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    #146
    It has been said that when Steven Spielberg goes on 'Jurassic Park: The Ride', he makes them stop the raft right before the final drop so he can take the elevator down. (From: 'Vader')
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    Crimson Moon 2 Script (Part 2)
    By Aragorn

    EXT. HOUSE - JIMMY AND SMITH ARE STILL WAITING AT THE
    SLIDING GLASS DOOR.

    Jimmy is scratching the bandage on his arm.

    SMITH
    I heard Brians shouting in there.
    We’re going in!

    All of a sudden, Jimmy just swings his fist over and
    the glass on the sliding door shatters and falls to
    the ground. Jimmy moves his hand back out and it doesn't
    have a single scratch on it. Smith’s eyes are wide.

    They walk into the house and see Hopper forcing the
    handcuffed Snort outside, as Brians brings the
    girlfriend, who isn’t struggling anymore, outside.

    SMITH
    What’s the situation?

    BUCKY
    We’ve got two of them, and we know
    for sure that there’s at least one
    more. He ran off down that hall.

    Bucky points down a hall and takes his gun back out.
    Jimmy and Smith take their guns out as well.

    JIMMY
    Let’s go.

    The three of them rush off down the hall towards the
    closed door at the end. When they get there, they
    push their backs against the walls and notice that
    the other doors in the hall are opened.

    BUCKY
    I guess this is the room.

    SMITH
    Open up! This is the Police!

    All of a sudden, a hole gets blown in the door and
    part of the wall next to Smith gets chipped away.

    SMITH
    (into walkie-talkie)
    We have shots fired! We’re being
    fired at!

    As he’s talking, another hole gets blown in the door.
    Then another.

    HOPPER
    (V.O.)
    Fall back and wait for backup!

    Bucky looks from Smith’s walkie-talkie to the door.

    BUCKY
    We can’t fall back and wait! He’ll
    slip away!

    Shouting is heard coming from the other side of the
    door, but they can’t tell what's being said.

    BUCKY
    (correcting himself)
    They’ll. They’ll slip away.

    He raises his gun and fires a couple shots at the door
    and starts sliding along the hall, heading towards it.

    Suddenly, another hole breaks in the door and Bucky
    screams out as his blood splatters the wall and he
    falls to the floor.

    SMITH AND JIMMY
    Bucky!

    They both raise their guns and start firing. With his
    free hand, Smith raises his walkie-talkie.

    SMITH
    (into walkie-talkie)
    Man down! Repeat, Man down!

    HOPPER
    (V.O.)
    Who?

    SMITH
    (into walkie-talkie)
    Bucky!

    Another shot fires from the other side of the door
    and just clips the walkie-talkie, causing it to fly
    from Smith’s hand and smash on the floor.

    SMITH
    Dammit!

    Just then, both Smith and Jimmy’s guns click on empty.

    SMITH
    Shit.

    Jimmy starts scratching his bandage again as another
    shot fires out and just misses him by an inch. He
    doesn’t even blink or jump.

    SMITH
    Jimmy, what are you doing?! They
    almost hit you!

    A deep growl comes up from Jimmy’s throat and he runs,
    picking up speed fast and jumping at the door, on all
    fours, and knocking it off it’s hinges and falling
    into the other room, still on his hands and feet.

    Inside the room, Jimmy lifts his head and sees the
    Boyfriend and Money, but Cokehead isn’t anywhere to
    be seen.

    CAMERA PANS DOWN AND WE SEE A BIG BLOOD STAIN LEAKING
    OUT FROM UNDER THE DOOR, A SHOTGUN JUST BESIDE THE
    BLOOD.

    Jimmy growls again as he remains on all fours.

    BOYFRIEND
    What the...

    Before he can even finish, Jimmy leaps up and lands
    on him, pushing him to the floor. Jimmy is still
    standing on him, but he has the Boyfriend’s arm in
    his mouth.

    BOYFRIEND
    Ahhh! He’s biting me! The cop is
    biting me!

    Money, who was in shock up until now, shakes his head
    and pumps the shotgun. Jimmy’s ears perk back when
    he hears that and he lets the Boyfriend’s arm fall
    to the floor and whips his head to look at Money with
    a growl.

    Money fires, and as quick as lighting, Jimmy jumps off
    of The Boyfriend and the Boyfriend’s stomach explodes
    when the shot hits him.

    Jimmy jumps at Money, but Money moves out of the way
    and Jimmy lands on the floor next to him. He kicks his
    foot up, knocking the gun from Money’s hand, and then
    swings his other foot out, tripping Money up, sending
    him to the floor.

    Jimmy blinks. He stands and seems like he’s returned to normal.
    He puts a foot on Money’s neck, keeping him from moving.

    JIMMY
    You move, I'll kill ya.

    Smith slowly walks in, eyes wide.

    SMITH
    Where’d you learn to do that?!

    Jimmy shrugs and Hopper and Brians run into the room,
    guns drawn, ready to shoot. They slow to a stop as
    they see that the only living person they can take
    in is Money.

    HOPPER
    Holy shit! Who did this?

    JIMMY
    I did, sir.

    Hopper looks around at the guns on the floor and looks
    at all the guns in the closet, and sees all the cocaine
    all over.

    HOPPER
    (still in shock)
    Good job.

    JIMMY
    Thank you, sir.

    Jimmy looks around the room, breathing heavily, with
    a look on his face that shows even he's amazed at what
    he's done... and not sure how he did it.

    EXT. THE HOUSE – DAY - SQUAD CARS WITH SIRENS SCREAMING
    START PULLING UP.

    INT. THE HOUSE - SMITH AND HOPPER ARE CHECKING ON BUCKY,
    WHO IS LAYING IN THE HALLWAY, THE UPPER PART OF HIS
    LEFT ARM BLEEDING, THE LEFT SIDE OF THE CHEST OF HIS
    SHIRT ALL TORN UP.

    BUCKY
    How bad is it?

    HOPPER
    Looks like it got your vest mostly.
    You should be alright.

    BUCKY
    Thank God.

    SMITH
    You'll be fine, Buck.

    EXT. THE HOUSE - AN AMBULANCE PULLS UP WITH THE POLICE
    CARS, SIRENS GOING.

    At the front porch, Jimmy and Brians are leading Money
    down the steps. Money isn't struggling, just walking
    along with them, his head hanging. As they start across
    the lawn, the paramedics head for the house with a gurney.

    A police officer is leading a German Shepherd on
    A leash toward the house. The dog is sniffing the
    air uneasily. When they're about 10 feet from Jimmy,
    Money, and Brians, the dog stops.

    POLICE OFFICER
    Go on.

    The dog doesn't move.

    POLICE OFFICER
    What are you doing?

    Jimmy, Money, and Brians reach them, going around
    them, and the dog starts to growl.

    As they pass, the dog turns around to watch them,
    still growling.

    POLICE OFFICER
    What's wrong with you, Snoop? Come
    on, we've got work to do.

    The officer tries to pull the dog toward the house,
    but it resists.

    Jimmy, Money, and Brians reach a squad car and Brians
    opens a back door. Jimmy glances back at the growling dog
    just for a second.

    A train horn screams off-screen and the dog snaps. It
    starts running toward Jimmy, pulling it's leash out
    of the officer's hand.

    POLICE OFFICER
    Hey! Watch out!

    As Brians starts to load Money into the car, he and
    Jimmy look over just as the dog reaches them.

    The dog jumps into the air, hitting Jimmy in the
    chest with it's front paws and biting at his face.

    JIMMY
    Shit!

    The force of the dog knocks Jimmy back against Brians,
    and sends Brians falling back against the car's trunk.

    The dog is back on the ground and barking at Jimmy,
    occasionally taking bites at his legs.

    Money sees his chance and pushes himself off the
    car, making a run for it.

    JIMMY
    Get this fucking dog away! Somebody stop
    that guy!

    Brians goes around the back of the car and starts
    running after Money.

    BRIANS
    Stop!

    The officer grabs the dog's leash and starts dragging
    it away from Jimmy.

    Jimmy turns and runs after Money and Brians. A few
    other cops have seen what's going on and start
    running after them, too.

    Money has reached the railroad crossing at the end
    of the block and is running as fast as he can. The
    lights beside the crossing are flashing red and the
    gates are down.

    Off-screen, the train horn screams again.

    BRIANS
    Stop! You can't make it!

    Money goes around the end of a gate, runs out onto
    the crossing, and just as he does, the train horn
    sounds again, deafeningly loud.

    Money looks over, and just as he does a speeding
    train slams right into him. The force of the hit
    sends blood and some body parts flying. The "cow
    catcher" on the front of the train throws most of
    Money's body clear of the tracks.

    Brians, who is at the gates, is hit by a wave of
    blood as he turns away.

    The other cops that were giving chase, including
    Jimmy, stop running with shocked looks on their
    faces.

    Money's bloody and mangled body has landed in the
    front yard of the house closest to the tracks.

    We look at Jimmy, and slowly zoom into his shocked
    face, as he breathes heavily from the run.

    DISSOLVE TO:

    CLOSE-UP OF A TV SCREEN.

    On the TV is an exterior shot of the yellow house
    with the yard full of police officers. Paramedics
    are wheeling Bucky out on a gurney.

    The shot pulls back a bit and a reporter is now
    standing in front of us, holding a microphone.

    REPORTER
    A drug bust gone bad. Local police
    raided this house on the 7th Street
    earlier today, and while they stopped
    one of the biggest cocaine dealers
    in the area, that achievement didn't
    come without a price. One police
    officer wounded, four drug dealers
    killed...

    We pull back from the TV and turn away from it, seeing
    that we're-

    INT. A HOUSE - THE LIVINGROOM - A WOMAN, JIMMY'S
    GIRLFRIEND, MONICA HALE, IS SITTING ON A COUCH,
    WATCHING THE TV.

    As she watches, the front door opens. She looks
    over at it and Jimmy enters. He looks a little
    depressed and very worn out.

    MONICA
    Oh, honey, are you alright?

    Monica stands up from the couch as Jimmy shuts the
    front door.

    JIMMY
    I've had a hell of a day.

    She reaches him and gives him a hug.

    MONICA
    They were talking about the drug
    bust on the news.

    JIMMY
    It didn't go well.

    They kiss.

    MONICA
    Who was wounded?

    JIMMY
    Bucky.

    MONICA
    Bad?

    JIMMY
    He'll be alright. Got shot in the
    shoulder. He'll get time off, and
    then he's gonna take his vacation
    time.

    Jimmy crosses through the livingroom, followed by
    Monica, and goes into the kitchen.

    MONICA
    You don't really want to talk about
    it, do you?

    JIMMY
    Not really. It was just... crazy.

    Monica goes over and hugs Jimmy again.

    MONICA
    You want me to run you a bath?

    JIMMY
    Sure. Start running it and get in.
    I’ll be along shortly.

    MONICA
    Ok.

    Monica leaves the room and her footsteps can be heard
    going upstairs. Jimmy sighs and turns, looking out
    the window. It’s early evening, and the sun is just
    starting to go down. Jimmy looks over at a clock and
    it reads ‘6:30’. He sighs again as he turns and walks
    out of the room.

    INT. HALLWAY - THE DOOR TO THE BATHROOM IS CLOSED, BUT
    WE CAN HEAR TWO SETS OF MOANING COMING FROM INSIDE.

    INT. HALLWAY - MINUTES LATER - THE DOOR OPENS AND MONICA
    WALKS OUT WITH A TOWEL WRAPPED AROUND HER, GIGGLING.
    SHE TURNS AND WALKS DOWN THE HALL.

    INT. BATHROOM - JIMMY IS LAYING IN THE TUB FULL OF WATER
    AND BUBBLES. HE IS LEANING BACK, A SMILE ON HIS FACE,
    AND HIS EYES CLOSED.

    JIMMY
    (smiling)
    That was good.

    He starts to feel weird and his eyes shoot open as
    he looks down at his arm, frantically. Nothing. He
    sighs and closes his eyes again.

    CLOSE-UP OF ARM: TINY LITTLE HAIRS ARE STARTING TO
    GROW.

    INT. LIVINGROOM - LATER - MONICA IS SITTING DOWN IN THE
    QUIET LIVINGROOM ALONE, READING "THE TALE OF THE BODY
    THIEF" BY ANNE RICE. IT HAS GOTTEN DARK OUT AND THE
    ONLY SOURCE OF LIGHT IS FROM A LAMP NEXT TO THE COUCH.

    A loud thump comes from the kitchen, followed by the
    sounds of pots and pans falling over.

    MONICA
    (looking up from her book)
    Jimmy? What are you doing?

    No answer.

    MONICA
    Jimmy?

    Again, no answer. She sighs and lays her book on the
    coffee table and stands up. She is now in a nightgown
    and she straightens it before starting to walk slowly,
    slowly approaching the kitchen.

    MONICA
    Ok, stop messing around.

    She gets closer to the kitchen and sees that there’s
    no light on in there. She finally reaches it and slowly
    walks in.

    INT. THE KITCHEN - MONICA ENTERS AND LOOKS AROUND.

    The pots and pans rack that hangs from the ceiling is
    swinging back and forth, and about half of the pots
    and pans have fallen to the floor.

    Suddenly, something jumps out at Monica and she screams
    as it wraps it's arms around her. She manages to pull away
    from it and as she turns around to face it, she hears laughing.

    The light turns on and Jimmy is standing in front of
    her, laughing.

    MONICA
    You scared me to death! What the
    hell were you doing?

    Jimmy is laughing too hard to answer.

    Monica hits Jimmy on the arm and turns, storming out.

    MONICA
    Clean up the pots you knocked over!

    Jimmy stayed back in the kitchen, watching her walk
    away. His eyes look different somehow, but we don't
    linger on him long enough to see.

    INT. THE LIVINGROOM - MONICA IS WALKING BACK TO THE
    COUCH, SHAKING HER HEAD.

    MONICA
    Idiot.

    Monica picks her book back up, and as she does, she
    sees the kitchen light turn off out of the corner of
    her eye.

    MONICA
    I hope the pans are all picked up!

    She sits back down, opening the book to the page she
    was on, then suddenly the lamp next to her goes out.

    MONICA
    (whispering)
    What the hell?

    She tries turning it back on, but it won’t come on.

    She stands up and walks over to the light switch on
    the wall and flicks it a couple times, but nothing
    happens.

    MONICA
    Jimmy! I think the fuse is blown!
    Can you check it out?

    No answer. Monica sighs, looking toward the kitchen.

    MONICA
    You're really starting to piss me
    off.

    From behind her comes a loud squeaking noise, and
    Monica turns around to see that the basement door
    is slowly swinging open.

    MONICA
    What's wrong with you tonight?

    Monica starts walking towards the basement door.

    INT. THE BASEMENT STAIRWAY - MONICA STEPS THROUGH THE
    DOORWAY AND ONTO THE TOP STEP.

    She reaches over to the wall and takes a flashlight
    off the hook.

    MONICA
    How do you expect to check the fuse
    without a light?

    She turns the flashlight on and shines it on the stairs,
    just as she hears a running sound, heading away from
    the stairs, at the bottom. By the time the light beam gets
    to the spot, nothing’s there, but she catches a glimpse of fur.

    MONICA
    What the hell?

    She heads down the stairs, shining the light around
    the area of the bottom step.

    She reaches the basement floor and shines the light
    around the dark room, but it doesn’t fall on any
    living thing.

    MONICA
    Jimmy, are you down h...

    Suddenly, faster than you could blink an eye, the beam
    falls on the face of a wolf, only it's up as high as
    Monica. The beast is standing on two legs and it’s
    arms were up. It growls and jumps, knocking Monica
    to the floor, landing on top of her

    EXT. STREET – NIGHT - MONICA’S SCREAM IS HEARD CUTTING
    THROUGH THE AIR. SUDDENLY IT STOPS.

    INT. LIVINGROOM - MONICA’S BODY IS LAYING ON THE FLOOR,
    ALL BLOODY AND MANGLED, AND HER HEAD IS MISSING. THE
    WEREWOLF IS STANDING ABOVE THE BODY, ITS TEETH SUNK
    INTO THE HEAD WHICH IS IN ITS HANDS. SUDDENLY, IT BRINGS
    IT’S SNOUT OUT AND THE WEREWOLF STARTS CHANGING. THE FUR
    SLOWLY SHRINKS AND THE SNOUT STARTS TO GO BACK INTO THE HEAD
    AS THE EARS ALSO SHRINK. BEFORE LONG, THE WEREWOLF IS
    BACK TO BEING JIMMY, NAKED. JIMMY LOOKS AT THE HEAD AND
    QUICKLY DROPS IT, BACKING UP.

    JIMMY
    No. No. Nooooooo!

    INT. THE BATHROOM - JIMMY QUICKLY SITS UP IN THE TUB,
    STILL SCREAMING.

    He looks around quickly, breathing heavily.

    JIMMY
    Holy shit...

    The door opens and Monica steps into the doorway, now
    wearing her nightgown.

    MONICA
    What was that?

    JIMMY
    Nothing.

    MONICA
    You just decided to scream for no
    reason?

    JIMMY
    I guess I fell asleep. Had a hell
    of a dream.

    MONICA
    Ok... I think it's time for you to
    get out of there.

    JIMMY
    I think so, too.

    Jimmy stands up out of the tub.

    INT. THE BEDROOM - JIMMY IS STANDING AT A WINDOW, LOOKING
    OUTSIDE.

    Behind Jimmy, Monica is walking into the bedroom. She
    shuts the door behind her.

    MONICA
    Are you alright?

    Jimmy turns away from the window.

    JIMMY
    Yeah. Just really tired.

    Monica and Jimmy walk over to the bed. During the
    following conversation they pull the covers back on
    the bed, get in, and cover up.

    MONICA
    What was your bathtub nightmare
    about, anyway?

    JIMMY
    You don't want to know.

    MONICA
    Yes, I do. Especially now that
    you've said I don't.

    JIMMY
    It wasn't about much, really. I
    just turned into a werewolf and
    ripped your head off.

    MONICA
    Another werewolf dream?

    JIMMY
    Yeah, but this is the first time
    I've actually been the werewolf. I'm
    getting sick of these damn dreams.
    Ever since I got bit... The guys
    give me shit about it every day.
    Maybe that'll stop after today.

    MONICA
    It's just been a hectic time. Things
    will settle down, and then the werewolves
    will be out of your head.

    They kiss for a few seconds, then when they pull apart-

    JIMMY
    I hope so.

    We move away from the bed, going back over to the
    window that Jimmy was standing at. Once we reach the
    window we look through it.

    The moon is shining in the sky. It's a half moon,
    waning.

    We cut to a Close-Up of the moon and "Moon Dawg" by The
    Beach Boys kicks in.

    We watch the moon as it quickly goes through it's cycles.
    When the moon has disappeared into the new moon phase, we
    see a series of quick flashes that show a werewolf tearing
    something apart, flesh and blood dripping from it's mouth.

    When the flashes end, we're back in the dark bedroom
    and Jimmy is quickly sitting up in bed.

    He looks around the room, which he's now alone in.

    JIMMY
    I can't take much more of this.

    It's dawn, and sunlight is starting to shine in
    through the window.

    Jimmy sighs and climbs out of bed.

    INT. THE BATHROOM - JIMMY IS STANDING AT THE SINK,
    PUTTING HIS TOOTHBRUSH BACK INTO ITS HOLDER.

    After this he looks down at his arm. The bandage is
    off, and all that remains of the bite is a large scar.

    INT. THE KITCHEN - JIMMY IS STANDING BESIDE THE SINK,
    IN UNIFORM. MONICA IS STANDING ACROSS FROM HIM,
    LEANING ON THE COUNTER AS THEY TALK.

    JIMMY
    I start working nights tomorrow.

    MONICA
    I don't know why you asked to do
    that, now we'll hardly ever get to
    see each other. You'll get off work
    at seven and be going to bed just as I
    get up. Then just when you wake up,
    I'll be going to work.

    JIMMY
    I can wait to go to sleep after you
    go to work.

    MONICA
    So I get a tired zombie version of
    you. Great.

    JIMMY
    You know I don't sleep that much
    Anymore anyway. There's no problem here.
    That's why I'm working nights. The
    dreams. It's been over three weeks
    now, and they just get worse. They're
    scaring me. Much longer and I'm gonna
    go to a psychiatrist or something.

    MONICA
    I think you should have gone to a
    psychiatrist before changing your
    work schedule over them.

    JIMMY
    Yeah, but I hate things like that.
    I'd rather suffer through the mental
    anguish.

    MONICA
    It's your own fault then, and therefore
    I'm still mad at you for switching
    to nights.

    JIMMY
    I did it for your protection!

    MONICA
    My protection?

    JIMMY
    Yes.

    MONICA
    How is it protecting me?

    JIMMY
    Well, according to the calendar, in
    a little over a week it'll be a full
    moon again.

    MONICA
    So?

    JIMMY
    So if my dreams come true and I end
    up turning into a werewolf, you don't
    want me to be around you, do you?

    Jimmy laughs.

    MONICA
    You're not funny. At all.

    EXT. THE NIGHT SKY - THE MOON IS ONCE AGAIN SHINING.
    IT'S NOW A HALF MOON, WAXING.

    EXT. THE POLICE STATION - NIGHT - JIMMY WALKS UP TO THE
    FRONT DOOR, OPENS IT, AND ENTERS.

    INT. THE STATION - JIMMY IS WALKING DOWN A HALL.

    He passes Austin Baker going in the other direction
    and they nod to each other.

    BAKER
    Hey, Jim.

    Jimmy continues down the hall and a door opens in front
    of him.

    Another cop steps out without looking first, running
    right into Jimmy.

    COP
    Oh, I'm sorry.

    JIMMY
    It's alright. You're new, aren't
    you?

    COP
    Yeah. Kevin Miller. But I'm getting
    used to answering to "Rookie" and
    "Hey, you."

    JIMMY
    (smiles)
    You'll get that for a while. I'm
    Jimmy Bonham.

    They shake hands.

    MILLER
    Jimmy Bonham... I'm supposed to ride
    with you tonight.

    JIMMY
    You are?

    MILLER
    That's what Sheriff Hopper said.
    He said your partner was off for
    a while with some kind of an injury,
    so I should ride with you.

    EXT. A PATROL CAR – NIGHT - IT'S DRIVING DOWN A RESIDENTIAL
    STREET.

    INT. THE CAR - JIMMY IS DRIVING AND MILLER IS RIDING
    SHOTGUN. A SHOTGUN is ATTACHED TO THE MIDDLE OF THE
    DASHBOARD WITH A LOCK.

    MILLER
    So how long have you worked with
    the department?

    JIMMY
    (whispering)
    Too damn long.

    MILLER
    What?

    JIMMY
    10 years.

    MILLER
    Wow.

    They continue driving, looking out the windows.

    MILLER
    Does anything ever happen here?

    JIMMY
    Well just the other week, we made a
    drug bust that we’ve been on for a
    long time.

    Jimmy looks out the window and sees that the sky is
    cloudy, but is starting to clear up. Some stars are
    starting to shine.

    He suddenly gets a strange feeling in the pit of his
    stomach, and shifts around a bit.

    JIMMY
    Look, let’s say we start heading
    back. We’ve been out here for a
    while and nothing’s happened. I
    don’t really feel well.

    MILLER
    Sure. Ok. I’m only the Rookie. You
    make the choices.

    Jimmy looks out the window as he turns the steering
    wheel, turning the car around.

    MILLER
    They were talking about you down
    at the station. They said that you
    were getting married soon.

    JIMMY
    In two months. Yeah.

    As he drives, Jimmy takes out a wallet and shows Miller
    a picture of Monica.

    MILLER
    Wow, she’s hot!

    Jimmy looks at him.

    MILLER
    Sorry.

    As Jimmy puts his wallet away, Miller takes out his
    and opens it.

    MILLER
    That’s my wife and twin girls. They’re
    in the terrible twos.

    Jimmy looks at the wallet.

    JIMMY
    Nice family. We hope to have three
    kids once we get married.

    Suddenly a wolf runs out from an alley and in front
    of the car.

    Jimmy’s eyes go wide as he swerves the car and he
    slams on the brakes just before it hit the side wall
    of a building.

    Jimmy and Miller breath heavily, catching their breath
    as Jimmy watches the wolf run away.

    MILLER
    Jeez, that was close.

    JIMMY
    (dazed)
    Yeah.

    He continued to watch the wolf, and after it got so
    far away, it turned back and looked at them. Jimmy
    could have sworn that he saw it looking directly at
    him.

    MILLER
    We almost hit that kitty.

    JIMMY
    (snapping back to reality)
    What?

    MILLER
    Good thing you swerved and missed
    the cat.

    Jimmy looks back and sees a cat walking away from them,
    across the street. He frantically looked around, but
    the wolf was no where to be seen.

    JIMMY
    Did you see a wolf as well?

    MILLER
    A wolf? Nope. Just the cat. Are you
    feeling ok?

    JIMMY
    (shaking his head)
    Yeah, sure. Let’s just get back to
    the station.

    Jimmy starts the car back up and gets back on the road.
    They continue driving back to the station.

    7/5/2003 7:41:23 PM

    Comment on this fan fiction!




     
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