewolf turns on him, growling.

    BRIANS
    Oops.

    The werewolf leaps forward.

    INT. THE CELL ROOM - BRIANS COMES FLYING IN, THE WEREWOLF
    ON TOP OF HIM.

    They land on the floor in front of Dante and Gabe's
    cell, sliding right up against it.

    Brians puts his gun to the werewolf's head.

    BRIANS
    Fuck you.

    Brians shoots.

    The werewolf's brains explode out of it's head and it falls
    to the side.

    Brians stands, covered in werewolf brains.

    BRIANS
    Son of a bitch...

    Brians kicks the werewolf's body, then runs out of the
    room, yelling-

    BRIANS
    It takes a shot in the head! A shot
    in the head kills them!

    GABE
    This is cruel and unusual punishment!

    DANTE
    Quiet, Gabe.

    INT. THE MAIN ROOM - MILLER STANDS UP, USING THE DESK
    HE FELL BESIDE TO HELP HIM UP.

    Julie is standing on a nearby desk, a werewolf snapping
    at her legs.

    Miller jumps onto the werewolf's back.

    The werewolf whirls around, backhanding Julie in the side.

    JULIE
    Shit!

    She is sent flying off the desk and into the cell room.

    INT. THE CELL ROOM - JULIE HITS NOAH AND ANDREW'S CELL
    SIDEWAYS, HARD.

    She falls to the floor, unconscious.

    NOAH
    It's about time.

    Noah kneels down and takes the cell keys off of
    Julie's belt.

    NOAH
    Thank you, Officer Julie.

    Noah stands up and begins to unlock his cell door.

    Sierra is watching eagerly.

    SIERRA
    We're next.

    GABE
    Why the hell should we be last?
    We're first in line!

    Noah unlocks his cell door, then tosses the keys
    to Sierra.

    GABE
    Bastard.

    Sierra hurriedly unlocks her cell door, steps out,
    and tosses the keys to Dante.

    SIERRA
    Keys to freedom.

    INT. THE MAIN ROOM - MILLER IS STILL CLINGING TO THE
    WEREWOLF'S BACK AS IT TRIES TO SHAKE HIM OFF.

    Brians is standing to the side, trying to get a
    clear shot at the werewolf's head.

    It finally reaches back, grabs Miller by the back of
    his shirt, then pulls him up over it's head and slams
    him down on a desk.

    Brians tackles the werewolf from the side, dropping his
    gun in the process.

    Brians and the werewolf slam into a desk, which slides
    back into another desk.

    The desks lodge together, throwing Brians and the werewolf
    over the top and to the floor.

    Brians is on the bottom, the werewolf on top of him, and
    they're in a small space between the desk and the wall.

    Brians lifts the werewolf up off of him, trying to keep
    its snapping mouth away.

    BRIANS
    Shit!

    The werewolf drops down closer, drool dripping into
    Brians face.

    Then, with a loud bang, the werewolf's head explodes open.

    Its limp body falls onto Brians with a thud, blood
    squirting all over his face.

    BRIANS
    Fuck...

    Brians groans, shoving the body off of him and
    standing up.

    Miller is standing a few feet away, gun aimed at
    where the wolf's head was when he shot it.

    He lowers the gun.

    BRIANS
    Thanks, rookie.

    MILLER
    Don't mention it.

    Smith is sitting against the doors in a pool of blood,
    holding his bitten arm.

    Baker is cowering under a desk the farthest back in
    the room.

    Miller sits down on a desk, sighing.

    Brians turns to the cell room as Dante, Gabe, Noah,
    Andrew, Jeremy, Sierra, and Candy walk out.

    BRIANS
    Hey, who said you all could get out
    of your cells?

    SIERRA
    We did.

    BRIANS
    Things are under control here, get
    back in your cells.

    JEREMY
    They don't look very controlled, man.

    INT. THE CELL ROOM - JULIE SITS UP, GROANING.

    JULIE
    Damn...

    When she's sitting up, she sees-

    JULIE'S P.O.V - IN THE LAST CELL, HOPPER'S BODY IS GONE
    OFF THE COT, BUT HIS RIPPED UNIFORM IS STILL THERE.

    JULIE
    Oh, no.
    (turns away to yell)
    Guys, Hopperís bodyís gone!

    Everyone comes rushing over and looks in the cell,
    seeing only the shredded clothing.

    BRIANS
    Where could he have gone to without
    us knowing?

    All of a sudden, the ceiling above them creaks and
    then stops.

    MILLER
    (whispering)
    Heís in the ceiling, too.

    DANTE
    (whispering)
    He must of left the cell when we
    werenít looking and...

    The only hole in the ceiling is the one the Jimmy-
    wolf made.

    MILLER
    (whisper)
    Went up the same way.

    Smith loudly moans from his spot in front of the door,
    sitting in a pool of blood. Everyone turns and looks
    at him.

    INT. THE MAIN ROOM - BAKER IS CRAWLING OUT FROM UNDER
    THE DESK.

    Julie enters and runs over to Smith.

    JULIE
    Jesus Christ, he needs medical
    attention.

    She bends down and takes out a rag from her pocket,
    holding it firmly over his wound as he winces in pain.

    JULIE
    Hold that in that spot as tight as
    you can.

    Julie puts Smithís hand on the rag and stands up.

    As she does, she looks over and sees Hodges unconscious
    in the interrogation room.

    INT. THE INTERROGATION ROOM - WE'RE IN A CLOSE UP OF
    HODGES' BLOODY, CUT-UP FACE.

    His eyes flutter open and he looks around.

    HODGES
    (groggily)
    Julie?

    We pull back to show Julie kneeling beside him.

    JULIE
    Are you ok?

    HODGES
    I'm just dandy.

    Hodges groans as Julie helps him to his feet.

    INT. THE MAIN ROOM - JULIE AND HODGES ENTER, HODGES
    LIMPING A BIT.

    Brians looks over at them.

    BRIANS
    You alright, Hodges?

    HODGES
    Well, I did have a huge chunk of
    glass in my left ass cheek, but
    that's been taken care of.

    BRIANS
    Good.

    INT. THE CELL ROOM - JULIE COMES BACK IN, AND HODGES
    STANDS IN THE DOORWAY.

    JULIE
    Is it still above us?

    HODGES
    Jimmy?

    JULIE
    And Hopper.

    Miller takes out his gun and fires a couple shots
    into the ceiling. Nothing.

    MILLER
    They both must have moved on.

    NOAH
    Thatís it, Iím out of here.

    The other prisoners quickly agree.

    MILLER
    You canít. If we leave, these things
    are free to roam and kill other
    people. We have to kill them here
    and now before they leave this station.

    GABE
    Thatís your problem, not ours!

    Gabe, Dante, Sierra, Candy, Noah, and Andrew turn and
    storm out of the room.

    INT. THE MAIN ROOM - THE GROUP ENTERS AND LOOK AT
    SMITH BLOCKING THE DOOR.

    ANDREW
    I suggest we go out the back.

    DANTE
    Yeah...

    They head for a hallway.

    INT. THE CELL ROOM - THE COPS ARE WATCHING THEM GO.

    HODGES
    Someone should go get them before
    they get killed.

    BRIANS
    Yeah. Miller...

    Brians throws Miller an extra gun.

    BRIANS
    Go bring them back.

    Miller nods as he puts the second gun in his holster
    and runs off after the convicts.

    INT. HALLWAY - THE CONVICTS ARE RUNNING DOWN A HALL,
    WHEN SUDDENLY THE LIGHTS GO OUT. THE GIRLS SCREAM AS
    THEY COME TO A STOP.

    NOAH
    Shit. Come on, we better keep moving.

    They continue to run, and they turn a corner. At the
    end of the hall are the double doors leading outside.

    Suddenly, a roof tile breaks in half as a large furry
    object falls down, just a few yards in front of them.

    They see itís one of the werewolves and they all stop in
    their tracks and scream as it snarls at them.

    DANTE
    Yeah, Fuck you too!

    He pulls his arm back and throws a punch as hard as
    he could into the werewolfís face, causing it to turn
    to the side, then when it looks back at Dante, it
    snarls.

    Before anyone can figure out what happened, the werewolf
    jumps and lands on Dante, sending him to the floor.

    It starts chewing his arm.

    DANTE
    Help me, you fuckers!

    The others turn and are about to run past the werewolf,
    but itís head whips up and snarls at them. They turn
    back the other way and run.

    The werewolf goes back to its victim.

    INT. HALL - MILLER IS WALKING FAST DOWN A HALL, WHEN
    SUDDENLY, GABE, JEREMY, NOAH, ANDREW, CANDY, AND
    SIERRA RUN AROUND FROM A CORNER.

    CANDY
    Run, itís right behind us!

    Miller whips out his two guns.

    MILLER
    Quick, back to the main room. The
    others are there.

    Miller stays in his spot, pointing his guns out in
    case anything comes around the corner. He waits for
    the others to get behind him.

    When they're all out of his way, he starts slowly
    walking down the hall.

    INT. MAIN HALL - MILLER WALKS AROUND THE CORNER, AND
    HE SEES THE DOORS AT THE END, DANTEíS MANGLED BODY,
    AND A LOT OF BLOOD. BUT NO WEREWOLF.

    MILLER
    (into walkie-talkie attached to his uniform)
    We have a man down. Can you send
    someone down to help me move him?
    He might still be alive, but injured
    very badly.

    BRIANS
    (from walkie-talkie)
    Yeah, me and Julie will be down in
    a minute.

    MILLER
    Alright. Iím right in front of the
    main doors.

    He looks both ways, seeing only darkness, and nothing
    moving in the darkness. He looks up and sees the spot
    where a tile used to be. He points his guns up at the
    ceiling as he waits for his backup.

    INT. MAIN ROOM - JULIE AND BRIANS ARE GOING INTO THE
    HALLWAY JUST AS GABE, CANDY, SIERRA, JEREMY, ANDREW,
    AND NOAH RUSH IN. HODGES IS LOOKING DOWN AT SMITH,
    WHO IS NOW LAYING ON A TABLE, STILL COVERING HIS
    WOUND. BAKER IS SITTING AT ONE OF THE DESKS, LOOKING
    DAZED.

    SIERRA
    I don't understand what you all
    think you're doing here. Why can't
    we just leave?

    HODGES
    Like Miller told you, right now this
    situation is contained in this
    building. If anyone else comes here,
    or if we just leave, there is the
    possibility of other people getting
    infected. We could end up with a
    whole city of these things. As it
    is, there's only two of them.

    JEREMY
    Two of those things can do a lot of
    damage, man.

    ANDREW
    Yeah! By keeping us here, you're
    endangering our lives.

    HODGES
    You're all welcome to get back in
    your cells. Those should be pretty
    safe.

    NOAH
    Damn it...

    INT. THE HALLWAY - MILLER IS STILL STANDING NEAR DANTE
    AND THE BACK DOORS. HE STILL HAS HIS GUNS POINTED AT
    THE CEILING.

    Dante looks bad, but he's conscious. Barely. Bloody
    drool is dripping from the corner of his mouth.

    DANTE
    Fucker... bit me...

    MILLER
    Just hold on, Brians and Julie
    should be here any second.

    We watch them in silence for a few seconds, Miller
    watching the hole in the ceiling.

    The silence is broken when a ceiling tile falls to
    the floor at the point where the hall turns.

    Miller looks down the hall.

    There's a few more seconds of silence, then another
    tile falls to the floor a couple feet from the
    last one.

    MILLER
    Oh, shit.

    Another tile falls a few feet down from the last,
    then another a few more feet. This continues to
    happen all the way down the hallway, Miller following
    along the ceiling with his guns.

    When the tiles fall just 5 feet or so in front of him,
    Miller begins to fire into the ceiling.

    He fires along the 5 feet of ceiling, then up into
    the hole as a furry blur passes over it.

    He turns around, looking at the three feet or so
    of ceiling between the hole and the back doors.

    MILLER
    Got you now...

    Miller points the guns at the stretch of ceiling,
    pulls the triggers, and...

    Click. They're empty.

    MILLER
    Fuck.

    We hear movement in the ceiling, and the
    Werewolf leaves the hallway's ceiling, going
    into the ceilings of the rooms along the hall.

    Brians and Julie come running around the corner,
    guns drawn.

    BRIANS
    What's going on?

    MILLER
    A werewolf was around, but it left.
    Let's get out of here before it
    comes back.

    Miller kneels down beside Dante.

    10/30/2003 1:21:09 PM

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