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Crimson Moon 2 Script (Part 4)
By Aragorn
INT. THE MAIN ROOM - THE SCENE IS THE SAME.
Andrew motions toward Smith.
ANDREW
And what about that guy? He needs
to be taken to the hospital!
SIERRA
Yeah, are you just gonna let him
lay there and die?
SMITH
Don't listen to them, Hodges.
ANDREW
What, you don't want to go to a
hospital?
SMITH
No. I can't. What if I turn into
one of those things in the ambulance,
or... I'm going to turn or die. The
best thing for me would be to just
shoot me in the head. Right now.
HODGES
You know I can't do that.
JEREMY
I say you do it, man. I told you,
lock the sheriff and the paramedics
up, and you didn't fucking do it
fast enough. And now you see what
happened. Give me a gun, I'll shoot
the poor guy.
HODGES
Nobody is shooting anybody!
SMITH
Give me a gun, I'll shoot myself.
It needs to be done.
JEREMY
Listen to him! A dying man's wish.
HODGES
That's it, shut up!
Hodges turns his gun on the prisoners, but they
all look unaffected.
HODGES
I want you all to line up against
the wall, stand there and be quiet.
ANDREW
Yeah, that gun really scares us.
If you can't shoot your soon-to-be-
a-werewolf friend, you sure as hell
won't shoot us.
Hodges cocks his gun.
HODGES
Want to try me?
INT. A HALLWAY - BRIANS AND MILLER ARE CARRYING THE
GROANING DANTE, BRIAN’S AT THE HEAD AND MILLER AT
THE FEET, AS JULIE WALKS IN FRONT OF THEM, GUN READY.
MILLER
God, he's heavy.
BRIANS
What do you expect? His biceps are
as big as my head.
JULIE
Either of you have any idea why this
is happening?
BRIANS
Well, didn't Jimmy talk all the time
about how he was bit by a wolf out
at the gas station?
JULIE
Yeah...
BRIANS
And when the survivor was questioned,
she said that Eddie Bunker had been
bit by a wolf the night before. So I
guess it all goes back to that night.
There was probably more going on out
at that gas station than she told us.
JULIE
Understandable. She would have been
called crazy and locked up.
MILLER
I think Jimmy had been hallucinating
about wolves, too. He saw one, one
night when we were on patrol... And
he's been feeling sick.
INT. THE MAIN ROOM - HODGES HAS MANAGED TO GET THE
PRISONERS LINED UP AGAINST THE WALL.
Baker is now leaning on the desk, his head down on
his arms, staring at the desktop.
GABE
I'm in here for being drunk and
disorderly, I didn't know I could
die over it!
HODGES
Gabe... The next one of you that
complains is gonna get fucking
winged, I swear to God.
GABE
I don't...
Gabe stops talking when a furry, clawed hand clamps
down on his knee.
He looks down and starts screaming as he sees the
top half of Davis has transformed into a werewolf,
crawled across the cell room floor with guts trailing
behind it, and is now climbing up his leg.
The rest of the prisoners join in on the screaming.
Baker looks up at them.
The Davis-wolf bites into Gabe's side.
Hodges fires his gun at the werewolf, but it manages to
pull itself behind Gabe.
The bullet hits the wall, and the werewolf climbs up
onto Gabe's back, bringing it's head up level with
his screaming head.
It then sinks its teeth into his neck.
INT. THE HALLWAY - THE COPS AND DANTE ARE TRAVELLING
IN THE SAME WAY.
They pass a door with a small sign reading LOUNGE
on it, and from inside the room comes a loud crash.
The cops stop and look at the door.
As soon as they stop, a tile falls from the ceiling,
along with a werewolf.
Both of these things land on Dante, knocking him from
Brians and Miller's grasps and to the floor.
The weight of the werewolf crushes Dante's mid-section
almost flat to the floor and he screams, blood
gushing out of his mouth.
The werewolf steps off of Dante and turns on Miller,
slashing his face with its claws.
Miller falls to his knees, screaming and holding
his face.
The lounge door swings open and the other werewolf steps
into the doorway, growling.
INT. THE MAIN ROOM - GABE IS TRYING TO GET THE HALF-
WOLF OFF HIS BACK AS IT GNAWS INTO HIS SHOULDER.
Jeremy, Candy, Sierra, and Noah are cowering and
screaming in the corner, Andrew is trying to grab
the werewolf, Hodges is trying to get a shot, and
Baker is watching from his desk.
Andrew manages to grab a strand of the werewolf's guts
that are swinging around, and begins to pull on them.
The werewolf is pulled off of Gabe and he collapses.
The werewolf hits the floor and spins around to face
Andrew.
ANDREW
Shoot it!
Hodges fires, misses by a couple inches.
The werewolf begins to crawl very quickly toward Andrew.
Andrew backs up quickly and Hodges continues to fire.
One miss. Two. Three.
Andrew backs up into the wall, and a second later the
werewolf reaches him and grabs onto his legs.
ANDREW
Shoot it!!
Hodges fires, and this time the werewolf's head is blown
open and it falls, dead.
Hodges' gun is now empty, and he opens the chamber,
pouring the empty casings out onto the floor.
Baker stands up from his desk and starts hurrying
across the room.
Hodges begins to reload.
Baker passes the desk Smith was on, which now just
has a puddle of blood on it.
Baker heads for the hallway, and Hodges sees him.
HODGES
Baker, where are you going?
Baker doesn't answer, just continues on his way.
Noah notices Smith's empty desk.
NOAH
Where's the other cop?
Baker is almost to the hallway, passing the interrogation
room's busted window.
As he passes, the Smith-wolf suddenly jumps through
the empty window-frame, slamming into Baker.
Hodges finishes reloading.
HODGES
Baker!!
Baker and the werewolf fall to the floor, the werewolf biting
into his chest.
Baker screams.
INT. THE HALLWAY - BRIANS, JULIE, AND MILLER ARE RUNNING
DOWN THE HALL, THE TWO WEREWOLVES RIGHT BEHIND THEM. THE
BLOOD FROM THE SCRATCHES ON HIS FACE IS GETTING IN
MILLER'S EYES, SO HE HAS TO BE HELPED ALONG.
One of the werewolves leaps forward, slamming into Julie's
back, knocking her to the ground.
Her gun goes sliding down the hall.
Brians and Miller stop running to help her.
BRIANS
Get off of her, motherfucker!
Brians grabs the werewolf and pulls it back right before
it would have bitten Julie.
The werewolf elbows Brians in the stomach without looking
back at him, sending him flying backwards down the
hall and right into the waiting arms of the other werewolf.
Miller kicks the werewolf on Julie in the side of the
head, knocking it against the wall. This allows Julie
to get back to her feet.
Brians pulls his gun, just as the werewolf holding him
bites into his shoulder.
He screams and the werewolf spins him around, grabbing
him by the throat and slamming him to the floor.
MILLER
Brians!
Miller is interrupted when the other werewolf backhands
him, slamming him hard enough back against the wall
to crack the plaster.
Julie is running down the hall, toward her gun.
Miller falls to the floor and the werewolf pounces on him.
Brians raises his gun to shoot the werewolf on him, but
it knocks his arm aside and bites down on it, so the
gun is now pointing toward Miller, the other werewolf,
and Julie.
BRIANS
Shit!
The werewolf on Miller is about to rip into his chest.
Brians pulls the trigger of his gun.
BULLET'S P.O.V - WE FLY DOWN THE BARREL OF THE GUN,
THEN DOWN THE HALL.
The werewolf on Miller brings it's head down, and when
it's teeth are just an inch from Miller's chest,
the bullet smacks into the side of it's head.
It falls over, dead.
Julie reaches her gun, dropping to her knees and
picking it up.
She turns around, aiming it down the hall just in
time to see-
JULIE'S P.O.V - THE OTHER WEREWOLF IS DRAGGING BRIANS, BY
HIS ARM IN ITS MOUTH, INTO THE LOUNGE.
JULIE
Son of a bitch!
Miller climbs to his feet, the dead werewolf having turned
back into the dead Sheriff Hopper.
Julie and Miller run for the lounge, Miller very
unsteadily.
They reach the lounge doorway and look in.
MILLER'S P.O.V - THERE'S A LARGE HOLE IN THE CEILING,
AND WE'RE JUST IN TIME TO SEE BRIANS BE PULLED UP
INTO IT.
MILLER
Fucking bastards!
Brians' gun falls from the hole in the ceiling, to
the lounge floor.
It's followed by a large splash of blood.
Julie rushes into the lounge and aims her gun up at
the hole.
JULIE'S P.O.V - ALL THAT CAN BE SEEN IN THE HOLE IS
DARKNESS.
JULIE
Damn.
Julie bends down and picks up Brians' gun, then
hurries back into the hallway.
She hands the gun to Miller.
Miller and Julie stand in the hall in silence,
collecting themselves.
Miller wipes blood off his face with his shirt collar.
MILLER
I really hope you can't be infected
by scratches as well as bites.
JULIE
In the movies, scratches
do infect.
MILLER
Yeah, but the movies also say you
need silver bullets to kill them.
Shots to the head seem to work fine.
It's obvious that...
Miller is interrupted when a growling sound comes
from off screen and both cops look down the hallway.
The werewolf that was once Dante is standing just a few
yards away.
JULIE
It never ends!
They raise their guns and fire, and just as they do
the Dante-wolf turns and jumps into the room beside
it: The men's restroom, knocking the door off it's
hinges.
MILLER
Shit!
Screams come from the other end of the hall and
Miller and Julie turn around, looking down the hall,
just as Hodges, Jeremy, Sierra, Candy, Noah, and
Andrew come around the corner, pursued by three
werewolves.
JULIE
Jesus Christ...
HODGES
Run!
The others are also yelling "run!", "go!", etc.
Miller and Julie take their advice and turn around,
starting to run.
MILLER
There's one in the men's room!
JULIE
Where are we going?!
Miller and Julie pass the men's room, pointing their
guns at the doorway, but the werewolf isn't in sight.
HODGES
Garage! Shotguns!
Hodges passes the men's room and points his gun at
the doorway, but the werewolf still isn't in sight.
The prisoners begin passing the men's room doorway,
staying as far away from it as possible. Jeremy and
Candy pass. Sierra. Andrew.
Just as Noah gets past the doorway, the werewolf swings
out from the room, sinking it's claws into his back.
Noah screams, falling to the floor.
Andrew looks back, seeing as the werewolf begins ripping
into his friend.
ANDREW
Noah!!
But he keeps running.
The three werewolves that were chasing the people from
the main room pass the Dante-wolf as it bites a
large chunk out of Noah's back.
Once the other wolves are past, the Dante-wolf abandons
Noah's body and joins the chase.
The cops and prisoners run down the hall as fast as
they can, the werewolves only a few feet behind them.
Miller reaches a door in the hall and slams himself
against it, grabbing the doorknob and flinging the
door open.
MILLER
Go, go, go!
Julie runs past Miller, through the doorway and down
a small flight of stairs. At the bottom of the stairs
is a landing. Julie can either go through a door
marked GARAGE, or turn and go down another flight
of stairs. She chooses the GARAGE door.
Julie is quickly followed by Hodges, Jeremy, Candy,
Sierra, and Andrew as Miller holds the door open
for them.
As soon as Andrew is through the doorway, Miller
steps through behind him, firing his gun blindly
down the hallway.
The werewolves reach the door just as Miller slams it
shut behind him.
INT. THE STAIRWAY - MILLER RUNS DOWN THE STAIRS AND
INTO THE GARAGE AS THE WEREWOLVES BEGIN TO POUND ON AND
SCRATCH AT THE SHUT DOOR.
INT. THE GARAGE - MILLER ENTERS AND SLAMS THE DOOR
SHUT BEHIND HIM.
The others watch him, standing a few feet away.
Behind them the three patrol cars are still parked.
We look up and see that there are no tiles on the
ceiling in the garage, we can see straight up to the
rafters and the roof.
MILLER
We need to block this door with
something or they'll be in here
before we're ready.
The others look around and Hodges is the first to
spot something-
HODGES
Tool chest. Andrew, help me push
it over there.
ANDREW
Alright.
Hodges and Andrew go over to a six foot tall tool
chest that stands in the corner, and begin to wheel
it toward the door, as Miller continues to stand
there and make sure nothing's happening on the other
side of it.
Hodges and Andrew manages to get the chest in front
of the door, leaving only a few inches of the door
left visible, at the top.
MILLER
You know, if we wanted to make a
hell of a barricade, we could drive
one of the cruisers up against the
chest.
HODGES
Good idea.
DISSOLVE TO:
The group standing a few feet away from the tool
chest-blocked door, which now has a patrol car
pulled up to it so the car's front bumper is right
up against the chest.
JULIE
That should keep them out for
a while.
CANDY
Maybe we could just stay in here
until sunrise...
Hodges looks at his watch.
HODGES
It's only a little after three
right now.
ANDREW
So we have over three hours left
until sunrise. Great.
JEREMY
We could make it, though, man.
There's no way they can get in
here now.
SIERRA
They'll find a way, I'm sure.
CANDY
Sierra, don't talk like that.
JEREMY
Don't be such a pessimist.
SIERRA
This isn't exactly an optimistic
situation.
HODGES
Alright, people, cut it out. Whether
we can wait it out in here, or if
they break in here, we'll be better
prepared once we get the shotguns
out of the cars.
MILLER
Three cars, three shotguns, three
cops. At least something's working
out right.
Miller opens the passenger door of the patrol car
that's part of the barricade, and pulls a set of
keys off his belt.
INT. THE PATROL CAR - MILLER GOES TO WORK ON GETTING
THE SHOTGUN.
He uses a key on the set to unlock the lock that
attaches the shotgun to the dashboard, then puts
his keys back on his belt.
EXT. THE CAR, INT. THE GARAGE - MILLER LEANS BACK
OUT OF THE CAR, SHOTGUN NOW IN HAND.
Hodges and Julie have moved on to the other two
patrol cars, getting their shotguns.
ANDREW
Now that you guys have those, can
we have weapons, too?
MILLER
No.
ANDREW
Why not? This isn't a cops and law
breakers thing anymore, we're all
in the same boat.
JEREMY
With no fuckin' paddles.
MILLER
We've got something better than
paddles now.
Miller makes a motion with his shotgun.
The sound of cracking wood comes from off screen,
followed by several loud thuds.
CANDY
What was that?
SIERRA
I'd say that the werewolves are now in
the stairway.
INT. THE STAIRWAY - THE WOLVES ARE IN THE STAIRWAY,
HAVING BROKEN DOWN THE DOOR TO THE HALL.
Brians and Noah have apparently turned, because seven
werewolves are making their way into the stairway.
INT. THE GARAGE - JULIE AND HODGES HAVE JOINED THE
GROUP AGAIN, NOW HOLDING SHOTGUNS.
ANDREW
Please, give us some kind of defense
against those things.
Miller looks to Hodges, and Hodges shrugs.
HODGES
Fine. Julie...
Julie and Hodges take out their handguns and give
them to Andrew and Jeremy, who smile.
JEREMY
Fuckin' A.
HODGES
Now when those things break in
here, we’ll make them wish they
never did.
CANDY
What about us girls? We need guns.
MILLER
Sorry. My handgun is empty. These
are all the weapons we have.
SIERRA
(whispering)
Bullshit it is.
Sierra storms over to the cop car in front of the tool
chest, and climbs over it, onto the hood.
As she does, the werewolves begin pounding on the other
side of the door.
Sierra goes to the chest, moving slower than she was
before, worried by the pounding.
She opens one of the top drawers in the tool chest
and looks in.
SIERRA'S P.O.V - THIS DRAWER IS FULL OF DIFFERENT SIZES
OF WRENCHES.
She takes out the two largest wrenches and she tosses
one to Candy.
Candy doesn't even attempt to catch the heavy wrench.
She just steps to the side and lets it clatter to the
floor.
Right before Sierra can get down off the car, a large
piece of wood splinters off the top of the door and
hits her, sending her falling off the car and to the
floor.
A werewolf’s clawed hand has burst through the door
and is moving around.
MILLER
Son of a bitch!
He aims his shotgun and fires, blowing up the werewolf’s
hand, blood spraying the door and tool chest. A loud
screech is heard and the pounding stopped.
Everyone waits a moment, but all that is heard from
the other side of the door is silence.
JEREMY
Maybe they went away.
MILLER
No. They’re too smart and too pissed
off to just go away. They’re up to
something.
Sierra gets back to her feet and walks over to the
rest, wrench in hand.
Candy bends over and picks her wrench up.
CANDY
This weapon doesn't bring much
comfort...
SIERRA
It's the best we can do, I guess.
ANDREW
Bring it down on their head hard
enough, and it might be as good as a
bullet.
JEREMY
If not, you could bust out their
fuckin' teeth.
A chorus of howls come from the other side of the
door, causing everybody to jump.
HODGES
I don't like the sound of that.
There's a loud sound of impact from the door, and it
slams against the back of the tool chest, knocking
the top drawer out and onto the car's hood.
Another sound of impact follows immediately, and
the door busts off it's hinges.
JEREMY
Oh, fuck.
JULIE
Here it goes.
HODGES
Candy, Sierra, get back by the cars.
Andrew, Jeremy get behind us and
guard them.
Candy and Sierra move back, between the two cars,
and Andrew and Jeremy take positions in front of the
cars. Hodges, Miller, and Julie stand a few feet
in front of Andrew and Jeremy, shotguns aimed at the
door. Everyone gets into these positions very quickly.
There's another sound of impact and the busted door
slams into the back of the tool chest again, causing
it to slam into the car. The car skids back about
an inch.
JEREMY
No way, man! They can't be that
strong!
HODGES
There's a lot of them out there...
Another sound of impact, everything slams into each-
other again, and the car skids back another couple
inches.
Hodges fires his shotgun, blowing a hole in the
top part of the door. No sounds come from the other
side, he must not have hit anything...
A werewolf's growling face appears in the hole.
Hodges pumps the empty shell out of his shotgun
and fires again.
The shotgun blast hits the werewolf right in the face,
blowing the top half of it's head off.
Sierra, Candy, Andrew, and Jeremy cheer and yell.
Hodges pumps his shotgun again.
A couple seconds of silence follow...
Then, another sound of impact. Everything slams
together, and the car goes back a few more inches.
There is now enough space between the broken door
and the wall for the werewolves to start coming in...
And they do.
The six werewolves begin bursting through the small
opening they've made, moving extremely fast.
The cops begin firing their shotguns, pumping the
empty shells out as fast as possible. A lot of the
shots miss, a lot hit the werewolves but are only body
hits.
Andrew and Jeremy step up between the cops and join
in on the firing.
Two werewolves move over the car that was in front of the
door, the others run along the back wall, staying in
the shadows.
One werewolf stands on the roof the car, then jumps up,
climbing onto one of the rafters.
HODGES
Watch out!
Hodges fires at the rafter werewolf, only hitting the
rafter.
The werewolf begins to quickly jump from rafter to rafter,
headed for the people.
One of the other werewolves stands on the car's trunk and
gets ready to jump at the people.
Julie fires and the blast goes along the side of it's
head, ripping out a huge chunk of flesh.
The werewolf howls, falling backwards off the trunk, into
the space between the car and the wall. There's not
much space, so the werewolf gets lodged there, thrashing
wildly and howling.
The rafter werewolf jumps on the rafter right above the
Cops. Hodges, Miller, and Andrew aim their weapons
upwards.
They fire and the werewolf launches itself down at them.
Andrew's shot hits the werewolf right in the left eye,
and it's dead body slams into Hodges, knocking him
to the ground.
While Sierra and Candy face forward, watching all
this, werewolves begin gathering behind them.
Hodges shoves the dead werewolf off of him, climbing to
his feet.
HODGES
That really hurt...
Miller and Julie are both reloading their shotguns.
Jeremy looks back at Sierra and Candy, and sees that
three werewolves are right behind them.
JEREMY
Behind you!
Everyone turns their attention toward Sierra and
Candy, who look behind them.
Jeremy and Andrew raise their guns to fire, Sierra
and Candy run forward, Julie finishes reloading her
shotgun, Miller starts loading his faster, and
Hodges raises his.
Just as Hodges gets his into firing position, the werewolf
that Julie shot jumps on him from behind, knocking him
face first to the floor.
His shotgun goes off, and the blast hits Jeremy in
the side, blowing his dead body sideways over the
hood of a car.
Sierra and Candy reach the front of the cars and
Andrew and Julie begin firing at the werewolves that
were behind them, as Miller turns his now reloaded
gun on the werewolf that is on Hodges.
HODGES
Shoot it!
Before Miller can, the werewolf backhands his shotgun,
knocking it out of his grasp and sending it flying
across the garage.
The shotgun lands right in front of the door.
The werewolves that were behind Sierra and Candy jump
toward Julie and Andrew as Andrew runs out of bullets.
ANDREW
Shit!
Julie fires her shotgun and the blast hits one of
the werewolves in the chest, knocking it backwards to
the ground.
The other two werewolves then land right in front of them.
Andrew turns and begins to run. The werewolf that landed
In front of him runs after him.
The werewolf that landed in front of Julie snarls at her,
and she jams her shotgun barrel right into it's mouth.
JULIE
Open wide, asshole!
Before she can pull the trigger, however, the werewolf
grabs the gun and her hand, squeezing as hard as it
can.
Julie screams as all the bones in her hand are broken,
followed by the shotgun being snapped in half.
The shotgun pieces clatter to the floor, and the werewolf
lunges forward, grabbing Julie by the shoulders.
The werewolf Julie managed to shoot earlier, scurries
under a car and out of sight.
Miller is on the back of the werewolf on Hodges, holding
it in a headlock and pulling back as hard as he can,
keeping it's snapping mouth just inches from the back
of the yelling Hodges' head.
Sierra and Candy rush the werewolf that is holding Julie,
beating it in the head with their wrenches right
before it bites into her screaming face.
Andrew reaches the broken door, the wolf right
behind him.
He goes through the opening between the door and the
wall, bending down and picking up Miller's shotgun.
As he does this, the werewolf grabs him by the waist of
his pants and pulls him back into the garage.
The force of the pull causes the shotgun to fly out
of Andrew's hand and into the stairway, down the other
flight of stairs.
It spins him around and slams the claws of its left
hand into his stomach. It continues digging into his
stomach until it's whole hand disappears into him.
Blood pours to the floor as Andrew dies.
The werewolf chewing on Julie's face gets tired of Sierra
and Candy pummeling it and turns on them, growling.
Sierra slams her wrench into its mouth, turning
its head to the side and sending blood and teeth
flying as it howls.
Sierra and Candy take this chance to jump up onto
the hood and then the roof of the car beside them.
Julie falls to the floor beside a car, her face a
bloody mess.
The werewolf that went under the car shoots out one
of its arms from under the car, grabs her by the
leg, and pulls her under the car and out of sight
with it.
The werewolf on Hodges that has Miller on it's back,
rears backwards, knocking Miller off of it and to
the floor.
This allows Hodges to roll over onto his back and
aim the shotgun up at the werewolf's head.
The werewolf looks back down at Hodges and he fires,
blowing it's head apart.
The werewolf's dead body falls backwards, on top of
Miller.
Hodges turns around as the werewolf that Sierra and Candy
beat on, hops up onto the hood of the car they're
on.
HODGES
Hey, ugly!
Hodges aims his shotgun at the werewolf's head as it
turns to him.
Before he can fire, a werewolf's hand clamps down on
his shoulder and spins him around to face it.
The werewolf that spun him punches him in the face as
soon as he's facing it, and he's sent flying back-
wards across the garage, in the direction of the
door.
The werewolf on the car turns its attention back to
Sierra and Candy.
Miller climbs out from under the body of the werewolf
Hodges killed, which has turned into the headless
body of a man.
Hodges slams down onto the trunk of the car in front
of the door.
We travel along the side of the car until we reach
the hood. The werewolf that killed Andrew has his body
laying back on the hood and is chewing on his left
arm as it pulls his guts out of his stomach.
Hodges's shotgun hits the werewolf in the back of the
head and it looks up, dropping Andrew's arm.
The werewolf that's going after Sierra and Candy jumps
toward them, and they jump at the same second, in
different directions off of the roof of the car.
This throws the werewolf off and it tries to turn in
mid-air, landing on the trunk of the car in an
awkward stance and slipping, falling down on the
trunk.
Miller is on the side Candy jumped to, and grabs
her as she steadies herself after landing, pulling
her away from the car.
MILLER
Come on... Come on, Sierra!
On her side, Sierra is looking at the floor.
SIERRA'S P.O.V - TWO CLAWED WEREWOLF HANDS APPEAR
FROM UNDER THE CAR, INCHING FORWARD.
These two hands are joined by two more, a couple
feet down.
MILLER
(O.S.)
Sierra!
Sierra looks up and starts hurrying toward Miller
and Candy.
SIERRA
There are two under the car!
Sierra doesn't have to worry about them, though,
because-
CANDY
Watch out!
MILLER
Run!
Instead of running, Sierra looks back and sees a werewolf,
the one that was after her on the car, running right
toward her.
She screams, and now decides to turn and run.
The werewolf jumps forward, and slams into Sierra's back
right before she reaches Miller and Candy.
Sierra and the werewolf fall forward against Miller and
Candy, and all four of them fall to the floor.
At the car in front of the door, Hodges groans as
he rolls off the trunk.
He hits the floor hard, landing on his hands and
knees.
The werewolf that killed Andrew steps in front of him,
guts dangling from his claws.
Hodges looks up at the werewolf, and as he does another
werewolf stands up behind him.
HODGES
Damn.
Hodges quickly gets to his feet and turns his back
on the Andrew-killer werewolf, facing the other.
The Andrew-killer rushes Hodges' back, as the other
werewolf swings its right fist at him.
Hodges dodges the fist right before it would have
made contact, and it instead slams into the Andrew-
killer's face.
The Andrew-killer werewolf is sent howling backwards,
slamming into the tool chest and the busted door.
INT. THE STAIRWAY - THE ANDREW-KILLER WEREWOLF, THE
BUSTED DOOR, AND THE TOOL CHEST TUMBLE DOWN THE OTHER
STAIRS.
Drawers fly out of the tool chest and tools are
sent flying everywhere.
The werewolf lands at the bottom of the stairs with the
door and tool chest criss-crossed on top of it.
INT. THE GARAGE - SIERRA, CANDY, AND MILLER ARE ALL
SCRAMBLING TO THEIR FEET AT THE SAME TIME.
The werewolf that jumped them is standing a few feet away,
waiting as two other werewolves join it from behind.
At the car in front of the door, the werewolf swings at
Hodges and misses again.
Hodges takes this chance to jump-kick the werewolf in
the side of the head.
As soon as Hodges lands, the werewolf grabs him by the
shirt and tosses him sideways against the car,
sending his right arm through the back passenger
window.
It then shoves him backwards, and he falls on his
back at the front of the car, at the dangling feet
of Andrew's dead body... And right beside his shot-
gun.
Hodges smiles.
HODGES
Dumb bastard.
The werewolf lunges toward Hodges, and he grabs his shot-
gun, aiming it at it's head.
HODGES
Thanks.
He fires, and the top of the werewolf's head is blown off.
Its dead body falls to the floor as Sierra, Candy,
and Miller run up.
MILLER
Hodges, we gotta get the fuck out
of here!
Hodges gets to his feet, reloading his shotgun.
HODGES
Why?
The three werewolves are running up behind Sierra, Candy,
and Miller.
HODGES
Step aside.
Sierra, Candy, and Miller do so. Sierra on one side
of Hodges and Candy and Miller on the other.
Hodges raises his shotgun into firing position, the
werewolves just 15 feet away.
Hodges begins to fire.
At 13 feet, one werewolf's head is blown apart.
Hodges pumps the empty shell out, fires again.
At 10 feet another werewolf's head is blown apart.
Hodges pumps the empty shell out, fires again.
The last werewolf's head is blown apart when it's just
6 feet away.
Hodges pumps the empty shell out as the last werewolf's
dead body falls at his feet.
HODGES
They got sloppy. Running right at
me like that...
CANDY
Is... is that all of them?
HODGES
No. There's one more.
Hodges turns and walks to the doorway, looking out
into the stairway.
INT. THE STAIRWAY - THE WEREWOLF IS GONE FROM UNDER THE
BUSTED DOOR AND THE TOOL CHEST.
INT. THE GARAGE - HODGES LOOKS DISAPPOINTED.
HODGES
But I don't know where it is.
Miller looks back at the rest of the garage.
Laying on the floor are seven bodies of dead
werewolves turned back into their human forms, six men
and one woman, along with Jeremy's body.
MILLER
Motherfucking werewolves...
Sierra is looking at Andrew's body.
SIERRA
You better shoot Andrew, before he
changes.
Hodges reaches into his pocket to get more shotgun
shells, and once again gets a disappointed look on
his face.
HODGES
I'm out of shells. Where's your gun?
MILLER
I don't know where it went.
HODGES
Great. One werewolf and one bitten
Person left, and we once again don't
Have shit to protect ourselves with.
Sierra steps into the garage's doorway, bending down
and picking up a large screwdriver that fell out of
the tool chest.
SIERRA
Well, let's hope this works.
Sierra stands over Andrew's body, looking down at him.
Andrew's dead face is staring wide-eyed up at the
ceiling.
SIERRA
I'm sorry, Andrew.
Sierra jams the screwdriver into Andrew's right eye
and shoves it into his head as far as she can.
Hodges, Miller, and Candy look away in disgust.
Once she can't get the screwdriver to go any farther,
Sierra lets go of it, leaving it in Andrew's head.
She looks at Hodges, Miller, and Candy to see them
looking away.
SIERRA
I'm sorry, it had to be done.
The last remaining werewolf suddenly steps into the
doorway behind Sierra and grabs her, biting into her
shoulder.
Sierra screams and Hodges, Miller, and Candy look
back at her.
HODGES
Fuck!
Hodges rushes forward, and the werewolf stops biting
Sierra to look up at him.
Hodges swings to punch the werewolf in the face, but it
opens it's mouth and catches his fist in it's teeth.
Hodges screams.
MILLER
No!
Sierra stumbles away from the werewolf and Hodges, falling
to her knees.
Candy rushes to her friend, dropping to her knees
beside Sierra as Miller rushes to Hodges and the
werewolf.
Hodges is beating the werewolf on the side of the head
with his remaining fist as the werewolf bites down hard
on his other.
The fist is finally severed at the wrist and Hodges
stumbles back, holding his blood-spurting stump.
Miller kicks the werewolf in the stomach and it grabs
his leg, turning and swinging him through the air.
Miller screams as he's swung through the doorway.
The werewolf lets go and Miller is sent flying into the
railing of the stairs from the hall to the landing.
The railing shatters and Miller falls to the side,
down onto the other flight of stairs.
The werewolf turns on Sierra and Candy, spitting out
Hodges' hand.
Hodges falls back against the side of the car in front
of the doorway, still holding his bloody stump.
As soon as he hits the car, a werewolf sits up on the
hood beside him. It's obviously Andrew, because it
has the screwdriver sticking out of it's right eye.
Candy is helping Sierra to her feet as the werewolf
lunges at them.
Sierra shoves her friend out of the way and the werewolf
grabs her, sinking it's teeth into her other shoulder.
CANDY
Sierra!
SIERRA
Run!
Candy takes her friend's advice and heads for the
doorway, running past the hood of the car as the
Andrew-wolf bites into Hodges.
Candy runs through the doorway, and right into Miller,
who is now holding his shotgun.
Candy screams at first, not realizing who it is,
but she quickly realizes, and notices the shotgun.
CANDY
You got your gun! Shoot them!
MILLER
There's only one shot.
CANDY
Shoot Sierra! Don't let her turn
into one of them.
Miller looks into the garage, where the Andrew-wolf
is still chewing on the now-dead Hodges, and the
other werewolf is tearing into the shoulder of the still-
screaming Sierra, holding her tight against it.
Miller raises the shotgun into firing position as
the werewolf unknowingly turns Sierra toward him.
We zoom into first Sierra's eyes, then Miller's as
they make eye contact.
Back to Sierra's eyes as she closes them.
Miller pulls the trigger of the shotgun.
Sierra's head is blown apart, and the force of the
shot knocks her body and the werewolf backwards to the
floor.
Miller turns away from the doorway, grabbing Candy.
MILLER
Now, go!
INT. THE STAIRWAY - MILLER AND CANDY RUN UP THE STAIRS
TO THE HALLWAY.
INT. THE HALLWAY - AS MILLER AND CANDY COME THROUGH
THE STAIRWAY DOORWAY AND INTO THE HALL, MILLER TRIPS
ON THE BROKEN DOOR AND FALLS TO THE FLOOR.
We look through the doorway and see as the two werewolves
step into the garage doorway, looking after Miller
and Candy.
Candy pulls Miller to his feet.
CANDY
Come on!
Miller gets to his feet and he and Candy start to
run down the hall, in the direction of the lobby,
just as the two werewolves run toward them.
We go backwards down the hall, watching Miller and
Candy as they run toward us and the werewolves burst into
the hallway behind them, once again giving chase.
As he runs, Miller pumps the empty shell out of
his shotgun.
Miller and Candy round the first turn in the hall.
Once the turn is made, Miller reaches into his pocket
and pulls out a shotgun shell.
He fumbles and drops it.
MILLER
This is gonna be a bitch.
CANDY
Just run!
They continue down the hall, jumping over Sheriff
Hopper's body.
As they clear the body, the two werewolves turn the
corner and enter this hall.
Just a couple seconds later, they're followed by
a third werewolf. Hodges.
Miller and Candy round the second corner.
INT. THE LOBBY - MILLER AND CANDY ENTER, RUNNING OUT
OF THE HALL.
They reach the front doors and stop.
Miller reaches into his pocket and quickly begins
to reload his shotgun.
MILLER
Candy, get outside. It's time for
you to get out of here.
CANDY
What about you?
MILLER
I have to take care of this. It's
the same for me now as it's been
since the beginning. But you've got
to get out of here. I'm sorry, we
probably should have let you go
earlier... Or protected you better.
But we didn't know.
Miller finishes loading his shotgun.
CANDY
Where am I supposed to go?
MILLER
Away from here. I'm sure you have
an idea.
Miller aims the shotgun at the hall.
CANDY
But...
MILLER
Go!
CANDY
They'll kill you!
MILLER
Go!
CANDY
I'm not leaving without you!
Miller turns to the doors and opens one of them.
MILLER
Now!
Candy hesitates for a second, wanting Miller to come
along, but finally-
CANDY
Fuck!
Candy steps outside and Miller shuts the door behind
her.
He turns his attention back to the hallway. None of
the werewolves have appeared yet.
MILLER
Come on...
One of the werewolves finally appears, rounding the
corner in the hall.
Miller fires and the werewolf's head is blown apart.
EXT. THE STATION – NIGHT - CANDY HEARS THE SHOT AND STOPS
AT THE BOTTOM OF THE STAIRS FROM THE SIDEWALK TO THE
FRONT DOORS, LOOKING UP AT THEM.
Parked behind her on the side of the street is a
police cruiser (Davis and Brians') and Dan and Bobby's
ambulance. The vehicles are facing each other.
INT. THE STATION - THE LOBBY - SCENE'S THE SAME.
In the hall the werewolf's body falls to the floor. Still
no sign of the other two.
MILLER
What the hell are they doing now?
Miller continues to aim the shotgun at the hall.
Suddenly a loud crashing noise comes from the cell
room, and Miller turns to look at it.
Ceiling tiles slide in front of the cell room doorway.
Miller aims his shotgun in that direction.
A loud crashing sound then comes from the interrogation
room, and through the busted window frame we see ceiling
tiles and a werewolf fall from the ceiling into the
room.
Miller is about to turn his attention to that room,
when the screwdriver-eyed Andrew-wolf appears in the
cell room doorway.
Miller fires his shotgun and the Andrew-wolf's head
is blown apart.
The screwdriver spins out of its head, flying back
into the cell behind it.
Miller turns to aim his shotgun at the interrogation
room, but the last werewolf is already rushing toward him.
Miller prepares himself for the blow.
EXT. THE STATION - NIGHT - CANDY IS STILL WATCHING THE
FRONT DOORS.
The front doors suddenly burst apart as Miller comes
flying through them.
He hits the stairs hard and rolls down them, stopping
at Candy's feet.
He looks up at her, blood running from his nose.
MILLER
Candy, I told you to leave!
Miller gets to his feet, looking around for his
shotgun, which is nowhere in sight.
MILLER
Get in the cruiser and go! Radio
for help!
Miller and Candy look up at the front doorway.
The last werewolf is standing there, Miller's shotgun
at its feet.
Candy turns and runs to the cruiser.
The werewolf watches her, then looks back at Miller.
MILLER
Make your move, asshole.
The werewolf kicks the shotgun and it flies out into
the street, landing under the ambulance.
Candy gets in the cruiser and shuts the door.
The werewolf jumps down the stairs and lands right beside
Miller, immediately grabbing him.
MILLER
Shit!
Miller yells as the werewolf throws him against the side
of the ambulance.
The impact rocks the ambulance back and forth on it's
wheels.
Miller falls to the sidewalk, groaning.
The werewolf jumps up onto the hood of the cruiser.
INT. THE CRUISER - THE KEYS AREN'T IN THE IGNITION.
Candy is looking at the empty ignition.
CANDY
Shit!
She looks up at the werewolf through the windshield.
The werewolf steps up onto the roof of the cruiser.
EXT. THE CRUISER – NIGHT - MILLER GETS TO HIS FEET.
He looks at the cruiser as the werewolf starts to rip
the roof open with it's claws.
MILLER
Motherfucker!
INT. THE CRUISER - CANDY SLIDES DOWN IN THE SEAT,
LOOKING UP AT THE HOLE BEING TORN IN THE ROOF.
The werewolf is looking down through the hole, swiping
at her with its claws.
Candy screams, now laying on the seat, the claws
swiping just inches from her throat.
She looks down and spots the C.B.
She grabs it, raises it to her mouth, and-
CANDY
Help us! Please! They're attacking
the police station! Help us! They're
gonna kill us!
Candy drops the C.B. and looks down again.
CANDY'S P.O.V - LIKE THE CRUISERS IN THE GARAGE, THIS
ONE HAS A SHOTGUN ATTACHED TO THE DASHBOARD.
VOICE FROM C.B.
Who the hell is this?
Candy reaches down and pulls the trigger of the
shotgun.
The shotgun fires.
EXT. THE CRUISER – NIGHT - THE SHOTGUN BLAST EXPLODES UP
THROUGH THE ROOF OF THE CRUISER AND HITS THE WEREWOLF
IN THE STOMACH, BLOWING THROUGH ITS BACK.
The werewolf howls, standing.
Miller jumps up onto the hood of the cruiser.
He runs up across the hood, tackling the werewolf.
Miller and the werewolf fall off the car, onto the street,
the werewolf landing on the bottom.
The werewolf grabs Miller by the throat with one hand.
MILLER
(choked)
Son of a...
The werewolf interrupts Miller by punching him in the face.
Miller flies backwards, six feet in the air.
He comes down on his back, in the street, between the
front of the ambulance and the front of the cruiser.
He spits out a mouthful of blood and teeth.
The werewolf stands, and Miller stands at the same time.
The werewolf jumps toward him, and lands right in front
of him.
MILLER
Fucker!
Miller punches at the werewolf but it catches his arm,
bending it the wrong way at the elbow.
Miller screams.
INT. THE CRUISER - CANDY IS WATCHING.
CANDY
Miller!
EXT. THE CRUISER – NIGHT - THE WEREWOLF LETS GO OF MILLER'S
ARM, THEN AGAIN PUNCHES HIM IN THE FACE.
Miller flies backwards, through the windshield of
the ambulance.
INT. THE AMBULANCE - MILLER FLIES THROUGH THE AMBULANCE,
THROUGH THE FRONT WINDOW, AND THROUGH THE LITTLE DOORWAY,
INTO THE BACK.
He lands on his back on the floor of the back, and
slides headfirst into the back doors.
He lays there, groaning, and slowly looks to his left.
Standing up against the wall is a tank of oxygen.
Miller smiles as well as he can, considering all
the pain he's in.
EXT. THE AMBULANCE – NIGHT - THE WEREWOLF WALKS TOWARD THE
AMBULANCE.
INT. THE CRUISER - CANDY IS KICKING THE LOCK KEEPING
THE SHOTGUN ATTACHED TO THE DASHBOARD.
CANDY
Damn thing!
She kicks the lock repeatedly, trying to break it.
We turn and watch through the windshield as the werewolf
jumps up into the windshield frame of the ambulance.
INT. THE AMBULANCE - MILLER IS ON HIS KNEES IN THE BACK,
TURNING THE VALVE ON THE OXYGEN TANK WITH HIS UNBROKEN
LEFT ARM.
Oxygen hisses out as the valve is opened.
Miller stands and turns to face the werewolf as it starts
to climb in.
The werewolf stands in the cab, facing Miller.
MILLER
Come on.
Miller turns to the back doors and opens them.
INT. THE CRUISER - CANDY IS STILL KICKING THE LOCK,
AND IT'S STARTING TO BREAK OFF FROM THE DASH.
EXT. THE AMBULANCE – NIGHT - MILLER JUMPS DOWN FROM THE
BACK AND DROPS TO HIS KNEES, REACHING UNDER THE
AMBULANCE.
We look under the ambulance and see that his fingers
are just grazing the butt of his shotgun.
The werewolf walks across the ambulance, toward him.
MILLER
Shit!
Miller reaches as far as he can, and manages to
pull the shotgun closer.
He smiles.
MILLER
Yes!
He pulls the shotgun out from under the ambulance,
then stands up.
The werewolf is standing right in the back doorway.
Oxygen continues to hiss out of the tank.
The werewolf growls, drool dripping from its mouth.
Miller points the shotgun at the oxygen tank.
MILLER
Boom Bitch.
Miller pulls the trigger as the werewolf jumps toward him.
The shotgun blast hits the oxygen tank, causing it
to explode.
Just as the werewolf slams into Miller, they're both
caught in the beginning of the explosion.
The ambulance explodes.
EXT. THE CRUISER – NIGHT - CANDY IS JUST GETTING OUT OF
THE CRUISER, HOLDING THE SHOTGUN, WHEN THE EXPLOSION
HAPPENS.
Candy is knocked backward and all the windows of the
cruiser shatter.
Candy hits the ground, looking at the ambulance.
The ringing in Candy's ears fills the audio, drowning
out all other sound.
Since she's on the ground, she doesn't see the trail
of fire that leads from the ambulance, up the police
station stairs, and back into the station.
We watch the ambulance burn as we-
FADE OUT.
FADE BACK IN ON:
CU OF THE RED AND BLUE LIGHTS ON TOP OF A POLICE
CRUISER FLASHING.
We pull back from the lights to see that we're-
EXT. THE POLICE STATION – NIGHT - CRUISERS, AMBULANCES,
FIRETRUCKS, AND NEWS VANS ARE PARKED ALL OVER THE
STREET IN FRONT OF THE STATION.
Cops, paramedics, firefighters, and reporters are
walking all over the place.
There's a blue tint to the sky, it's almost dawn.
The firefighters have just extinguished the ambulance
Miller blew up.
Being loaded into the back of one of the new ambulances,
on a stretcher, is Miller. He's bruised, battered,
bloody, his clothes are torn and charred, but he's
conscious and talking to the paramedics, though we
can't make out what he's saying.
Candy is standing nearby, a blanket wrapped around
her, watching.
Once Miller is loaded in, one of the paramedics
stays out of the ambulance to shut the back doors.
Candy steps up to him as he does this.
CANDY
How is he?
PARAMEDIC
He's pretty beat up, but I think he
should pull through. Guy looks like
he went through Hell.
CANDY
We all did.
INT. THE LOBBY - POLICE OFFICERS ARE LOOKING AROUND THE
ROOM, THE FLOOR COVERED WITH BLOOD AND BODIES.
INT. THE GARAGE - COPS ARE ALSO LOOKING AT THE DAMAGE
IN HERE.
INT. THE HALLWAY - MORE COPS ARE LOOKING AROUND, GOING
THROUGH EVERY ROOM.
We join two cops as they enter the men's room,
stepping over the door that the Dante-wolf knocked
down.
INT. THE MEN'S ROOM - THE COPS ENTER.
The cops go through the room, opening every stall
door.
COP #1
This is crazy. Too fuckin' much like
that thing at the gas station last
month.
Cop #2 reaches the last stall.
COP #2
Do you know if...
He's interrupted when he opens the stall door,
revealing the last werewolf inside. It's badly burnt,
most of it's fur gone.
COP #2
Holy shit!
Cop #2 raises his gun as the werewolf jumps on top of
him, ripping his chest open.
COP #1
What the fuck?!
The werewolf and Cop #2 fall to the floor, the cop
spasming as the werewolf chews into his chest.
Cop #1 shoots the werewolf in the back seven times,
emptying his pistol.
The werewolf roars, turning to Cop #1.
Cop #1 screams as the werewolf grabs him by the head,
pulls him off his feet, and slams him face-first
into the mirror above the sink.
The werewolf then pushes Cop #1's face into the wall,
crushing his head flat. His head pops like a grape
and blood and brains go everywhere.
Other cops are now crowding in the doorway, looking
at the scene.
The werewolf drops the cop's body and turns on the
others as they open fire.
Bullets rip across the werewolf's chest and stomach,
driving it back against the wall.
Once the werewolf has been shot at least 20 times, it
collapses to the floor.
EXT. THE POLICE STATION - IT'S NOW VERY CLOSE TO
DAWN - POLICE OFFICERS ARE RUSHING INTO THE STATION
AFTER HEARING THE SHOTS.
Candy tries to rush in with them, but a cop holds
her back.
CANDY
What's going on?!
COP
Just stay out here!
A female reporter turns to her cameraman, talking
to the camera.
REPORTER
Shots have been fired inside...
INT. THE STATION - THE MEN'S ROOM - SOME COPS ARE NOW
KNEELING BESIDE COP #2'S BODY, WHILE OTHERS WATCH
THE WEREWOLF'S BODY WARILY.
EXT. THE STATION - CANDY IS TALKING TO THE COP THAT
STOPPED HER.
CANDY
Please, you've got to tell them!
If they've found one of those
creatures, they have to shoot it
in the head!
COP
I think you need to get to a hospital.
The sun is rising.
INT. THE MEN'S ROOM - SCENE'S THE SAME.
The cops watch in shock as the werewolf's face starts
forming back into it's human face. It slowly becomes
clear that the werewolf is... Jimmy.
EXT. THE STATION – DAWN - MONICA'S CAR PULLS UP AND PARKS
ON THE SIDEWALK, MONICA GETTING OUT AS SOON AS IT
COMES TO A STOP.
She rushes to the nearest cop, which is the one
Candy was talking to.
MONICA
What happened?!
COP
We don't have all the details yet,
but...
The cop is interrupted by-
JIMMY
(O.S.)
Shoot me!
Monica, Candy, and the cop look at the front doorway
of the station as Jimmy is brought out, back to normal
and wrapped in a blanket, struggling, his hands
cuffed in front of him.
JIMMY
Shoot me! You have to!
MONICA
Jimmy?!
JIMMY
Monica, Monica, get out of here! It
wasn't a dream... It was all real!
It was all real this time!
Monica tries to head for her husband, but the cop
holds her back.
COP
Just stay back, ma'am.
JIMMY
Monica, I love you. Go home!
Jimmy then elbows the cop on his right in the stomach,
and pulls his gun from his holster.
He then turns the gun on the cops. They all draw
their guns, but don't fire.
MONICA
Jimmy!
RANDOM COP
Drop it!
JIMMY
Somebody shoot me!
RANDOM COP
Drop the gun, buddy!
CANDY
Somebody shoot him in the head!
MONICA
No!
Jimmy turns his gun on Candy and the cop.
JIMMY
Shoot me! Please!
Beside Candy, on the trunk of the cruiser she got it
out of, is the shotgun she kicked off the dash.
She quickly grabs the shotgun off the trunk and turns
it on Jimmy.
COP
Hey!
JIMMY
Shoot!
Candy does, and Jimmy's head is blown apart.
MONICA
Noooo!
Monica lunges toward Candy, but the cop holds her
back again.
MONICA
You fucking bitch!
Candy puts the shotgun back down on the trunk, and
cops move toward her, holstering their guns.
Monica is still fighting the cop, crying and screaming,
trying to get to Candy.
Some paramedics come out of the station quickly,
carrying the wounded Cop #2 on a stretcher.
PARAMEDIC
Clear the way! We've got to get
him to the hospital!
Candy sees this just as a group of cops reach her.
She grabs the shotgun again and jumps up onto the
hood of the cruiser.
CANDY
Stop!
Candy jumps up onto the roof of the cruiser, pumping
the empty shell out of the shotgun and aiming it
at the paramedics.
CANDY
You can't take him!
The cops have once again drawn their guns and are
aiming them at Candy, shouting at her to drop the
shotgun.
CANDY
Put him on the ground!
The paramedics slowly lower the stretcher to the
ground.
PARAMEDIC
If we don't get him to a hospital
soon, he'll die.
The paramedics stand up from the stretcher.
CANDY
He's already dead.
Candy fires, the shotgun blast hitting its mark-
Cop #2's head.
A split second later the police open fire on Candy,
as "I Want Candy" by Bow Wow Wow kicks in, just in
time for the last chorus.
As we listen to the chorus of "I Want Candy" we watch
as Candy is riddled with bullets, in slow motion.
When the fourth and last "I want candy" is said, Candy
is driven off the roof of the cruiser and falls off-
screen, leaving us looking at the dark blue dawn sky
for a second before we-
CUT TO BLACK.
The last "candy" echoes in the darkness.
Once the echo ends, "Bad Moon Rising" by Creedence
Clearwater Revival begins, and the end credits roll.
When the song and credits end, we hear a chorus of
wolves howling.
THE END
10/30/2003 7:40:32 PM
(Updated: 7/22/2004 3:30:01 AM)
(Updated: 7/29/2004 2:31:32 PM)
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