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Crimson Moon 2 Script (Part 3)
By Aragorn
EXT. THE CAR – NIGHT - WE WATCH IT DRIVE DOWN THE ROAD
UNTIL IT DISAPPEARS IN THE DARKNESS, THEN WE CUT TO-
CLOSE-UP OF A CALENDAR.
We pull back from the calendar and see that we're-
INT. JIMMY'S KITCHEN - JIMMY IS LOOKING AT THE
CALENDAR, RUBBING HIS THICK (TOO THICK) DAY'S
GROWTH OF BEARD.
He taps the 30th day of the month, and we look at a
close up of that day. In the top left corner of the
day's square is a full moon with a smiley face.
JIMMY
Well... Today's the day.
MONICA
(O.S.)
What?
Jimmy turns around and we see Monica walk into the
kitchen, dressed for work, putting in one of her
earrings.
JIMMY
Nothing, just talking to myself.
MONICA
Yep. Just another step on the path
to insanity.
JIMMY
I know. A couple more days and I'll
be chasing pink elephants.
MONICA
You mean pink werewolves?
JIMMY
Come on, don't make fun of me.
MONICA
Sorry.
They kiss, and when they pull apart-
MONICA
Well, I'm off to work.
They say their "See ya in the morning."'s and their
"I love you."'s, then Monica walks out of the room.
Jimmy turns his attention back to the calendar for
a while. We hear the front door open and Jimmy looks
in its direction.
JIMMY
Monica?
MONICA
(O.S.)
Yeah?
JIMMY
Wait a minute!
INT. THE LIVINGROOM - MONICA IS WAITING AT THE OPEN
FRONT DOOR.
Jimmy hurries up to her.
JIMMY
I just wanted to do this again...
Jimmy kisses her, and this kiss lasts a lot longer
than the first one. When they pull apart-
JIMMY
And say that I love you again. So,
I love you.
Monica has a strange expression on her face.
MONICA
I love you, too...
They stand in silence for a couple seconds, then-
JIMMY
You can go now.
MONICA
Right. See ya in the morning.
JIMMY
See ya.
Monica steps outside, and Jimmy steps up to shut the
door for her, watching her walk to her car.
JIMMY'S P.O.V - MONICA REACHES HER CAR, OPENS THE
DRIVER'S DOOR, AND GETS IN.
He shuts the door.
INT. JIMMY'S CAR – NIGHT - JIMMY, FACE FRESHLY SHAVED,
IS DRIVING, STARING STRAIGHT AHEAD.
JIMMY'S P.O.V - LOOMING OVER THE STREET IN FRONT OF
US IS THE FULL MOON.
EXT. THE POLICE STATION - JIMMY'S CAR PULLS INTO
THE PARKING LOT.
INT. THE STATION - WE LOOK THE MAIN ROOM OVER:
One section of the room is full of desks, and there
are some cops sitting at their desks, doing paperwork.
The cops doing this are Hodges, Smith, and a female
officer named JULIE GREY.
The front door opens and Brians and his partner,
DWIGHT DAVIS, enter, bringing in a young man who
seems to be fairly stoned. He's calm and
expressionless. His name's JEREMY MANN.
We follow behind Brians and Davis as they lead Jeremy
through the main room to a door. Davis opens the door,
and they step into-
INT. THE CELL ROOM - BRIANS AND DAVIS LEAD JEREMY
DOWN THE SMALL HALL THAT RUNS IN FRONT OF THE 4
CELLS.
We go down the hall as well, but as we go we turn
to look the cells over.
There are six people in these cells, and they are-
In cell 1: DANTE WALTERS, a muscular bald guy. He's
sharing a cell with GABE TURNER, a dirty little drunk
old man. In cell 2: There's a college age guy named
NOAH WOODS. He's sharing his cell with his friend who
is also a college guy, ANDREW BURLESON. In cell 3: There
are 2 prostitutes, CANDY and SIERRA.
Brians and Davis put Jeremy in cell 4 by himself.
DAVIS
What's your name, kid?
JEREMY
Jeremy Mann.
DAVIS
What's your last name?
JEREMY
Mann, man.
INT. A LOUNGE ROOM - HOPPER AND BAKER ARE GETTING SOME
COFFEE AND TALKING.
BAKER
(mid-sentence)
...dog had pissed all over my side
of the bed. Only my side. So I tell
Molly and she...
Hopper is laughing at him.
INT. THE GARAGE - JIMMY AND MILLER ARE APPROACHING
ONE OF THE THREE PATROL CARS PARKED IN THE GARAGE.
Jimmy's beard is already starting to grow back in.
MILLER
(mid-sentence)
...daughters were little hellions
today.
Sweat is breaking out on Jimmy's forehead, and he
wipes it away with his sleeve.
Miller looks over at him and sees that he's not
looking too good.
MILLER
Are you alright?
JIMMY
Yeah, I'm just feeling kinda... sick.
It just hit me.
They stop beside the patrol car.
MILLER
What do you want to do then?
Jimmy sighs, thinking.
JIMMY
I don't think we should go on patrol
yet. I need to... Yeah.
Jimmy walks away.
Miller watches him go.
MILLER
Ok...
INT. A RESTROOM - JIMMY ENTERS, HOLDING THE ARM THAT
WAS BITTEN.
Jimmy goes to the sink and looks into the mirror
over it, examining himself.
JIMMY
Damn.
He doesn't look well at all. Beard back to the way
it was when he was checking the calendar. Sweating.
He turns his attention to his arm, rolling up his
sleeve.
His arm is very hairy, and the bite scar is red.
JIMMY
Oh, shit.
Jimmy looks back up into the mirror, and we see that
his eyes have now changed. They don't look human
anymore.
JIMMY
God, no. This can't be really
happening...
Jimmy turns and runs out of the restroom.
INT. THE HALL - JIMMY COMES OUT OF THE RESTROOM AND
RUNS RIGHT INTO MILLER.
MILLER
Whoa, Jimmy, take it...
Before Miller can finish, Jimmy turns and runs down
the hall.
Miller hurries after him.
MILLER
Jimmy, what's wrong?!
INT. THE MAIN ROOM - JIMMY RUNS THROUGH THE MAIN ROOM,
AND HODGES, SMITH, JULIE, AND DAVIS, WHO IS NOW AT
HIS DESK, LOOK UP AT HIM.
Hopper and Baker are now in this room, too, and they
watch as Jimmy runs into the cell room.
HOPPER
Jimmy?
Hopper and Baker head for the cell room door, as
Miller enters the main room.
MILLER
Where'd Jimmy go?
HOPPER
In the cell room. What's going on
with him?
MILLER
I don't know.
Hopper, Baker, and Miller go into the cell room.
Hodges and Smith look at each other.
HODGES
As I've said before, Bonham is a
weird guy.
INT. THE CELL ROOM - JIMMY IS SHOVING JEREMY INTO
THE CELL WITH SIERRA AND CANDY AS HOPPER, BAKER,
AND MILLER ENTER.
JEREMY
Take it easy, man!
Jeremy stumbles into the cell, and Sierra and Candy
are all over him immediately.
SIERRA
Hey.
JEREMY
Hey.
CANDY
Your name's Jeremy, right?
Hopper, Baker, and Miller walk down the hall toward
Jimmy.
JIMMY
Just stay away from me!
HOPPER
Jimmy, what are you doing?
Jimmy steps into the cell Jeremy was in, and shuts
himself in.
JIMMY
Stay away!
BAKER
What's wrong with you?
JIMMY
I don't know what it is, it...
It hurts... It burns, all through
my body...
Jimmy leans against the wall.
JIMMY
You shouldn't be around me. Something
bad is going to happen.
MILLER
Jimmy, I think you should go to
the hospital.
JIMMY
No! It's not safe! I can't go to
the hospital!
HOPPER
Not safe?
JIMMY
I can't be around anybody! I need...
I need to stay in this cell...
Hopper turns to Baker and whispers into his ear-
HOPPER
Call an ambulance.
Baker nods and hurries out of the room.
MILLER
You're gonna be ok, Jimmy.
JIMMY
I... I hope...
Jimmy drops to his knees.
Hopper pulls the cell keys off his belt and sticks
them into the lock.
JIMMY
No! Stay out!
HOPPER
Jimmy, we have to come in...
JIMMY
If you come in, I'll...
Jimmy pulls his gun out of its holster.
JIMMY
If anyone comes in, I'll shoot them.
JEREMY
Man, this guy is fucked up.
MILLER
Shut up.
Jimmy lays his gun on the floor in front of him.
HOPPER
You don't mean that, Jimmy.
JIMMY
Yes I do. Just stay out.
Jimmy leans his head back against the wall, breathing
heavily.
His mouth hangs open, and we see that his teeth have
turned into long, sharp, wolfen fangs.
A montage begins-
An ambulance speeding down a town street at night,
siren and lights going.
Jimmy crawling to the back corner of the cell, weakly
pulling his gun along with him.
Baker stepping outside the station to wait for the
ambulance.
Jimmy huddled in the back corner, facing the wall,
shaking all over. He pulls the cover off the cot
beside him and drapes it over himself.
The ambulance pulling up in front of the police station.
Jimmy's face completely covered with fur.
Paramedics hurrying out of the ambulance and going
up to Baker, who directs them into the building.
Jimmy's fingers elongating, claws growing.
The paramedics entering the police station, headed
for the cell room door.
Jimmy's face elongating into a snout.
Baker outside, lighting a cigarette, looking nervous.
The paramedics entering the cell room, Julie getting
up from her desk to follow them in.
The montage ends on-
INT. THE CELL ROOM - THE PARAMEDICS, WHO ARE NAMED
DAN AND BOBBY, ENTER, FOLLOWED BY JULIE.
They join Hopper and Miller at the cell door and
look in.
JULIE
God...
Hopper gets the cell door unlocked and opens it wide.
Bobby and Dan step into the cell, and just as they
do Jimmy's clothes split open, falling to the floor
along with the cover, revealing the body of a werewolf
underneath.
Everyone screams or yells something.
DAN
Holy shit!
The werewolf then falls over, completely still.
INT. THE MAIN ROOM - HODGES AND DAVIS LOOK UP FROM
THEIR DESKS.
HODGES
That didn't sound right.
Hodges and Davis stand up and head for the cell
room door.
INT. THE CELL ROOM - SCENE'S THE SAME.
HOPPER
This can't be happening...
SMITH
What happened to him?!
The cell room door opens and Hodges and Davis enter.
Shock washes over their faces.
DAVIS
What the fuck is going on?
Bobby and Dan turn to leave the cell, but Miller
blocks the path.
MILLER
Do something!
DAN
I don't know how to handle this!
BOBBY
Maybe we should...
Bobby turns back to the werewolf.
BOBBY
I don't fucking know.
Bobby approaches the werewolf.
DAN
Be careful, Bobby.
SMITH
What happened to him?
HOPPER
It looks like...
JEREMY
It looks like a fucking werewolf!
SMITH
That's impossible.
HOPPER
Have any better explanations?
In the cell, Bobby is preparing a shot while Dan stands
back, watching.
MILLER
What is that?
BOBBY
I'm gonna give it a sedative to make
sure it sleeps a while, then I'm
getting the fuck out of this cell.
The syringe is ready, full of sedative. Bobby gets
ready to jab it into one of the werewolf's arms.
When the needle is three inches from the werewolf's skin,
it bursts awake and leaps forward.
It slams into Bobby's chest, brutally ripping his
throat open.
Blood gushes all over Dan.
DAN
Shit!
The cops in the room all draw their guns, and Dan
turns to run out of the cell.
The wolf turns away from Bobby's blood gushing body
and jumps onto Dan, snapping it's jaws shut on his
arm with a sick crunch.
DANTE
Shoot it!
The cops begin to fire, just as the werewolf swings
Dan's body in front of itself.
Bullets rip across Dan's back.
INT. THE MAIN ROOM - AS SHOTS CONTINUE TO RING OUT,
BAKER RUSHES IN FROM OUTSIDE, HOLDING A CIGARETTE.
Brians comes rushing out of a hallway, buckling his
belt. He must have been in the restroom.
They look at each other for a split second, then run
for the cell room door.
INT. THE CELL ROOM - BAKER AND BRIANS BURST IN.
Miller, Hopper, Davis, Hodges, Smith, and Julie
are all still shooting at the werewolf, and it's still
viciously shaking Dan's body back and forth like
a rag doll.
The body slams back and forth against the bars and
the wall, bones breaking.
The shooters begin to reload and Baker and Brians
pull their guns.
BRIANS
What the fu...
HOPPER
(interrupts)
Just shoot it for Christ's sake!
The werewolf drops Dan's body and lurches back down to
the floor, ready to leap forward and strike.
Julie realizes what it's going to do.
JULIE
Watch out!
The werewolf leaps forward.
Hopper raises his gun and fires rapidly four times into
the werewolf's chest.
The werewolf slams into him, biting into his left shoulder.
The werewolf and Hopper slam back into the concrete
wall, cracking it.
BAKER
Dusty!
The werewolf rips Hopper's shoulder open, but it doesn't
bother him, since he died when he hit the wall.
DAVIS
Fuckin' thing!
Davis aims his gun at the werewolf's head but before
he can shoot, the werewolf rears back and launches
itself up toward the ceiling.
It hits the ceiling and bursts through it, sending
tiles showering down on the police.
JULIE
Holy shit!
HODGES
Get back!
Everyone backs away from the hole in the ceiling.
MILLER
We have a major problem here...
JEREMY
Can I go now?!
BRIANS
Be quiet.
Baker drops to a knee beside Hopper's body.
BAKER
Dusty!
Hopper's face is covered with blood.
BAKER
Dusty, come on...
SMITH
He's dead.
JULIE
Should we...?
Julie stops, unsure.
MILLER
Should we what?
JULIE
I don't know... It seemed to be a,
a werewolf... What do we do with
Hopper and the medics?
Baker looks up at her.
BAKER
What the hell do you mean?
JULIE
Well, what if they turn... Too?
BAKER
That's bullshit.
ANDREW
She's got a point.
BAKER
Nobody asked you, kid.
NOAH
It's obviously a werewolf...
BAKER
All people that aren't cops keep
their mouths shut!
DANTE
Baker, don't be a prick.
Baker stands and turns to Dante.
BAKER
I said shut up!
DANTE
Oh, fuck you.
BAKER
Fuck me?!
Baker takes a step toward Dante's cell but Davis and
Smith grab him and pull him back.
SMITH
Settle down.
BAKER
Let go!
Baker tries to pull free.
DAVIS
Chill out!
DANTE
Yeah, cool down ya dumb fuck.
SMITH
Dante...
BAKER
Dumb fuck?!
Baker manages to pull free and quickly takes the
Steps toward Dante and Gabe's cell.
Dante greets him with a fist to the face.
Baker falls to the floor, unconscious.
ANDREW
You kicked a cop’s ass!
NOAH
Way to go, Dante!
SMITH
You shouldn't have done that.
DANTE
What? He deserved it.
JULIE
We should put Hopper's body in the
cell, if they're gonna change...
MILLER
Yeah.
JEREMY
Lock them up before they change!
SIERRA
I know what will happen. One of
these guys will turn into one of
those things, or the other one will
come back in, and all of you will
run out and leave us in here with it.
MILLER
That's not what would happen.
Candy is sitting down, crying, and Jeremy is trying
to comfort her.
SIERRA
Bullshit! I know it is.
MILLER
We wouldn't leave you in here.
SIERRA
Yes you would! Admit it!
Davis and Smith are carrying Hopper's body into the
cell with the dead paramedics.
Baker groans, coming back to consciousness.
DANTE
Somebody knock him back out.
Baker sits up, rubbing his face. His nose is bleeding.
BAKER
What happened?
Hodges helps Baker to his feet.
DANTE
You slipped.
Davis and Smith lay Hopper's body on the cot in the
back of the cell.
Two werewolves stand up behind Davis and Smith as
they do this, ripped paramedic uniforms dangling
from their bodies.
Screams ring out, people yelling "Look out!", and
the cops turn to face the werewolves.
DAVIS
Oh, shit!
One werewolf rushes Davis, the other rushes Smith. Both
men scream.
The werewolf that rushed Smith grabs him by the chest
and tosses him back against the bars.
He fumbles for his gun as the werewolf growls at him.
The werewolf that rushed Davis wraps it's arm around his
chest and bites him on the face, pulling him off his
feet and into the air.
Just before Smith's werewolf lunges at him, Davis's legs
are swung across it's face.
The werewolf grabs Davis's legs, biting into a hip.
SMITH
Fuck this!
Smith and the other cops run out of the cell room.
SIERRA
Wait!
NOAH
Don't leave us!
GABE
You motherfuckers!
INT. THE MAIN ROOM - SMITH SLAMS THE CELL ROOM DOOR
SHUT AND LEANS BACK ON IT.
INT. THE CELL ROOM - THE WEREWOLVES ARE PLAYING TUG OF
WAR WITH DAVIS'S LIMP BODY.
After a few vicious jerks the body is torn in half
at the waist.
Blood and guts pour out onto the floor. People scream.
INT. THE MAIN ROOM - SMITH IS STILL LEANING ON THE
CELL ROOM DOOR.
SMITH
Somebody bring a desk over here so
we can barricade this motherfucker!
MILLER
There are people in there, Smith!
SMITH
Fuck 'em!
Suddenly the door erupts forward, sending Smith to
the floor.
The top of the door hits Miller in the face, sending
him falling over a desk, unconscious.
A werewolf stands on the fallen door as Smith scrambles
to his feet, pulling his gun.
He raises the gun to shoot the werewolf, but it bites
down on his arm.
Smith screams.
The other werewolf jumps into the room, landing in front
of Hodges.
Hodges raises his gun and the werewolf punches him.
Hodges flies backwards, going through the window
that looks into the interrogation room.
INT. THE INTERROGATION ROOM - HODGES LANDS ON HIS
BACK ON THE TABLE, THEN ROLLS OFF.
He hits the floor, unconscious.
INT. THE MAIN ROOM - ONE OF THE WEREWOLVES SLAMS SMITH
AGAINST THE WALL AS SMITH SCREAMS.
The werewolf turns around quickly, Smith's arm still in
it's mouth. It lets go of his arm and Smith is sent
flying across the room.
He slams hard into the doors, then falls to the
floor, bleeding all over.
The other werewolf is chasing Julie amongst the desks.
She swings into the knee hole of one of the desks,
and the werewolf starts swiping it's claws at her.
Brians steps up behind it and shoots it in the back.
The werewolf turns on him, growling.
BRIANS
Oops.
The werewolf leaps forward.
INT. THE CELL ROOM - BRIANS COMES FLYING IN, THE WEREWOLF
ON TOP OF HIM.
They land on the floor in front of Dante and Gabe's
cell, sliding right up against it.
Brians puts his gun to the werewolf's head.
BRIANS
Fuck you.
Brians shoots.
The werewolf's brains explode out of it's head and it falls
to the side.
Brians stands, covered in werewolf brains.
BRIANS
Son of a bitch...
Brians kicks the werewolf's body, then runs out of the
room, yelling-
BRIANS
It takes a shot in the head! A shot
in the head kills them!
GABE
This is cruel and unusual punishment!
DANTE
Quiet, Gabe.
INT. THE MAIN ROOM - MILLER STANDS UP, USING THE DESK
HE FELL BESIDE TO HELP HIM UP.
Julie is standing on a nearby desk, a werewolf snapping
at her legs.
Miller jumps onto the werewolf's back.
The werewolf whirls around, backhanding Julie in the side.
JULIE
Shit!
She is sent flying off the desk and into the cell room.
INT. THE CELL ROOM - JULIE HITS NOAH AND ANDREW'S CELL
SIDEWAYS, HARD.
She falls to the floor, unconscious.
NOAH
It's about time.
Noah kneels down and takes the cell keys off of
Julie's belt.
NOAH
Thank you, Officer Julie.
Noah stands up and begins to unlock his cell door.
Sierra is watching eagerly.
SIERRA
We're next.
GABE
Why the hell should we be last?
We're first in line!
Noah unlocks his cell door, then tosses the keys
to Sierra.
GABE
Bastard.
Sierra hurriedly unlocks her cell door, steps out,
and tosses the keys to Dante.
SIERRA
Keys to freedom.
INT. THE MAIN ROOM - MILLER IS STILL CLINGING TO THE
WEREWOLF'S BACK AS IT TRIES TO SHAKE HIM OFF.
Brians is standing to the side, trying to get a
clear shot at the werewolf's head.
It finally reaches back, grabs Miller by the back of
his shirt, then pulls him up over it's head and slams
him down on a desk.
Brians tackles the werewolf from the side, dropping his
gun in the process.
Brians and the werewolf slam into a desk, which slides
back into another desk.
The desks lodge together, throwing Brians and the werewolf
over the top and to the floor.
Brians is on the bottom, the werewolf on top of him, and
they're in a small space between the desk and the wall.
Brians lifts the werewolf up off of him, trying to keep
its snapping mouth away.
BRIANS
Shit!
The werewolf drops down closer, drool dripping into
Brians face.
Then, with a loud bang, the werewolf's head explodes open.
Its limp body falls onto Brians with a thud, blood
squirting all over his face.
BRIANS
Fuck...
Brians groans, shoving the body off of him and
standing up.
Miller is standing a few feet away, gun aimed at
where the wolf's head was when he shot it.
He lowers the gun.
BRIANS
Thanks, rookie.
MILLER
Don't mention it.
Smith is sitting against the doors in a pool of blood,
holding his bitten arm.
Baker is cowering under a desk the farthest back in
the room.
Miller sits down on a desk, sighing.
Brians turns to the cell room as Dante, Gabe, Noah,
Andrew, Jeremy, Sierra, and Candy walk out.
BRIANS
Hey, who said you all could get out
of your cells?
SIERRA
We did.
BRIANS
Things are under control here, get
back in your cells.
JEREMY
They don't look very controlled, man.
INT. THE CELL ROOM - JULIE SITS UP, GROANING.
JULIE
Damn...
When she's sitting up, she sees-
JULIE'S P.O.V - IN THE LAST CELL, HOPPER'S BODY IS GONE
OFF THE COT, BUT HIS RIPPED UNIFORM IS STILL THERE.
JULIE
Oh, no.
(turns away to yell)
Guys, Hopper’s body’s gone!
Everyone comes rushing over and looks in the cell,
seeing only the shredded clothing.
BRIANS
Where could he have gone to without
us knowing?
All of a sudden, the ceiling above them creaks and
then stops.
MILLER
(whispering)
He’s in the ceiling, too.
DANTE
(whispering)
He must of left the cell when we
weren’t looking and...
The only hole in the ceiling is the one the Jimmy-
wolf made.
MILLER
(whisper)
Went up the same way.
Smith loudly moans from his spot in front of the door,
sitting in a pool of blood. Everyone turns and looks
at him.
INT. THE MAIN ROOM - BAKER IS CRAWLING OUT FROM UNDER
THE DESK.
Julie enters and runs over to Smith.
JULIE
Jesus Christ, he needs medical
attention.
She bends down and takes out a rag from her pocket,
holding it firmly over his wound as he winces in pain.
JULIE
Hold that in that spot as tight as
you can.
Julie puts Smith’s hand on the rag and stands up.
As she does, she looks over and sees Hodges unconscious
in the interrogation room.
INT. THE INTERROGATION ROOM - WE'RE IN A CLOSE UP OF
HODGES' BLOODY, CUT-UP FACE.
His eyes flutter open and he looks around.
HODGES
(groggily)
Julie?
We pull back to show Julie kneeling beside him.
JULIE
Are you ok?
HODGES
I'm just dandy.
Hodges groans as Julie helps him to his feet.
INT. THE MAIN ROOM - JULIE AND HODGES ENTER, HODGES
LIMPING A BIT.
Brians looks over at them.
BRIANS
You alright, Hodges?
HODGES
Well, I did have a huge chunk of
glass in my left ass cheek, but
that's been taken care of.
BRIANS
Good.
INT. THE CELL ROOM - JULIE COMES BACK IN, AND HODGES
STANDS IN THE DOORWAY.
JULIE
Is it still above us?
HODGES
Jimmy?
JULIE
And Hopper.
Miller takes out his gun and fires a couple shots
into the ceiling. Nothing.
MILLER
They both must have moved on.
NOAH
That’s it, I’m out of here.
The other prisoners quickly agree.
MILLER
You can’t. If we leave, these things
are free to roam and kill other
people. We have to kill them here
and now before they leave this station.
GABE
That’s your problem, not ours!
Gabe, Dante, Sierra, Candy, Noah, and Andrew turn and
storm out of the room.
INT. THE MAIN ROOM - THE GROUP ENTERS AND LOOK AT
SMITH BLOCKING THE DOOR.
ANDREW
I suggest we go out the back.
DANTE
Yeah...
They head for a hallway.
INT. THE CELL ROOM - THE COPS ARE WATCHING THEM GO.
HODGES
Someone should go get them before
they get killed.
BRIANS
Yeah. Miller...
Brians throws Miller an extra gun.
BRIANS
Go bring them back.
Miller nods as he puts the second gun in his holster
and runs off after the convicts.
INT. HALLWAY - THE CONVICTS ARE RUNNING DOWN A HALL,
WHEN SUDDENLY THE LIGHTS GO OUT. THE GIRLS SCREAM AS
THEY COME TO A STOP.
NOAH
Shit. Come on, we better keep moving.
They continue to run, and they turn a corner. At the
end of the hall are the double doors leading outside.
Suddenly, a roof tile breaks in half as a large furry
object falls down, just a few yards in front of them.
They see it’s one of the werewolves and they all stop in
their tracks and scream as it snarls at them.
DANTE
Yeah, Fuck you too!
He pulls his arm back and throws a punch as hard as
he could into the werewolf’s face, causing it to turn
to the side, then when it looks back at Dante, it
snarls.
Before anyone can figure out what happened, the werewolf
jumps and lands on Dante, sending him to the floor.
It starts chewing his arm.
DANTE
Help me, you fuckers!
The others turn and are about to run past the werewolf,
but it’s head whips up and snarls at them. They turn
back the other way and run.
The werewolf goes back to its victim.
INT. HALL - MILLER IS WALKING FAST DOWN A HALL, WHEN
SUDDENLY, GABE, JEREMY, NOAH, ANDREW, CANDY, AND
SIERRA RUN AROUND FROM A CORNER.
CANDY
Run, it’s right behind us!
Miller whips out his two guns.
MILLER
Quick, back to the main room. The
others are there.
Miller stays in his spot, pointing his guns out in
case anything comes around the corner. He waits for
the others to get behind him.
When they're all out of his way, he starts slowly
walking down the hall.
INT. MAIN HALL - MILLER WALKS AROUND THE CORNER, AND
HE SEES THE DOORS AT THE END, DANTE’S MANGLED BODY,
AND A LOT OF BLOOD. BUT NO WEREWOLF.
MILLER
(into walkie-talkie attached to his uniform)
We have a man down. Can you send
someone down to help me move him?
He might still be alive, but injured
very badly.
BRIANS
(from walkie-talkie)
Yeah, me and Julie will be down in
a minute.
MILLER
Alright. I’m right in front of the
main doors.
He looks both ways, seeing only darkness, and nothing
moving in the darkness. He looks up and sees the spot
where a tile used to be. He points his guns up at the
ceiling as he waits for his backup.
INT. MAIN ROOM - JULIE AND BRIANS ARE GOING INTO THE
HALLWAY JUST AS GABE, CANDY, SIERRA, JEREMY, ANDREW,
AND NOAH RUSH IN. HODGES IS LOOKING DOWN AT SMITH,
WHO IS NOW LAYING ON A TABLE, STILL COVERING HIS
WOUND. BAKER IS SITTING AT ONE OF THE DESKS, LOOKING
DAZED.
SIERRA
I don't understand what you all
think you're doing here. Why can't
we just leave?
HODGES
Like Miller told you, right now this
situation is contained in this
building. If anyone else comes here,
or if we just leave, there is the
possibility of other people getting
infected. We could end up with a
whole city of these things. As it
is, there's only two of them.
JEREMY
Two of those things can do a lot of
damage, man.
ANDREW
Yeah! By keeping us here, you're
endangering our lives.
HODGES
You're all welcome to get back in
your cells. Those should be pretty
safe.
NOAH
Damn it...
INT. THE HALLWAY - MILLER IS STILL STANDING NEAR DANTE
AND THE BACK DOORS. HE STILL HAS HIS GUNS POINTED AT
THE CEILING.
Dante looks bad, but he's conscious. Barely. Bloody
drool is dripping from the corner of his mouth.
DANTE
Fucker... bit me...
MILLER
Just hold on, Brians and Julie
should be here any second.
We watch them in silence for a few seconds, Miller
watching the hole in the ceiling.
The silence is broken when a ceiling tile falls to
the floor at the point where the hall turns.
Miller looks down the hall.
There's a few more seconds of silence, then another
tile falls to the floor a couple feet from the
last one.
MILLER
Oh, shit.
Another tile falls a few feet down from the last,
then another a few more feet. This continues to
happen all the way down the hallway, Miller following
along the ceiling with his guns.
When the tiles fall just 5 feet or so in front of him,
Miller begins to fire into the ceiling.
He fires along the 5 feet of ceiling, then up into
the hole as a furry blur passes over it.
He turns around, looking at the three feet or so
of ceiling between the hole and the back doors.
MILLER
Got you now...
Miller points the guns at the stretch of ceiling,
pulls the triggers, and...
Click. They're empty.
MILLER
Fuck.
We hear movement in the ceiling, and the
Werewolf leaves the hallway's ceiling, going
into the ceilings of the rooms along the hall.
Brians and Julie come running around the corner,
guns drawn.
BRIANS
What's going on?
MILLER
A werewolf was around, but it left.
Let's get out of here before it
comes back.
Miller kneels down beside Dante.
10/30/2003 1:21:09 PM
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